photograph by E. & H.T. Anthony from the collection of the Museum of the City of New York http://collections.mcny.org/C.aspx?VP3=SearchResult&VBID=24UAYW32D0M7&SMLS=1&RW=1280&RH=894 |
When James Gordon Bennett turned over the management of the his newspaper to
his 25-year old son in 1866, the New York Herald had the highest circulation of any American
paper. Bennett’s success was due partly
to his many innovations—adding illustrations in the form of woodcuts, and
sensational coverage of the grisly murder of prostitute Helen Jewett in 1836,
for instance. Bennett managed to obtain
the first exclusive one-on-one interview with a sitting President, Martin Van
Buren.
In 1865 Bennett purchased the site of Barnum’s Museum at the
corner of Broadway and Ann Street for a staggering $125,000—in the neighborhood
of $1.85 million today. Construction began in December on a
magnificent marble and cast iron structure to house the newspaper. It was completed in 1867, the year after the
colorful and controversial James Gordon Bennett, Jr. took the reins. The grand French Second Empire structure rose
four floors to a monumental two-story mansard roof, pierced with ornate dormers
and oculi and crested with decorative ironwork.
In a view from City Hall Park, the location of the Herald Building directly across from St. Paul's Chapel is evident. from the collection of the New York Public Library |
In 1868 James D. McCabe, in his The Secrets of the Great City, described the sub-levels where the
presses operated. “Below the sidewalk
are two immense cellars or vaults, one below the other, in which are two stem engines
of thirty-five horse power each. Three immense
Hoe presses are kept running constantly from midnight until seven in the
morning printing the daily edition.”
Bennett’s obsession with order was evident here. “The room and machinery are kept in the most
perfect order. Nothing is allowed to be
out of place, and the slightest speck of dirt visible in any part, calls forth
a sharp rebuke from Mr. Bennett, who makes frequent visits to every department
of the paper.”
At street level were the public offices. “It is paved with marble tiles, and the
desks, counters, racks, etc., are of solid black walnut, ornamented with plate
glass. Everything is scrupulously clean,
and the room presents the appearance of some wealthy banking office.”
The third floor contained the editorial rooms and a “Council
Room.” Daily, at noon, Bennett assembled
his twelve editors. A list of subjects
was discussed and topics for the next day's editorial columns were
decided upon.
The composing rooms were located on the top floor, described
by McCabe as “spacious, airy, and excellently lighted.” The building was a hive of activity. In addition to the twelve editors there were
35 reporters, “liberally paid for their services,” and 500 other employees
throughout the building.
Like his father, Bennett was an innovator. The modern building was equipped with a “vertical
railroad,” a sort of over-sized dumbwaiter that hurried materials from the
composing room to the press rooms. A
smaller “railway” moved packages throughout various parts of the building. To facilitate communication, speaking tubes
allowed associates throughout the structure to talk to one another.
A few months after the building opened, construction began
on the Park Bank building next door. At
a time when viciously-competitive newspapers sought every opportunity to deride
one another, the New-York Tribune took a shot at the Herald.
On October 8, 1867 it jibed, “The amiable Herald is in serious danger of losing
its proverbial good temper because the Directors of the Park Bank are to have
an edifice which will dwarf The Herald
building. With the most conspicuous site
in New-York, Mr. Bennett ought to be content, even though his neighbor does
erect by his side a more costly and imposing structure that his own.”
In fact, the architect of the Park Bank building took a page
from the Bennett’s book, creating a French Second Empire pile that
complimented, rather than detracted from, the New York Herald building.
The Park Bank building complimented the Herald building with its similar architecture -- Lights and Shadows of New York Life, 1872 (copyright expired) |
When that slight did not work, the newspaper struck
again. On February 28, 1868 the Tribune
completed, “Every costly, unmeaning, pretentious structure like the new
Court-House, or The Herald building,
or the new Park Bank, by the side of which even the Herald thing seems respectable, or Stewart’s house, or his up-town
store, which, when finished, will look like an ill-made hoop-skirt—every one of
these buildings puts back the day of honest and respectable, to say nothing of
beautiful, building, for years, debauches the public taste, and discourages
young [architecture] students from entering on the right way.”
Less prejudiced critics gave much more favorable
reviews. Miller’s New York As It Is gushed “The New York Herald building, on the corner of Ann
Street and Broadway, is the most elegant building in the country from which any
paper is issued. It is built of white
marble. No person can pass up Broadway
without noticing this magnificent edifice.”
Like his father, James Gordon Bennett Jr. aggressively persued the
biggest scoops and the most sensational stories. On March 21, 1871 he initiated what would be
his most famous ploy. Missionary David
Livingstone was missing in Africa.
Bennett sent a telegram to Herald
correspondent Henry Morton Stanley that read succinctly “Find Livingstone. Yours, Bennett.”
from "Famous American Fortunes and the Men who have Made Them," 1885 (copyright expired) |
Stanley set off for Africa.
Upon finding the doctor at Lake Tanganyika seven months later, Stanley’s
proper Victorian greeting would be forever remembered. “Dr. Livingstone, I presume?”
Laura Carter Holloway, in her 1885 book Famous American Fortunes and the Men who have Made Them chalked the
expedition to find Livingstone as partly self-serving on Bennett’s part. “Conceiving the idea, he ordered its
execution with no hesitation regarding consequences or expense…The world was talking
about Livingstone, speculating on his fate, placing him hopelessly in the long
list of mysterious disappearances and martyrs to missionary zeal. Bennett heard the talk, and deeming that the
function of a newspaper was to provide news and for the solving of the people’s
doubts regarding any solvable problem.”
In 1871 a young attorney, Charles J Guiteau arrived in New
York from Chicago. He later alleged
that he had just $10 in his pocket at the time, but within the first year made $1,500 and
$2,500 the second. Then, in 1873, the
Herald learned that a Cincinnati firm claimed Guiteau had absconded with $350.
According to The New York Times, “The Herald printed a report of G. Sandford’s remarks, embellishing them
somewhat, perhaps, and giving them a flashy heading.” In a letter to Bennett Guiteau claimed that
since the “scandalous article” he had not had a single case.
He sued the New York Herald
in 1874 for $100,000--then left town. He
reappeared in New York in 1881, a few months before he shot and killed
President James A. Garfield.
James Gordon Bennett Jr. was now living most of the time
abroad. Always colorful and routinely
controversial, he attended a New Year’s Day party hosted by his fiancée’s
family in 1877. When he urinated in the
fireplace he put an end to both his engagement and his acceptance by Manhattan
society. He went into a self-imposed
exile in Paris, sneaking back into New York now and then, making surprise
visits to the Herald offices.
Then, in 1892 he made a shocking decision. He would move the Herald offices from Newspaper
Row far uptown to 35th Street and Broadway. On April 17 that year The New York Times
remarked “The New-York Herald
Building, at Broadway, Park Row, and Ann Street, is in the market…Its sale will
be one of the incidents of the proposed removal of the Herald up town.”
A year later the newspaper reported “During Mr. James Gordon
Bennett’s absence abroad it began to be rumored about that the building and
site were for sale, and gossip even fixed the price demanded at
$1,250,000. This sun, which looks large
at first sight, does not seem so in view of the undoubted value of this fine
piece of realty. The corner is one of
the busiest in Christendom, and past it sweeps a tremendous procession through
most of the twenty-four hours.”
In 1893, when this shot was taken, the building was for sale. from the collection of the New York Public Library. |
While the glorious new Herald building, designed by Stanford
White, was rising on what would be named Herald Square, Bennett considered his
options for the downtown property. “One
prominent real-estate man has suggested to Mr. Bennett the putting up of a
novel twenty-story steel building, instead of a twelve or fifteen story one,
and it may be that this kind o structure will yet grace the site.”
The last issue of the New York Herald was printed in the old building on August 19, 1893. On May 24, 1894 its publisher had made up his
mind regarding the old site. The New
York Times reported “it was stated yesterday that Mr. Bennett does not intend
to build…It is understood that $1,250,000 is the price placed on [the property]
by the owner.”
The St. Paul Building rose alongside the still-standing Park Bank. -- from the collection of the Library of Congress |
Less than a year later, in February 1895, the white marble
Herald building was demolished. In its
place rose the 26-story St. Paul Building, designed by George B. Post.
The skyscraper survived until the 1960s, when it was replaced by the
Western Electric Building, or 222 Broadway.
photograph by Jim Henderson |
22 Broadway? What a damn fugly building in a city that has many to compete with
ReplyDeleteMeant to say 222 Broadway, my eyes were still hurting from viewing the replacement skyscraper
ReplyDeleteIt’s as ugly as a building can get.
DeleteOne correction--222 Broadway dates from before the seventies. My grandfather worked in that building from the early sixties until 1975. One source on the web puts the completion of the building in 1961 which seems to make sense. Not exactly the most beautiful building, though it does have better angles.
ReplyDeleteLove reading the detailed histories in your posts!
Beautiful buildings. 222 Broadway has to go!
ReplyDelete