The 1926 New York Furniture Exchange - 200 Lexington Avenue

photograph by Carole Teller

The newly formed Lexington-32nd Street Corporation acquired all the buildings along the western blockfront of Lexington Avenue between 32nd and 33rd Streets in 1925.  The architectural firm of Buchman & Kahn, in association with architect Maximilian Zipkes, was hired to design a 15-story structure that would house to the New York Furniture Exchange.  Although the firm's filings do not specify which architect took the reins in the project, Ely Jacques Kahn is routinely given the credit.

Buchman & Kahn released this rendering in 1926.  from the collection of the Museum of the City of New York

Completed in 1926 at a cost of $2.7 million (nearly $50 million in 2026 terms), the monolithic structure was faced in sandy-colored brick and trimmed in terra cotta.  Its Art Deco design included elements influenced by Celtic, Assyrian and other exotic prototypes.  Above the third floor, a terra cotta frieze of an undulating vine snakes below and above trailing bellflowers (every other example defying gravity).  It is interrupted sporadically by octagonal plaques and rosettes.

The panels on either side of the fluted terra cotta tiles between the third-floor windows reflected Celtic motifs.  photograph by Carole Teller

Above the 11th floor was a complex, striated cornice.  Its contrasting layers mixed modern Art Deco motifs with ancient themes.  Rather than a terminal cornice, the three-story setback was crowned simply with a paneled parapet.

The Furniture Exchange was not a new concept.  It was established in 1891 at the Grand Central Palace at 36th Street and Seventh Avenue.  But it had come a long way since then.  An advertisement in The Decorative Furnisher on January 1927 said the New York Furniture Exchange was "where the country's furniture buying power meets."  Furniture makers and dealers nationwide leased space in the building to market their goods.  A listing of the tenants in the June 1927 issue of Furniture Index filled two full pages.  An article in the May 1928 issue of The Furniture Journal said:

Conceived more than a generation ago by a group of broad-visioned manufacturers, as a manufacturers' outlet...the Furniture Exchange in this city has from the start been a lighthouse on the Atlantic coast for the manufacturers of furniture throughout the country--a spot where they could assembly their choicest products, secure in the thought that they would be inspected here by those who ought to see them, and no others.

Only wholesale buyers were admitted into the building.  The Furniture Journal said it was "firmly barred against cowans and eavesdroppers."  The article reported that there were no fewer than "237 categories of merchandise on display in the building."

photograph by Sigurd Fischer from The Architectural Record, July 1926

While buyers could shop throughout the year, the busiest time for tenants were the winter and summer Furniture Expositions.  The two-week events drew retailers from across the nation.  On January 15, 1929, for instance, Furniture Buyer and Decorator commented, "For the past two or three weeks the big New York Furniture Exchange has been a continuous scene of hustle and bustle, getting ready for the January Semi-Annual Furniture Exposition."

The Furniture Journal, May 1928.

One dealer made history of a sort in 1955 when he leased space in the building.  On January 22 that year, The New York Age reported that Al Thompson, whose principal operation was in Brooklyn, was "the only Negro registered with the New York Furniture Exchange."  The article called Thompson a "sterling example of successful enterprise overcoming real or fancied problems of race."  It also pointed out, "More than 90 percent of Thompson's business is white."

A facade restoration was initiated in 1961.  The building was sheathed in steel and wooden scaffolding to accommodate what The New York Times described as "resurfacing work."  On the night of February 25, the city was hit with a vicious gale with wind gusts reaching 60 miles per hour.  At 8:35, Mr. and Mrs. Harris Kanzer stepped out of their car at the curb in front of 200 Lexington Avenue.  The New York Times said that at that moment, "the wind caught at the canvas screening on the two-story scaffolding of tubular steel uprights and horizontal planking."  

In a chain reaction, the scaffolding collapsed, starting at 33rd Street and ending domino-like at 32nd Street.  Eleven cars were damaged and the Kramers were pelted with debris.  Happily, they were only slightly injured.

photos by Sigurd Fischer from The Architectural Record, July 1926

The 73rd New York Winter Furniture Show started on January 14, 1964.  The timing could not have been worse.  That day, what The New York Times called "New York's worst storm of the season" hit.  But despite the blizzard, attendance was only 20 per cent down.  The article said, "Furniture dealers proved themselves a hardy breed yesterday."  More than 3,200 customers battled the blast to examine the 550 manufacturers' offerings.

Over the decades, the furniture manufacturers, of course, adapted with changing tastes.  But perhaps no one was more reflective of that than Quasar Khanh, owner of the Paris-based Quasar Inflatables.  When he arrived in New York in October 1969 with new models, he carried the chairs, poufs and lamps in a suitcase.  The designer's inflatable furniture epitomized 1960s domestic tastes.

Within a decade, the furniture trade gradually moved to Long Island City.  A renovation in 1979 resulted in an adult trade school on the fourth floor.  And in 1981, the building's name was changed to the New York Design Center.  Martin Gottlieb, writing in The New York Times on May 13, 1984, explained, "Several years ago, the 500,000 square foot New York Furniture Exchange at 200 Lexington Avenue decided to convert itself form a wholesale commercial furniture building...to a building that served designers and decorators."

Among the tenants in 1994 was the New York Chapter of the American Institute of Architects.  It was the venue for exhibitions and other events, like the panel that discussed "the impact of empowerment zones and the relationships between public policy, design and planning" on September 19, 1996.  The American Institute of Architects would remain here until 2003.

The New York Design Center established Interior Operations in 1997.  Newsday explained on September 18, "For a one-time fee of $50, clients are paired with designers who either help them complete entire projects with merchandise from the center or merely assist them in selecting a few individual items from some of the 80 showrooms in the building."  The article noted parenthetically, "when it opened in 1926, [it] was the first furniture and design building in New York City."

photograph by Carole Teller

The New York Design Center contains 100 showrooms today.  They exhibit furniture, textiles, lighting and decorative accessories.  Like Interior Operations, the current Access to Design program helps educate consumers "on the value of good design," according to the Center's website.  In the meantime, the upper floors of Buchman & Kahn's striking 1926 building is nearly unchanged a century after its doors opened.

many thanks to artist Carole Teller for suggesting this post