Eighth Avenue, across from Central Park, was the eastern hem of what was still the rocky, mostly undeveloped Upper West Side in 1877. But Singer Sewing Machine executive Edward Clark saw the potential. He purchased several building lots on Seventh Avenue that year, as well as 30 plots on Eighth Avenue between 72nd and 73rd.
Outspoken in his elitist attitudes towards the impoverished; he intended to make the West Side as affluent as the East. To do so he would simply push the poor out by constructing high-end apartment buildings and he urged other property owners to do the same.
He encouraged landowners to work together, mutually investing in property, and issuing restrictive covenants on construction. He told a meeting of the West Side Association in 1879 that only their cooperation could establish the West Side’s “exclusive character” and lure well-to-do residents.
According to the authors of The Park and the People, he asserted “There is the highest authority for believing that the poor will always be with us; but it does not follow that the poor will necessarily occupy any part of the West Side plateau. The poor would be sufficiently with us if they lived in New Jersey or Long Island.”
Construction began on Clark’s Dakota Apartments in 1880 and would last for four years. He died during its erection, in 1882. By the first years of the 20th century, little of Clark’s substantial real estate holdings were still undeveloped. In 1902 Ambrose Clark sold the eight lots along Eighth Avenue (now known as Central Park West) between 73rd and 74th Streets to developers Abraham Boehm and Lewis Coon.
The men hired the architectural firm of Clinton & Russell to design a first-class apartment house on the large plot--one which would certainly have met Clark's approval. The architects were busy at the time designing the massive Beaux Arts-style Astor Hotel that would soon begin rising on Broadway between 44th and 45th Street. Construction on the Langham Apartments would not begin until 1904 and would last for three years.
Upon its completion in 1907, certain similarities in the new apartment building and the Astor Hotel were evident. A rusticated limestone base, three stories tall, supported the brick-and-stone bulk of the Beaux Arts structure. Elegant French-style iron balcony railings, terra cotta garlands, and an elaborate glass-and-iron canopy protecting the entrance announced the upscale tenor of the $2 million building. The top floor, sitting above a heavily-bracketed cornice and behind a stone balustrade, featured richly-decorated dormers that nearly concealed the mansard behind.
As the building neared completion in August 1906 advertisements for The Langham appeared in newspapers saying it was “ready for inspection.” Leases were available from “$4,500 and upwards.” The cheapest rent would equate to more than $10,000 per month in 2015.
The staggering rents were understandable when newspapers began describing the amenities. On September 2, 1906 The New York Times wrote “To what extent the idea of magnificence may be carried in apartment-house building is well shown in the Langham.” The newspaper said that the size of the rooms were “almost unheard of” outside of private homes.
|Two of the four apartments on the even-numbered floors depict the array of rooms -- The World's New York Apartment House Album (copyright expired)|
There were just four apartments per floor, with parlors 16 by 23 feet, dining rooms 16 by 24, and bedrooms 17 by 10. Mail was delivered to boxes in each apartment by an “automatic delivery system, so that a tenant on the twelfth floor will get his letters direct form the letter carrier without their having passed through the hands of hallboys, or even his own servants.” There was a safe in each apartment for the storage of wealthy residents’ jewelry and valuables; and iceboxes were kept cold by a main plant in the basement. A coil in the icebox was sufficiently cold for making ice.
The French styled lobby was meant to impress, with caen stone columns and marble floors. Ornate plasterwork adorned the ceiling.
|The lobby featured inlaid marble floors, art glass chandeliers, and exquisite plaster ceilings. photo by Wurts Bros, from the collection of the Museum of the City of New York|
Among the first of the affluent residents to move in was William C. Brown, President of the New York Central Railroad, and his family. In 1907 the Brown’s 17-year old daughter, Margaret, met Yale student George S. Patterson at a garden party in White Plains. A romance blossomed between the 21-year old Patterson and Margaret.
Margaret Brown had lived a privileged life. She was educated at the Dobbs Ferry School for Young Women, and at Miss Spence’s Academy for Girls. The Times noted that she “is well known and popular among the younger set in New York society.”
Three years after she met Patterson, their engagement was announced and a fashionable wedding was planned for the autumn of 1910. But months earlier, on June 12, 1910, The New York Times ran a headline that surprised all of society: “Margaret Brown’s Wedding Hastened.”
The newspaper announced that the couple had already been married in White Plains. “The marriage at this time was unexpected by the friends of the young people.”
The couple had cleverly avoided advance publicity by fooling journalists who loitered around City Hall. “Everybody knows who William C. Brown, President of the New York Central, is,” explained The Times, “but Mr. Patterson and Miss Brown correctly figured it out that many would not recognize ‘W. Carlos Brown of Clerinda, Page County, Iowa,’ as the Central’s President. So Miss Brown gave her father’s name as ‘Carlos Brown’ and her former home in Iowa as her birthplace.”
William Brown laughed off reporters’ questions and the suggestion that the wedding was rushed because of improprieties. He said that Margaret and her mother were to sail for Europe and the young couple “seemed to be very loath to be separated for this length of time.” Indeed, on Wednesday, July 13—three days after the wedding—Margaret, her new husband, and her mother, left for an extended stay in Europe. The trip, most likely, merely added fodder to drawing room gossip.
Theater owner, manager, and booking agent Martin Beck and his wife were in the building at the time. Beck was perhaps the first of what would become a tradition of residents from the entertainment industry.
While her husband busied himself with his theaters and clients, like the most famous Harry Houdini; his wife focused on charitable causes. She was actively involved in The Widowed Mothers’ Fund Association. In November 1911 the group took up the cause of a 29-year old widow. An appeal for donations said she “lost her husband by cancer, and was left with three little girls, the eldest of whom is now 6 years old. Another baby girl was born soon after the father’s death. The mother keeps an exemplary home, and earns a little at sewing, while caring for her children.” It added “Contributions will be acknowledged by Mrs. Martin Beck, 135 Central Park West.”
The family of Thomas A. Sperry spent their summers at the impressive estate, Osceola Farm, near Cranford, New Jersey. He was the founder and President of the Sperry & Hutchinson Company, the firm that originated the trading stamp system, and a director in three banks. The S & H Green Stamps were popular well into the second half of the 20th century.
On June 7, 1912 the family—which included 4-year old Marjorie, 19-year old Katherine, and two sons, Thomas, 15, and Stuart, 12--was at the New Jersey estate when disaster struck. Just before 5:00 that morning one of the maids was awakened by dense smoke. Her screams awakened the family and staff.
Nellie Brock, Marjorie’s nurse, grabbed the girl in a blanket and dashed down the staircase to safety. The rest of the household paused to dress—a nearly fatal mistake. Three maids and the butler were trapped with the family on the upper floors. Everyone was herded into the master bedroom by Thomas Sperry who telephoned the fire department and the servants who lived in the garage.
It took the fire department almost half an hour to arrive, and just minutes after the last person had descended the ladder to safety, “flames burst from every window in the house,” according to The Times the following day. The house was a total loss, including almost the entire collection of valuable paintings.
Sperry and his wife were driven to Manhattan where they “quickly fitted up their city apartments at 135 Central Park West.” The children were brought to the Langham once the apartment was reopened—the furniture dust coverings removed and put away, and the pantry filled.
With their summer estate destroyed, the Sperrys spent the following summer in Europe. On the return voyage, only a few days out of New York, Thomas A. Sperry was struck with ptomaine poisoning. His condition was such that he was carried off the vessel on a stretcher. On September 2, 1913, he died in his apartment in the Langham. The New York Times noted that the 49-year old had “built a great fortune.”
Other wealthy businessmen in the Langham at the time were George Westinghouse and Irving Bloomingdale. Westinghouse, whose fortune was estimated at about $50 million in 1914, was famous for his inventions of mechanical and electrical appliances, was either President or Director in the 22 different Westinghouse corporations.
Irving Ingersoll Bloomingdale was the son of Lyman Bloomingdale, who with his brother Joseph, had founded Bloomingdale’s Department Store. Other department store executives in the Langham at the time were Joseph B. Greenhut, owner of the massive Siegel-Cooper emporium on Sixth Avenue; and Irving Saks, of the famous Fifth Avenue store.
|The drawing room (above) of the Greenhut apartment was French in character; while the dining room was "colonial." photo by Wurts Bros. from the collection of the Museum of the City of New York|
On March 7, 1915, at about 4 a.m., Bloomingdale’s wife noticed the smell of smoke in their 11th floor apartment. He telephoned to the hallman, who turned in a fire alarm. The blaze was discovered in the apartment of Alfred Costello, a retired banker. The highly-touted fireproof quality of the Langham’s construction was soon tested.
Costello, his wife and daughter, left the building by the elevator and only a few other residents were aware of the fire. Police assured those tenants that there was no danger of the fire spreading. And, indeed, it was confined to the Costello apartment, which suffered $7,500 in damages.
By now other residents from the entertainment field were in the Langham, including popular actor David Warfield, and German-born operatic star Johanna Gadski.
|Actor David Warfield would live in the Langham with his wife for half a century -- photo from the collection of the New York Public Library|
A grisly tragedy occurred at the Langham in January 1922. Helen Blood Knickerbacker was the 84-year old widow of Henry Knickerbacker, who had died in their Fifth Avenue mansion on June 10, 1897. Like her husband, whose Dutch family had settled in Albany in the 17th century, Helen was “widely known among the old families of New York,” according to The New York Times. She listed among her close friends the family of William Rockefeller.
With Helen in her apartment was a staff of eight servants and a companion, Emma Mines. Her 11th floor bedroom looked out onto Central Park. On the frigid evening of January 30 her staff patiently waited for Helen to announce that dinner could begin. Finally, the butler asked Miss Mines to knock on the bedroom door to inform Helen that dinner was getting cold.
There was no answer, so Emma Mines opened the door to find the room empty, and the curtains blowing in the cold breeze. “She looked out and saw scores of persons at the entrance and guessed the tragedy,” reported The Times.
Helen had thrown herself out the window, crashing onto the entrance canopy. The glass shattered and her body was impaled on the metal supports. The three policemen who pushed their way through the curious crowd were challenged with the difficulty of removing the body.
“They risked broken bones by erecting a ladder of timber in efforts to get the body down, but their attempts failed,” reported The Times. Trying another tactic, they received permission from a second floor resident to use his window. “Risking a fall to the icy sidewalk sixteen feet below Patrolman Michaels succeeded in crawling along the fragile canopy while Patrolman McCree and Bertand aided him from more solid steel supports,” advised the newspaper.
In 1925 Leopold Schepp was struck with a somewhat surprising idea. He would give away his $10 million fortune while he was alive and “able to observe the benefits” which the money would bring.
Schepp, founder of the coconut importing business L. Schepp & Co., had started his career in 1851 with 18 cents his mother gave him. He bought a dozen palm-leaf fans for 1.5 cents each, and then sold them on the Third Avenue horse cars at 5 cents. He later said “They sold so fast that the third day I hired three other boys on commission and soon I was making $15 a week.” Within 20 years he had established his coconut concern; and in 1886 erected his own business building on Duane Street.
Schepp began distributing his fortune on Monday, March 16, 1925. The first check, for $500, went to an office boy. The head stenographer who had been with the firm 14 years, received $3,000, another got $1,000, and a clerk who had worked for Schepp for 21 years received $5,000 (in the neighborhood of $67,500 in 2015).
Two days later he announced his intention to spend $2.5 million to establish a foundation for New York boys between 13 and 16 years old that would provide them “with means to prepare themselves for useful careers.” The boys would be required to “pledge themselves to abstain from bad habits, to obey the laws of the State and nation, and to be considerate in their treatment of others.” If, after two years, they kept the pledge, they would receive $200 to be used to either start a business or finish their educations. By October he had funded $4.5 million to his Schepp Foundation for Boys.
Four months later the 84-year old suffered a mild stroke. Although his mind was not affected, he grew weaker and on March 11, 1926 he died in his Langham apartment with his wife at his bedside.
The Great Depression did not deeply affect the moneyed residents of the Langham. When Belle Moses, mother of famous Parks Commissioner Robert Moses, died in her apartment in 1930 she left an estate of more than $1 million.
Opera star Giovanni Martinelli rented a 10-room apartment in 1936. Only weeks later it was the scene of an impressive reception for Franco Ghione, conductor of La Scala Opera in Milan, and his wife. The apartment was filled on May 21 with celebrities from the New York stage and opera.
In 1941 actor Howard Lindsay and his actress wife, Dorothy Stickney, took an apartment in the Langham. The pair was best known for their performances together in the long-running play Life with Father. The tradition of theatrical types continued with theater head Edward F. Albee, Lee and Paula Strasberg, Basil Rathbone, and concert pianist and composer Caesar G. Finn.
Finn occupied a penthouse apartment and in 1949 was engaged to Hope Springarn. The couple took the elevator to the 12th floor of the Langham on September 25 that year, and then started up the narrow, winding staircase to the penthouse. The New York Times reported the following day “In walking up the stairs, Mr. Finn lost his balance, fell over a railing and dropped to the fourth floor.” The 48-year old later died in Roosevelt Hospital.
Every year on November 28 New York newspapers reported on the birthday celebrations of David Warfield, who was still in the building with his wife, Mary Gabrielle Bradt Warfield. Each of the commemorations was a bit more low-keyed than the one before, Warfield telling reporters at one point that he did not like being reminded of birthdays. On June 27, 1951 the 84-year old actor died in the Langham apartment.
Marilyn Monroe was sometimes seen in the Langham during the 1950s. She visited her psychiatrist, Marianne Kris, in her apartment here. And screen star Maureen O’Sullivan lived here, her apartment becoming the home of daughter Mia Farrow later. Following his wife’s death in 1976, actor Robert Ryan moved from the Dakota next door, to the Langham. He died in the apartment a year later. Other celebrity residents included Merv Griffin and Cyril Ritchard.
The building received its first cinematic exposure when it was used as the apartment of Susan Saint-James’ character Cindy Sondheim in the 1979 film Love at First Bite.
Mia Farrow was still in the building in 1986 when she starred in Hannah and Her Sisters. When her film character, Hannah, hosted her Thanksgiving dinner the scene was shot in Farrow’s Langham apartment. The actress enjoyed rent control for her 11-room apartment paying $1,800 a month in 1987.
Singer Carly Simon was in the building at the same time, paying $2,200 a month and State Senator Manfred Ohrenstein paid $1,700. Like Farrow, their apartments contained 11 rooms. But that would all change in 1993 when a law was passed that demanded tenants earning over $250,000 annually pay market rents. On March 7, 1996 the Daily News reported that Simon and Ohrenstein had agreed to the new $8,000 a month rents; but Mia Farrow was leaving.
Today, with a restored mansard and “modernized” apartments, the Langham still boasts sprawling apartments—some with eight bedrooms. While most other lavish turn-of-the-century apartment buildings in Manhattan suffered decline in the second half of the 20th century; those along Central Park West remained immune. The Langham survives as a refuge for the well-to-do; its handsome Beaux Arts design unchanged.
A very interesting history about the architecture at this grand apartment building. The image of the French lobby is a luxurious, beautiful example of this architecture during that time period.ReplyDelete
I grew up in the building and my mom still lives there. Lots of interesting new info here.ReplyDelete
Another outstanding history. Thanks. I’m wondering, though, whether the building might qualify more as French Renaissance than Beaux Arts, despite the elaborate Mansard roof. It’s surface is rather refined for an classic Beaux Arts.ReplyDelete
Good point. It's regularly classified as Beaux Arts, but it definitely is a marriage of the two styles.Delete
Interesting. My grandmother was a servant to Mrs. Knickerbocker in 1914ReplyDelete
At one time, Basil Rathbone was the other tenant on the Farrow’s floor. Tisa Farrow told a story about the Farrows encountering Rathbone, collecting his Sunday paper, in his underwear.ReplyDelete