The Lost Richards and Rathbone Mansions - 8 and 10 LeRoy Place

 

etching by Alexander Jackson Davis, from Views of New York, 1831 (copyright expired)

Isaac G. Pearson filled both sides of Bleecker Street between Greene and Mercer Streets with elegant mansions designed by Alexander Jackson Davis around 1828.  Presumably, the north and south blockfronts mirrored one another.  On the south side, six Federal-style residences were entered at ground level.  Above their rusticated bases, full-width cast iron balconies fronted the second floors.  Centered between these homes were two even grander, mirror-image mansions.  Nos. 92 and 94 Bleecker straddled the Georgian and Federal styles.  Flanking their high stone stoops were elaborately wrought-iron basket newels.  The floor-to-ceiling parlor windows opened onto cast-iron balconies.  Commodious fanlights above the single paneled entrance doors spilled light into the vestibules.  The doorways were flanked by columns and sidelights.  The mansions were unified at the attic level by a balustrade and carved parapet.  A centered, square cupola crowned each of the residences.

Mordecai Marks and his family occupied 92 Bleecker Street in 1830.  They were supplanted by Guy Richards and his wife as early as 1833.  By then, Isaac G. Pearson had successfully lobbied the Board of Aldermen to rename the block LeRoy Place.  (The practice was intended to increase the exclusivity of certain blocks and resulted in other sections of Bleecker Street becoming DePau Row and Carroll Place.)

An enlarged view of 8 and 10 LeRoy Place reveals details of the elegant doorways and wrought iron newels.  etching by Alexander Jackson Davis, from Views of New York, 1831 (copyright expired)

The Richards house was now 8 LeRoy Place.  (The address would be variously spelled Leroy and Le-Roy Place.)  Born on January 8, 1788, Richards was an 1807 graduate of Yale College.  When he purchased 8 LeRoy Place, he owned a distillery on Perry Street.  

As early as 1840, John Rathbone and his family occupied the mansion next door at 10 LeRoy Place.  The head of John Rathbone & Son and a founder and director of the Bank of Commerce, John Rathbone was born in Canterbury, Connecticut on October 20, 1751.  He and his first wife, Eunice Wells, had 11 children.  She died in 1810 and in 1813 he married Mary Sheffield.

John Rathbone, Genealogy of the Descendants of William Chesebrough, 1903 (copyright expired)

Rathbone's immense wealth was reflected in his subscribing to $20,000 in war loans during the War of 1812, and in his financial backing of the Erie Canal.  The 1898 Rathbone Genealogy records:

In connection with Eleazer Lord of New York he took the entire amount of the first Ohio Canal loan, in 1825, of $400,000, and subsequently made a loan in connection with John Jacob Astor for same amount to the same State.

Mary Sheffield Rathbone died in January 1840 at the age of 78.  There would be two more funerals in the drawing room in quick succession.  John Jr. died at the age of 66 on July 30, 1842, and John Rathbone Sr. died in the mansion on March 13, 1843 at the age of 92.  

A notice in the New-York Tribune on March 15, 1843 said, "His friends and those of his sons-in-law, Robert Chesebrough and Samuel B. Ruggles, are requested to attend his funeral from his late residence, No. 10 Leroy place, this afternoon at half-past 4 o'clock."  (Samuel Ruggles is best remembered today for developing Union Square and Gramercy Park, and Robert Chesebrough for discovering petroleum jelly, which he marketed as Vaseline.)

An auction of the Rathbone furnishings (what today would be called an estate sale) was held later that year.  The Guy Richards family would now get new neighbors in the Benjamin Lincoln Swan Jr. family.

Born in 1818, Benjamin owned a ship chandlery at 1 Hanover Square.  He had left his parents' the magnificent mansion at 416 Lafayette Street upon his marriage to Caroline Post.  (Incidentally, Benjamin's brother, Edward, married Caroline's sister, Julia Post.)  The couple would establish a country estate, Woodside Farm, in Oyster Bay, Long Island.

The Swanns' country estate included an Italianate villa.  from the collection of the Library of Congress

Caroline Post Swan's father, Allison Post, died in 1848.  Her mother, Elizabeth Floyd Post, moved into the LeRoy Place mansion and by 1850, Dr. Jotham Post shared the house.  (It is unclear how Dr. Post was related to the family.)

It is possible that Guy Richards had a son from a previous marriage.  An arcane position-wanted advertisement appeared in The New York Times on May 29, 1856:

Employment Wanted--For a young man of Christian character and principles, who is slightly disabled in the left hand, but active, prompt and energetic.  He is competent to teach, but an affection of eyes prevents this means of living.  Any confidential post, as travelling agent, or companion, would be acceptable.  Any gentleman needing such a companion, will find him intelligent and well bred, being the son of a gentleman.  Address X.Q.P. No. 8 Leroy-place, Bleecker-st., New-York.

In 1861, Benjamin and Caroline Swan moved uptown to 5 West 20th Street.  Edward Henry and Julia Post Swan moved into the LeRoy Place mansion.  Elizabeth Floyd Post remained here and Mary Post (Caroline's and Julia's paternal aunt) moved in at the same time.  Mary died in the house on January 8, 1864 at the age of 82.  Her funeral was held in the mansion two days later.

Sharing 8 LeRoy Place by 1871 was a distant relative, Dr. Wolcott Richards.  Born on June 15, 1803, he graduated from Yale Medical School in 1825.  His first marriage to Indiana Cordelia Twiggs ended in divorce.  He married Susan Mansfield Strong in 1841.

By the time Guy Richards death at the age of 85 on March 26, 1873, the name of the block had reverted to Bleecker Street.  Interestingly, his funeral was not held in the mansion, but at the Brick Church on Fifth Avenue and 37th Street.  

At the time of Richard's death, the Swan mansion had been converted for business.  It was home to William H. Geib's piano showroom and factory.  In 1876 it was taken over by another piano maker, Lindeman & Sons.

In the mid-1880s, both residences had been renovated for commercial use.  Then, in the post-World War I years they were replaced by a commercial building.  That structure and the rest of the block were demolished in the 1960s as part of New York University's Silver Towers.

photograph by Kidfly182

The 1921 David Belais Building - 137 West 14th Street

 

photograph by Carole Teller

The de Peyster family acquired land above Greenwich Village around 1820.  The first de Peyster arrived in New Amsterdam in 1685 and since that time, said the New York Journal, "New York had chosen her generals, jurists and merchant princes" from the family.   Just after the end of the Civil War, James de Peyster erected a handsome mansion on the property, at 137 West 14th Street.

As the turn of the century neared, the once-elegant West 14th Street block was increasingly becoming commercial.  The de Peyster family, however, remained.  When the wedding of Emily Petit and Robert Ralson Crosby was held in the drawing room on December 12, 1898, the New York Journal and Advertiser commented, "This is the spacious old de Peyster mansion, one of the very few of the Knickerbocker homes that are still occupied in the lower part of the town."

When Wilson de Peyster died on March 7, 1911, The Press reminded readers that he "was a member of one of the oldest New York families, being in the seventh generation from Johannes de Peyster, founder of the family, and related to the Beekmans, the Winthrops and the Livingstons."

On January 6, 1917, the Record & Guide reported that Philip Aaronson intended to erect a nine-story loft building on the site of the de Peyster mansion.  Something upset those plans, but not before Aaronson demolished the vintage residence. 

When David Belais purchased the property from the de Peyster family three years later, in November 1920, the New York Herald described it as a "vacant lot."   The article mentioned, "He will erect a six story loft building for his own occupancy," and The New York Times added, "The property has been in the ownership of the de Peyster family for a hundred years."

Belais hired architect Victor C. Farrar to design the building.  The plans were quickly scaled back and a month after The Times article, Farrar filed plans for a "three-story brick and limestone loft building."

Completed the following year, the project cost Belais $30,000, or about $540,000 in 2026 terms.  Faced in limestone above the storefront,  Farrar's design was overall Renaissance Revival, but the many-paned openings, six-over-nine at the second floor and six-over-six at the third, harkened to Colonial precedents.  A dignified, balustraded parapet crowned the design.

A brownstone mansion survived next door, sans stoop, in 1940.  The 3-golden-globes of the Silberstein pawn shop hangs above the 2nd floor of No. 137.  via the NYC Dept of Records & Information Services.

David Belais was a metallurgist and manufacturing jeweler.  Born in Greenwich Village, he was a graduate of City College and a descendant of an esteemed rabbinical family.  His great-grandfather, according to The New York Times, was "Chief Rabbi of England during the reign of George III."

In the late 19th century, Belais started experimenting with alloys in hopes to find a metal that could substitute platinum.  He found success in 1917 when he formulized "white gold."  The following year he filed for a patent and received it on February 10, 1920, just prior to buying the de Peyster property.

The Keystone, September 1926 (copyright expired)

David Belais was as well-known (if not more so) for being a "friend to animals," as worded by The New York Times.  He founded the Humane Society of New York in 1904 and served as its president without any compensation.

Belais died at the age of 70 "after a long illness," according to The New York Times, on June 5, 1933.  His business was closed.

Four months later, on October 30, The New York Sun reported that Solomon D. and Abraham Silberstein had purchased 137 West 14th Street.  The brothers operated D. Silberstein's Sons pawn shop.

Like all other pawn shops, D. Silberstein's Sons occasionally auctioned off unclaimed items.  Typical was the auction on September 10, 1942 that focused on "diamonds, jewelry, second-hand watches."

On August 3, 1946, The New York Times reported that D. Silberstein's Sons had sold the property.  Renovations completed the following year transformed the building to "factory" space throughout for the Norma Pencil Corporation.  

A 1950 ad termed 137 West 14th Street the "Norma Building."  The Jewelers' Circular-Keystone, August 1950.

Known for its four-color mechanical pencil, the Norma Pencil Corporation improved on the item in 1953.  On September 6, The New York Times reported it "has a new working model of its Multikolor Pencil, containing a ball-point filler instead of one of the customary four different colored leads now used."

The Norma Pencil Corporation occupied 137 West 14th Street into the mid-1960s.  

The building became the Dolphin Center in the late 1960s.  An early presence here was Alternate U, described by the N. Y. Amsterdam News on March 15, 1969 as a "'college' free of grades, credit and age restrictions created to give alienated Americans the tools to correct social injustices."  The school opened on the third floor on February 10 that year.

The article explained that its 1969 catalog included 25 courses:

...ranging in subjects from the King and Kennedys assassinations and the mimeograph as a revolutionary tool to life in Hanoi, anarchism, unidentified flying objects, institutionalized oppression, the Middle East and Marxian economics.

On June 30, 1971, the New York Militant described the Dolphin Center as "a beehive of effective organizing and nonviolent action."  Headquarters in the building, said the article, were "the Psychologists for Social Action, New York Sane Council, Vets for Peace, Medical Committee for Human Rights, Computer People for Peace and other groups."  The newly-formed Women's National Abortion Action Coalition (WONAAC) opened its headquarters here that year.

Also in the building was the Courtyard Playhouse.  In April 1970 soprano Judith Kurz "and others," according to The New York Times, performed in Performance Plus.  And the following year, on May 6, 1971, The Villager reported that the Courtyard Playhouse Foundation "is presenting a new children's show at 1:30 p.m. every Saturday and Sunday throughout the summer."  The children's shows, like Jack and the Beanstalk, produced in May 1974, were favorites for years.

The building was renovated in 2011-12.  The theater space became Theaterlab.  In 2017 the Offside Tavern occupied the ground floor and by 2019, Secret Loft was on the second floor.  During the televised Democratic Presidential Debates that year, "The comedians behind 'Pod Damn America,' a self-described gothic socialist comedy podcast, will offer commentary and riffs at Secret Loft," reported The New York Times.

The top floor was home to the Art of Our Century Gallery.  According to the Village Preservation Blog, in August 2020, "Art of Our Century Gallery was inspired by legendary art world figure Peggy Guggenheim's 1942-1947 gallery on 57th St."

Today Victor Farrar's 1921 storefront has been decimated.  But close inspection reveals that an elegant wavecrest frieze carved into the limestone survives--a relic of a time when patrons shopped for white gold-and-diamond cocktail rings and bracelets here.

many thanks to artist Carole Teller for suggesting this post

Charles Rentz's 1891 100-102 West Houston Street

Architect Charles Rentz's business was booming in 1890.  On November 21, 1890 alone he filed plans for four substantial buildings.  Among them was a "six-story stone and iron warehouse, with elevators, engines, etc." at 100 and 102 West Houston Street for Levy & Co.  Rentz placed the construction costs at $45,000, or about $1.6 million in 2026.

Charles Rentz designed the structure's two mirror-image sections in a reserved version of Romanesque Revival.  Completed in 1891, it was faced in brick above a cast iron base.  Triptych windows at the second floor sat within segmental arches, while the grouped windows of the midsection shared a single stone lintel.  The three-story pier between them was decorated with large, ornamental anchor plates.  Above the fully arched openings of the top floor was a bracketed cornice.

Among the initial tenants was Peter J. Brett, who manufactured "bonnet frames" on the fifth floor.  His ten male employees worked 53 hours per week.  Early on the morning of March 25, 1895, fire was discovered in Brett's shop.  The New York Times reported, "The firemen soon put it out, and some of them had left, while others were cleaning up the debris."  Those who remained were Captain Johnson and seven firefighters.  They "were putting things to rights," said the New York Herald, when a gas meter exploded.  "The shock threw them off their feet, but the things which were fired about shot over their heads, so they were not hurt."

The explosion started a second fire "and the rest of the firemen had to come back to put it out," reported the New York Herald.  The second blaze was worse than the first and Brett incurred damages of $10,000--a significant $385,000 today.

from the collection of the New York Public Library

Like Peter J. Brett, several of the tenants were millinery-related.  At the turn of the century, Eugene Razetti, Sardi & Valente, and Rossig Bros.--all three makers of artificial flowers and foliage for women's hats--were here.  Unlike Brett, who employed only men, Sardi & Valente's staff was heavily female: 17 women and 3 men.

Both firms advertised in The Millinery Trade Review in November 1904 (copyright expired)

Also occupying space at the turn of the century was the Standard Embroidery Company (on October 2, 1904, it advertised for a "Boy, Hebrew, for errands and make himself generally useful"), the Chemical Novelty Co., and M. Friedman & Co., makers of umbrella handles.  The latter was established in 1881 and moved into the West Houston Street building in 1892.  In 1905, Trunks Leather Goods and Umbrellas called M. Friedman & Co. "the oldest umbrella handle manufacturers in New York."

In the meantime, the ground floor was home to Rigolletti's Restaurant.  Working for Eugene Razzetti upstairs was Caesar Razzetti, presumably a son.  On the night of February 22, 1908, Eugene met his uncle, Gerolamo Cella, a respected importer of Italian wines, in the restaurant.  They and some friends played cards, but, according to The Sun, "During the came [Cella] was gloomy and inattentive."  The newspaper said, "As he was leaving he told the little party that they might soon be called to attend his funeral."  Cella was right.  He went home and committed suicide.

By the World War I years, J. Mackey & Co. was here, making "the campaign hat strap adopted by the new National Army," according to an ad in December 1917.  The firm also manufactured, "leather visors, chin straps, trimmings for uniform caps complete."

The post-war years saw millinery firms replaced with a variety of businesses.  In the early 1920s, Forsberg Electric Mfg. Co. and Conway Import Company were here; and by 1930 C. M. Blodgett, publishers of advertising calendars operated in the building.

Geyer's Stationery, September 1930 (copyright expired)

For some reason, 100-102 West Houston Street became a target for burglars in 1920.  Between January and August that year, there were eight break-ins, two of them targeting Conway Import Company.  It happened again on August 22.  The Evening World reported, "A safe-ripping which failed to remove the inner door was disclosed to-day when the store of the Conway Import Company, olive oil importers at Nos. 100-102 West Houston Street, was opened."

image via the NYC Dept of Records & Information Services.

The Savoy Provision Company of Manhattan moved into the building in the Depression years and would remain for decades.  It was nearly involved in what the Staten Island Advance called an "early-morning barbecue" on June 10, 1947.  The article said that firemen were "called to put out a blaze in the cab of a meat truck to the rear of 1004 Arden avenue, Annadale."   How a fire could have started in the Savoy Provision Company's truck was unexplained.

The firm occupied the building until the early 1980s.  A conversion completed in 1985 resulted in six cooperative apartments.  It was possibly at this time that the cornice was removed.

As had been the case in 1908, the ground floor became a restaurant.  Fratelli Cangiani opened in June 1988, replaced by Jane at the turn of the century, and followed by Sarabeth.

photographs by the author

Van Wart & Wein's 40 Fifth Avenue

 

image via landmarkbranding.com

Development of Fifth Avenue above Washington Square began with the Henry and Laura Brevort mansion at the corner of West 9th Street, completed in 1834.  Within seven years, the Church of the Ascension was erected on the corresponding corner of 10th Street, and by 1858 the northern half of that block was filled with sumptuous rowhouses, like the Henry Rutgers Remsen mansion at 40 Fifth Avenue.

Four mansions, including the Remsen house at No. 40 (left) filled the northern block between 9th and 10th Streets.  from the collection of the New York Public Library

At the end of World War I, lower Fifth Avenue had drastically changed.  Like the Brevoort mansion, which was demolished in 1925, private homes were quickly being replaced by upscale apartment buildings.  In 1927, the four houses at 40 through 46 Fifth Avenue and those at 2 through 10 West 11th Street were acquired by Moses Ginsberg's 10 West 11th Street Corporation.  

On September 16, 1928, The New York Times reported that demolition of those structures had begun.  On the site, said the article, would be a 15-story-and-penthouse "100 per cent cooperative building to be known as 40 Fifth Avenue."  The article pointed out that the location was "one of the most unusual corners of lower Fifth Avenue" because it was flanked by churches, ensuring light and ventilation.  The structure, "will be from plans by Van Wart & Wein, architects, with McKim, Meade [sic] & White, architects for the purchasers."  

As the structure neared completion, an advertisement in The New Yorker on December 15, 1928 called the location, "The corner of corners."  It boasted, "40 Fifth Avenue, now under construction, will occupy one of the few corners in New York combining residential desirability with complete sunshine and light protection on all sides."  

The ad boasted that the apartments would have "spacious rooms with ample baths and closets, glass-enclosed loggias, wood-burning fireplaces and mechanical refrigeration."  Prices, said the advertisement, started at $10,500 (just under $200,000 in 2026 terms).  Along Fifth Avenue would be four "maisonettes," essentially private homes within the building with separate entrances on the avenue.

McKim, Mead & White was kept busy with the interior designs.  Future homeowners had begun purchasing the apartments months earlier.  Among the first was Eugene V. Connett Jr., who  had purchased a six-room and three-bath apartment on the 12th floor in June 1928.  And on August 15, The New York Times reported that H. Hamilton Holden had purchased the triplex maisonette at 46 Fifth Avenue.  "The apartment contains eleven rooms and four baths," said the article.

Completed in 1929, Van Wart & Wein had turned to New York's colonial past by designing the building in the neo-Georgian style.  Its three-section base was divided by intermediate cornices and clad in limestone and red brick.  Above the 10-story shaft, the top section was crowned with a brick-and-stone-balustraded parapet, behind which the penthouse level was topped with a striking Georgian-style cupola.  

photograph by Beyond My Ken

Among the initial residents were commercial artist Bert Pagano, whose 8th-floor apartment contained six rooms and three baths; his brother, Guido Pagano; attorney Joseph Force Crater and his wife, Ella; stockbroker Floyd Y. Keeler; and William A. Force 3d, president of the William A. Force Company, Inc.

Born in 1885, Floyd Y. Keeler was a partner in the brokerage firm of Orvis Brothers & Co.  He and his wife, the former Elizabeth Rapallo Irving, had two adult daughters.  

Shortly after moving into their penthouse here, Keeler left town on a business trip.  Early on the morning of April 13, Elizabeth woke up to find a man "rummaging about in the bedroom," as reported by The New York Times.  The burglar quickly realized that he had chosen the wrong apartment to rob.  The article said, 

Mrs. Keeler, who weighs only 100 pounds, but who served in the Red Cross Motor Corps during the World War, made a flying tackle and grappled the intruder just as he was about to make his way out of the window to the roof.

The burglar wriggled free, but not before Elizabeth pulled off one of his shoes.  He headed down the fifteen flights of stairs while Elizabeth telephoned the police.  Two detectives arrived at 40 Fifth Avenue just as a man, wearing only one shoe, exited.  Frank Vagedes was arrested and the following morning he appeared in the Essex Market Court.  The New York Times commented, "Mrs. Keeler returned his shoe."

Joseph Force Crater was born in 1889, the son of Irish immigrants.  A graduate of Columbia University, he was closely associated with Tammany Hall leader Martin J. Healy.  He and his wife, the former Stella Mance Wheeler, were married in 1917.

Justice Joseph Force Crater (original source unknown)

Just months after buying their penthouse apartment, in April 1930, Governor Franklin D. Roosevelt appointed Crater a Justice of the New York Supreme Court.  Shortly afterward, the state initiated an investigation into corruption within New York City agencies.

Like all the well-to-do residents of 40 Fifth Avenue, the Craters had a country home.  Theirs was in Belgrade Lakes, Maine and they were there in the summer of 1930 when, late in July, Crater received a telephone call.  On August 3, he returned to Manhattan, telling Stella he would return in time for her birthday on August 9.  When he did not return after ten days, Stella initiated a search.  Justice Joseph F. Crater had vanished.

On September 6, The New York Times reported that Stella was still in Maine, "suffering from a nervous breakdown."  In what would be the most intensive and publicized missing case until Jimmy Hoffa's disappearance in 1975, newspapers nationwide updated readers nearly daily.  Sanitariums were searched, bank records were examined (he had cashed two checks totaling $5,150, or about $100,000 today), and numerous leads were followed.

On February 1, 1931, District Attorney Crane told reporters that the investigation "would end in a few days."  Ransom notes and telephone calls received by Stella had proved to be bogus.  In the meantime, Stella Crater found herself in a difficult position.  With no proof of her husband's death, she had no income.  On January 14, 1932, Surrogate James A. Foley granted her an allowance of "$50 a week and the use of their apartment at 40 Fifth Avenue."  The New York Times said, "Mrs. Crater said she had been accustomed to living at the rate of $15,000 a year and that she had no other means of support."

Six years later, on March 15, 1938, The New York Times reported that Stella Crater had been evicted from her apartment.  Her attorney announced, "Mrs. Crater was resigned to abandoning her home, being without funds."  The disappearance of Joseph Force Crater remains one of America's great unsolved mysteries.

photograph by Spencer Means

Also occupying a penthouse apartment at the time of Crater's disappearance was another attorney, William E. Carnochan.  Born in 1869, he joined the law firm of Parsons, Closson & McIlvaine in 1891.  Never married, he was a member of the University and Lawyers Clubs.  In December 1930, while the nation was focused on the search for his neighbor, Carnochan suffered a nervous breakdown.  His sister, Sara Willard of Troy, Pennsylvania, temporarily moved into the apartment to care for him.

Five months later, Carnochan was still unwell and suffering from insomnia.  On April 23, 1931, he went onto his terrace, climbed the four-foot high parapet, and jumped to his death, landing on the Fifth Avenue sidewalk.  

The majority of the owners within the building, of course, were much less dramatic.  More typical of the initial owners were John Phillips Logan and his wife, the former Gertrude Hardman.  Born in 1880, Logan was a member of the wholesale dry goods firm of J. P. Logan & Sons on Canal Street.  Their country home was in Seabright, New Jersey.  The couple were members of the Essex County Country Club and John was, additionally, a member of the Montclair Golf Club and the New York Athletic Club.

image via the NYC Dept of Records & Information Services

Also living here in the 1930s were Reverend Dr. Archibald Romaine Mansfield and his wife, the former Ella Huntington.  Dr. Mansfield studied ministry at St. Stephen's College and graduated from the General Theological Seminary in 1896.  He received his honorary D. D. degree from St. Stephen's in 1915.

In 1896, according to The New York Sun years later, "New York's water front was notorious as a hotbed of crime and vice and Dr. Mansfield saw a wide field for service there."  He established a lodging house where sailors "were not in danger of being robbed or shanghaied," said the newspaper.  Mansfield's riverfront mission grew until, by the time he and his wife moved into 40 Fifth Avenue, the Seamen's Church Institute occupied a 13-story building on South Street.

Still living here in the 1940s were Eugene V. Connett and his wife, May Brewer.  Connett was the founder of E. V. Connett & Co.  The couple's country home was in Amagansett, New York.  A long time member of the Union League Club, Connett was the chairman of the club's art committee.

image via cityrealty.com

While the private mansions of lower Fifth Avenue did not survive, the apartment houses that replaced them did.  And  today they retain the upscale aplomb that they enjoyed a century ago.  Among the most distinguished is 40 Fifth Avenue, the unique site of which still provides it special notice.

The 1888 Fairchild Publishing Bldg - 10 East 13th Street

 

photograph by the author

Although the millionaires of lower Fifth Avenue had already begun moving northward by 1887, the news that John Glass intended to erect a six-story "brick warehouse" at 6 through 10 East 13th Street, just steps from the storied thoroughfare, must have shocked many.  Glass had hired 43-year-old architect Gilbert A. Schellenger to design the structure.  On February 4, 1888, the Real Estate Record & Builders' Guide reported that the project would cost Glass $75,000--or about $2.6 million in 2026.  Construction was completed by the end of the year, and in December Glass sold the building to Eugene A. Hoffman, garnering a satisfying profit.  Hoffman paid $170,000 for the new building.

Schellenger had created an industrial take on the Renaissance Revival style.  Faced in red brick above a cast iron base, the midsection was divided into three three-bay-wide sections by full-height piers.  A Tuscan inspired arched corbel table ran below the sixth floor.  Schellenger compensated for the stoic appearance of the lower floors with ornate terra cotta ornaments, a frieze with a robust chain motif, and a crenelated parapet.

photograph by Wurts Bros. from the collection of the Museum of the City of New York

Hoffman sold the property to the Butterick Publishing Company in 1896.  The firm was a household name among American housewives.  In 1863, Ebenezer Butterick had created the first graded sewing patterns, and three years later his sewing machine company began making women's dress patterns.  In 1867, he published the first issue of the Ladies Quarterly of Broadway Fashions.  The business became an enormous success with 100 branch offices in the United States and Canada.

Butterick Publishing Company hired architect Lansing C. Holden to make renovations at a cost of $30,000.  The alterations apparently affected only the interiors.  Court documents later explained that the building was "used and occupied as a storage warehouse [and] at no such times manufacturing or printing machinery was installed, operated or used therein."

On March 1, 1905, Butterick Publishing Company leased the building to the Carey Printing Company, also known as The Carey Press.  Founded in 1898 by Peter M. Carey, the firm specialized in posters, advertising materials and weekend newspaper supplements.  On December 10, 1906, for instance, Walden's Stationer and Printer reported, "The Cary [sic] Printing Company, 6 East Thirteenth street, is printing a very handsome calendar for the new year, which will be worked by the three color process."

The Burr McIntosh Monthly, December, 1908 (copyright expired)

Employees of The Carey Press were union members, a wise decision by the firm's management during the a time of tense labor relations.  In its April 1912 issue, The Typographical Journal reported about the contract Vechten-Waring Company, "a non-union printing firm," had landed with Crerand's Publications, including Crerand's Cloak Journal.  The article said that Vechten-Waring's superintendent had boasted "of his ability to turn out work with any kind of workmen."  That contract was short-lived.  The Typographical Journal said, "The first essay at the job was so rotten that the Crerand people canceled the contract and turned the work over to the Carey Press...a first-class union office."

In the spring of 1914, The Carey Printing Company merged with Friedman Print and moved to Tenth Avenue.  Two years later, on December 2, 1916, the Record & Guide reported that Butterick Publishing had sold 6-10 East 13th Street to Fairchild Brothers.  "The property will be altered for the purposes of the purchasers," said the article.

Fairchild Brothers was founded in 1892 by Edmund, Arthur and Louis E. Fairchild.  In 1910, it published the first issue of Women's Wear Daily, a trade journal that would become a must-read for businessmen and designers involved in the fashion business.  The American Printer explained, "Its volume of business having increased with remarkable consistency, a larger plant was made necessary, hence the purchase of the Butterick building."

A month after buying the building, on January 6, 1917, the Record & Guide reported that Fairchild Press had hired architect Charles E. Birge to make $50,000 in renovations.  The figure would translate to a staggering $1.3 million today.  As was the case with the Butterick Publishing remodeling, the changes were all inside.

On February 5, 1917, The American Printer reported that the former Butterick Building was "being completely remodeled," adding "The entire structure will be occupied by the Fairchild Press, printers of the Women's Wear and Daily News, daily trade papers, and the Men's Wear Director."

An all-male staff works in the editorial offices, while all-female typists work in another part of the Fairchild Publishing building.  photos by Wurts Bros. from the collection of the Museum of the City of New York

Fairchild Publications operated from East 13th Street for three decades before the firm's astonishing success necessitated larger quarters.  On January 30, 1946, The New York Times reported, "Plans for a printing plant at 3-9 East Twelfth Street and 6-10 East Thirteenth Street to cost $1,000,000 were filed yeterday...by Fairchild Press, Inc."  Those plans were not entirely fulfilled and Fairchild moved to East 12th Street and 6-10 East 13th Street was spared.

The building became home to Bruns, Kimball & Co., distributors of yachts, marine engines and motorboats.   It was established in 1900 and heretofore been operating steps away at the corner of Fifth Avenue and 13th Street.

Yachting Magazine, 1932

On January 10, 1947, The New York Sun reported on Bruns, Kimball & Co.'s "twenty-six-foot Marlin sport fishing cruiser."  The article said it was "among the first of the post-war boats to be produced in quantity" adding:

The Marlin, in addition to being at the motor boat show, also is on exhibit at the Bruns Kimball & Co. display rooms, 10 East 13th street, along with a fleet of other cruisers, fishing boats, sailboats, outboards and dinghies.  Kermath inboard engines also are displayed, as they have been for the past thirty-five years that the firm has represented the manufacturers.

Motorboats and yachts were replaced by bicycles by the mid-1970s.  The Stuyvesant Bicycle shop now occupied the ground floor.  It added an innovative item to its stock in 1977, a "roller" that enabled apartment owners to transform their  regular bikes to stationary bicycles.

Stuyvesant Bicycle and the other tenants in the building would have to find new accommodations in 1979 when a renovation began to convert 6-10 East 13th Street to residences.  While preserving its cast iron pilasters, the ground floor was given a modern re-do.  Platform-like balconies were added to the facade and the parapet removed.  

image via miradorrealestate.com

The 1877 Gerken Saloon Building - 385 Sixth Avenue

 

photograph by Carole Teller

Carsten Gerken purchased the vintage building at 77 Sixth Avenue on the northwest corner of Waverley Place from George Hillen on April 14, 1873 for $38,000.  (The address would be changed to 385 in 1925, and the second "e" in Waverley would be officially dropped around 1900.)  Four years later he hired architects D. & J. Jardine to design a replacement store-and-flat building on the site.

Brothers John and David Jardine produced a four-story structure in the neo-Grec style.  Above a rusticated stone base, the red brick facade was trimmed with brownstone.  Banded stone piers that ran up the corners supported the largest of the corbels of the pressed metal cornice.  The windows sat within prim stone architraves with prominent, bracketed cornices.  The residential entrance was placed to the rear, at 135 Waverly Place.  Facing the avenue was Carsten Gerken's saloon, and a second entrance on the side street accessed its back room.

Born in Germany in 1837, Gerken ran the saloon with his brother, Johannes (who Anglicized his name to John).  They had a brother who was not involved with the business.  (The Sun said, "The brothers were sedate, rather corpulent Germans and looked enough alike to be triplets.")

Carsten and his wife, Ella, lived upstairs with one Irish servant.  Several of their initial tenants in the building were from the theater community.  Among them in 1879 were actor William Gray; Anthony J. Cannon, whose stage name was Tony Hart; and John E. Cannon, treasurer of the Theatre Comique at 514 Broadway.  (Tony Hart was half of the popular comedy team of Harrigan & Hart.  Perhaps not coincidentally, at the time they were appearing at the Theatre Comique.) 

Unlike other saloon owners throughout the city, the Gerken brothers ran their business with strict Victorian propriety and within the letter of the law.  No females were permitted into the back room and, according to The Sun, a sign in the vestibule of the rear door admonished that "no goods were sold to women to be drunk on the premises."   The newspaper added:

As a matter of fact only such women as were known to the Gerkens as respectable residents of the neighborhood could get their "growlers" filled while they waited in that little vestibule.  The sending of a child or even of a full-grown girl of doubtful discretion to the side door on a growler-filling errand was greeted with a stern rebuke from one of the brothers, and an intimation that if the family could not send better messengers for its dinner supply of beer it had better seek some other source than Gerken's.

(A "growler" was a tin bucket or pitcher used to transport beer from a saloon to one's home or work site.)

According to the newspaper, Gerken's saloon was, as well, "something of an employment agency."  If a neighbor needed help in moving a piece of heavy furniture or other such errand, he went to Gerken's.  The bootblack would be sent to a lodging house or tenement to find someone down on his luck who needed the money.  The Sun said, "That man could not get a drink in Gerken's, because they would not take the money of such a man across their bar, but they were always ready to show their good will by finding work for him."

Amazingly, the Gerken brothers would not serve alcoholics, or "drunkards," as they were called.  Once a wife appeared "with tears in her eyes asking for him," a patron was cut off forever.  "He might sit in the back room and read the newspapers or discuss affairs of State if he pleased, but if he asked for beer or whiskey he was treated as if he had put a deadly insult on the proprietors."

German saloon proprietors often operated a bier garten in the rear in the summer months.  The Gerken brothers had no backyard, so they improvised.  The Sun recalled later:

Then all the chairs in the backroom and pretty much all those in the apartments above were moved down to the sidewalk under the tree by the side door on Waverley place.  From sundown until 1 o'clock the brothers sat out there with the substantial folk of the neighborhood sipping beer and Rhine wine at the rate of about one drink an hour and getting far more out of life than do the members of some of the finest clubs.

There was never scandal surrounding the Gersten saloon, no raids on Sundays (because it was never opened after midnight on Saturday), no gambling and no unescorted or questionable women.

By the turn of the century, according to The Evening World, "The Gerkins [sic] had amassed a fortune in the liquor business and had invested most of their profits in real estate." 

February 1902 was a devastating time for the extended Gersten family.  Around February 7, the third brother was committed to a sanitarium.  The following week, on the morning of February 13, Carsten left home telling Ella he had to attend business downtown.  She said later that he "seemed in a cheerful mood."  That evening his body was found floating off Bedloe's Island.  John Gerken identified his body at the morgue.  While Ella said that his fall from the Staten Island Ferry had to have been an accident, the police called his death a suicide. 

The very next day, John Gerken "fell dead on a Second avenue car," as reported by The Sun.  The newspaper said that the shock of his brother's death "is believed to have indirectly led to John's death."  On February 14, 1902, The Evening World reported, "The bodies of the brothers now lay side by side" in a Bleecker Street funeral home.  Two days later, The Sun remarked that the third brother, "probably does not know to-day of the ends of the lives of John and Carsten."

Ella Gerken leased the saloon to Charles Neubaur.  Its sterling reputation was quickly tarnished.  On August 18, 1905, The New York Evening Post reported that a "crowd of roughs, supposed to be members of the notorious 'Paul Kelly Gang,'" had been ousted from the bar.  They returned later that night and a "free-for-all fight followed."  Policeman Francis J. Upton arrived just as the "roughs" were being put out again.  One of the gang turned his fury to the officer.  He struck Upton several times with a "brass knob."  After what The New York Evening Post described as "a hard fight," Upton subdued the tough, "using his night stick freely in doing so."

Apparently Upton's free use of his baton was severe.  The newspaper said, "The prisoner was not able to appear in court this morning."  His confederates were not happy.  Officer Upton showed Magistrate Whitman a letter he had received that morning from the Paul Kelly Gang that said, "We will lay for you."

In March 1908, Ella Gerken sold the building.  The New-York Tribune remarked, "The corner store has been occupied as a saloon for the last thirty-five years."

In 1924, during the first years of Prohibition, the Ellen A. O'Reilly estate sold the property to Sadie Goldman.  The former saloon space was transformed into a penny arcade.

On August 13, 1926, The New York Times began an article saying, "Death, injury, fire, flood and general transportation and radio paralysis were caused by a rapid succession of thunderstorms and rainstorms which swept over the metropolitan district yesterday afternoon."  Among the many incidents, said the article, was a lighting bolt that "struck in a penny arcade at 385 Sixth Avenue and caused so much excitement that some one turned in a fire alarm.  No damage was caused."

By 1935, the ground floor was home to a James Butler Grocery store.  (The James Butler Grocery Company was the second-largest grocery chain in New York.)  It was replaced by a restaurant as early as 1937.

In 1937, the facade was painted and a restaurant occupied the store space.  The Sixth Avenue elevated was in the process of being demolished.  from the collection of the New-York Historical Society.

Following the repeal of Prohibition, the space returned to selling alcohol as the Waverly Liquor Shoppe.  On the evening of April 16, 1954, the eve of Passover, Sophie Brady dropped in "to buy some wine for the holidays."  Her timing could not have been worse and she interrupted an armed robbery.  

The gunman demanded Sophie's purse, but the feisty 60-year-old fought back.  The New York Times reported, "She screamed and clung to her bag, and during the struggle the pistol was fired."  Sophie Brady was hit in the arm and she suffered a head injury in the fight.  In the meantime, the manager, Victor Cocozziello, had been forced onto the floor behind the counter.  The gunman escaped with $15 from Cocozziello's wallet and $100 from the register.  Sophie was treated at St. Vincent's Hospital.  She had saved her purse, but never got her holiday wine.

The Waverly Liquor Shoppe remained at least through the late 1960s, replaced by the Waverly Restaurant, a fixture on the Greenwich Village corner for years.

many thanks to artist Carole Teller for suggesting this post