The 1931 Rothman's Pawn Shop Building - 149 Eighth Avenue

 

Born in the Chelsea area of New York City on March 6, 1833, Rev. Stephen Merritt Jr. joined his father's undertaking business in the converted house at 149 Eighth Avenue in 1851.  The Federal-style residence was erected around 1828 and would have been a close match to the abutting houses at 145 and 147 Eighth Avenue.  Following his father's death in 1874, Merritt moved the operation to 219 Eighth Avenue.  

At the turn of the century, Samuel Epstein's glass and mirror business occupied the ground floor of the vintage building.  But the post-World War I years saw it sorely neglected.  The city deemed the structure "unsafe" in 1927, 1929 and 1930.

Apparently that third violation was the last straw for city inspectors.  The building was demolished and the 149 Eighth Avenue Corp. hired architect H. Hurwit to replace it with a one-story store.  Hurwit's Art Moderne design included sharply-angled arcade windows that provided ample display space for window-shopping pedestrians.  Above, a high, scalloped parapet gave the diminutive building a false sense of height.

Hurwit's stylish design was visible for only a short time.  The building was leased to Rothman's Pawn Shop.  Its aggressive signage left only the show windows visible.

Steel supports reinforce the abutting buildings in 1940.  via the NYC Dept of Records & Information Services.

The intentional chaos of Rothman's Pawn Shop caught the eye of photographer Berenice Abbott on May 18, 1938.  She snapped photographs of the building as part of her Changing New York, a collection of images funded by the Federal Art Project. 

This image by Berenice Abbott clearly shows the arcade windows sitting on sleek, two-toned Art Moderne bases.  from the collection of the New York Public Library.

The Eighth Avenue neighborhood underwent a renaissance in the third quarter of the century.  After having been home to Rothman's for half a century (during which the billboard-sized sign prevented masonry repairs), in 1983 149 Eighth Avenue was converted to an "eating and drinking establishment," as worded by the Department of Buildings.  H. Hurwit's Art Moderne arcade windows were replaced with a flat facade.  The alterations anticipated the August 5th opening of Pat Rogers's and Bob Barbero's restaurant, Rogers and Barbero. 

Two months later, on October 3, The New York Times restaurant critic Suzanne Daley recalled, "Opening night was a blur of handshakes and congratulations."  The owners, she wrote, "had transformed what used to be a pawn shop into a restaurant, covering the crumbling black-brick facade with pale beige stucco, rebuilding the floors and the walls, spending nearly $350,000."

The partners had signed a 15-year lease on the building.  Their goal, they said, was to establish a neighborhood restaurant serving regional dishes and "some of what the American chefs are coming up with."

There was another change taking place in the Chelsea neighborhood.  By the 1990s, the gay community had greatly moved northward from Greenwich Village and at least two gay bars opened along Eighth Avenue.  In 1993, Pat Rogers and Bob Barbero renovated their restaurant and renamed it Food Bar.  The changes were intended to attract a gay clientele.

On November 10, 1993, Newsday titled an article "Gays and the Restaurant Scene."  Bob Barbero told the journalist, "A lot of people who come in here now know each other and go from table to table during the course of the night.  It is much more of a social scene, more outrageous than our old restaurant."

The popular Food Bar was both "outrageous" and highly successful.  photograph by Gigi Cohen, Newsday, November 10, 1993.

The importance of Food Bar in the Chelsea gay community was reflected in a benefit held here in June 1999.  The New York Times said, "Kathleen Turner, Martha Plimpton and Joan Osborne will speak at a benefit for the Planned Parenthood Federal of America and Planned Parenthood of New York City."  Following the speeches, said the article, would be "a performance of Part 1 of 'The Cider House Rules.'"

A renovation completed in 2010 included a new storefront and a coat of charcoal-colored paint.  Today a Mexican restaurant occupies the space.

photographs by the author