Showing posts with label weehawken street. Show all posts
Showing posts with label weehawken street. Show all posts

Wednesday, August 26, 2020

An Improbable Site for Music History --The 1908 Thomas Lynch Stable - 9-11 Weehawken Street



photograph by the author

In 1797 the Georgian-style Newgate Prison was opened by the State of New York at the foot of Christopher Street.  Following its closure in 1829 the site developed as a market and collection of small buildings related to the riverfront trade.  The one-block long Weehawken Street was opened and paved in 1834, named for the the new Weehawken Market which sold goods brought from New Jersey.  In 1845 Littles, Nash, Beadleston & Co. founded a brewery at Nos. 3-5 Weehawken Street, and later one of its founders, Henry Beadleston, erected two brick tenements steps away at Nos. 9 and 11.

The Beadlestone family retained ownership of the tenements until April of 1905.  The purchaser was Thomas Lynch, a "truckman," who ran a delivery operation at No. 25 West Broadway.   Lynch's father had begun the business just after the end of the Civil War.  Lynch took his time in developing the site, and it was not until 1908 that the tenement buildings were demolished and construction was started on a stable building.

Architect George M. McCabe designed the brick-faced, Romanesque Revival structure.  The rusticated base was dominated by side-by-side arched truck bays.  They were flanked by two pedestrian entrances--one to the commercial space and the other to the third-floor living space.  The segmentally arched openings of the upper stories wore brick eyebrows and were splashed with rock-faced limestone trim.  Above the top floor was a triangular parapet with brick corbels.

The ground floor housed the Thos. Lynch delivery vehicles, while horses were stabled in the second floor (according to the Board of Appeals).  Thomas and Ellen L. Lynch moved into the spacious third floor apartment.  The riverfront location no doubt made a perfect location for the company, with ships being loaded and unloaded along the docks.

Lynch was apparently aggressive and ambitious.  An announcement in The Pottery, Glass & Brass Salesman on July 29, 1915 read:

I desire to announce to my friends in the trade that for the convenience of those who are located uptown, I have opened an office at 3 and 5 West 28th Street...This will be maintained in connection with my other offices at 25 West Broadway and 9 and 11 Weehawken Street.
Respectfully,
Thomas Lynch, Truckman

The bustling building saw horse-drawn drays coming and going for more than a decade until motorized trucks had essentially taken over the industry.  In 1921 Lynch began a renovation, completed in 1922, which resulted in a garage (capable of holding 50 vehicles according to building documents) on the ground floor and storage space on the second.  In a solid business move Lynch leased the property the to the Thos. Lynch Garage, Inc. upon the completion of the renovations.  

The Fire Commissioner ruled in June 1923 that "the living quarters shall be restricted to the use and occupancy by the owner of the premises."  It was a clause that would have long-lasting ramifications.  If any of the new owners after the Lynches did not live there, the third floor was to remain vacant.

The Lynches remained in the building until Thomas Lynch's death in 1935, and title to the property was transferred to their son, Thomas F. Lynch.  In 1941 Rose and Ralph Kantor purchased the building, operating the Weehawken Garage until 1944.  After two more rapid turnovers, Joseph Oelhaf and his wife, Anna, purchased the building in 1947 starting an amazing chapter in its history.


A gasoline sign hangs from the facade in 1941.  via NYC Dept of Records and Information Services
Born in Switzerland and reared in Germany, Oelhaf was a partner in Meier & Oelhof, a marine repair firm around the corner on Christopher Street.  It was one of the last survivors of the old-time marine operations in the neighborhood.  Oelhaf made alterations to accommodate a four-truck garage on the first floor and a machine shop on the second.  He and his wife moved into the third floor apartment.

Perhaps unexpected in an owner of a boat repair company, Joseph Oelhaf was a life-long devotee of organ music.  Sophie Miller, writing in The Kingston Daily Freeman, said that "as a boy he used to cycle as often as he could to the Weingarten monastery near Friedrichshafen to hear the organ he considered the finest in the world."

In March 1934, just over a decade before the Oelhaf's moved onto Weehawken Street, a Wurlitzer pipe organ with an Art Deco cabinet had been installed in the famous Rainbow Room restaurant 65 stories above Rockefeller Center.  It was played every night between the orchestra sets by well-known musicians like Dick Leibert, Ray Bohr and Ann Leaf.


via NYC Dept of Records and Information Services
But in 1954 the posh restaurant installed an air conditioning unit which elbowed out the instrument.  Radio City Music Hall organist Dick Liebert negotiated the sale of the organ, which was purchased by Joseph Oelhaf and installed in the Weehawken Street apartment.   The Oelhafs contracted Louise Ferrara, the senior curator of the Radio City Music Hall organ (and later Ronald Bishop, who succeeded the position) to maintain the 1,400 pipe, three-manual console.

The fall 1956 issue of Tibia magazine published an article by organist E. J. Quinby entitled "Greatest Night in Organ History."  The American Guild of Organists convention that summer was held in New York  City.  Among the famous musicians attending were Virgil Fox, E. Power Biggs, Charlotte Gardens, Alexander Schreiner and a host of others.

On the evening of June 24 a group of organ enthusiasts, having heard Virgil Fox at the Riverside Church organ, wandered downtown and entered the Paramount Theatre where Ray Bohr was playing.  The unintentional concert resulted in a more than enthusiastic reaction.  "The audience was not content with mere applause--they stood up, they stomped, they hollered, they whistled."  Then, one-by-one, eminent organists took the the instrument until 4:00 a.m. when the manager of the Paramount Theater told the group they really had to go now.

Quinby wrote "But this was not the end of that memorable night.  Joe and Anna Oelhaf...invited a few of us to join them...This, it appears, was overheard by many and sundry in the immediate vicinity and it resulted in a mass taxi pilgrimage.  When Joe unlocked the door to his premises, it looked as though half the Paramount audience had accepted the invitation."

The mass of organists and organ enthusiasts crowded into the Oelhaf apartment.  While Ray Bohr performed, the Oelhafs served refreshments.  And then it got better.  Joseph Oelhaf was a collector of musical instruments and brought out several for inspection.  Quinby wrote "Amongst those present it developed that there was a violinist, an oboist, a flutist, a pianist, and a performer on the French horn to augment the organ, and an impromptu musical carnival progressed until dawn when coffee and Danish pastries were served by the dazed host and hostess."

When the Oelhafs had left their Weehawken Street apartment the previous evening simply to enjoy a concert, they had no idea that one of the most memorable episodes in recent musical history would take place in their own home.

On January 23, 1962 Sophie Miller wrote "Now [Oelhaf's] home is the mecca or port of call for the greatest organists in the world.  Every couple of months he holds a musicale for the elect and can sit back and listen to the finest musicians play his beloved Bach and Handel music."

The Oelhaf family retained possession of the building until 1984 when it was purchased by William Gottlieb.  (When they left, so did the organ.)  By 1997 GLC Productions was operating from the former marine repair space.  Denis Hamill, writing in the New York Daily News on April 13 that year called it "an impressive, self-contained, independence production company...that specializes in 3-D animation, visual editing and sound design."  The firm remained at the address at least through 2017.

photo by Beyond My Ken
The Lynch stables building has suffered little change, other than replacement windows, in its more than 120-year existence.  The few passersby on the quiet block-long street gave little notice to the structure which once made accidental musical history.

Thursday, July 11, 2019

The 1831 Jacob P. Roome House - 7 Weehawken Street






The Weehawken Market opened on West Street between Christopher and Amos (later West 10th) Streets in 1834.  On the riverfront directly opposite were three commercial docks.  The little, one-block long street behind the Market was named Weehawken Street. 

About three years earlier Jacob P. Roome had erected a substantial two-story and attic brick-faced house at No. 7 Weehawken Street.   The Greek Revival home was trimmed with simple brownstone sills and lintels.   It is unclear whether Roome ever lived in the residence, or if he simply built it as an investment.

In either case he offered it for sale at a property auction in February 1845.  The announcement described it succinctly as "The lot and two story brick house, No. 7 Weehawken, between Christopher and Amos streets."

It was purchased by Cornelius Van Schaack Roosevelt, the very wealthy patriarch of the old Roosevelt family and the grandfather of President Theodore Roosevelt.  The family would retain ownership for decades.

On January 10, 1859 The New York Herald reported "A fire broke out on Monday night in the house No. 7 Weehawken street.  Damage trifling."  The Evening Post added that the fire was "soon extinguished by the citizens."

No. 7 was operated as a rooming house which catered to the working class men in the neighborhood.  In 1851 carpenters J. de Hondt and Laurence Rilley were listed here, and boat builder George M. Munson was here around the same time.  The location was convenient for Munson, who owned the building directly across the street at Nos. 392-393 West Street.  

Cornelius Roosevelt died in 1871.  Between then and 1875 the Roosevelt family raised the attic level to a full third floor and added a bracketed pressed metal cornice.  The ground floor was gutted and a carriage bay broken into the facade to accommodate a stables.

On February 1, 1876 an announcement in The New York Herald read "Stable To Let--7 Weehawken St; eight stalls and room for trucks; also two Floors for dwellings in same building; together or separate.  Inquire of Roosevelt & Son."

The tenants in the rooms upstairs reflected the district of docks and stables.  By 1887 John Haag, a driver, was listed here and would stay on at least through 1892.  In the meantime Thomas Rudden and his son, Philip, ran the stables beginning around 1882.  

Luckily for the Ruddens and Roosevelts, the sidewalk was public property.  So when James Markey tripped, he sued the City rather than either of them.  His action, begun on November 25, 1884 claimed "Personal injuries, falling on alleged defective sidewalk at No. 7 Weehawken street."  Markey felt a fair restitution would be $10,000--more in the neighborhood of $264,000 today.

In 1890 John Murtha, a "laborer," was living here, as was the Lent family.  Unlike his blue collar neighbors, Sidney Lent listed himself as "jeweler" in 1890.  His store was just around the corner, at No. 394 West Street.  The family was still at No. 7 in 1895 when Solomon Lent, presumably his son, joined him in the business, now described as a "variety" store.  

The building continued to be popular among "drivers," who navigated horse drawn drays or "trucks" through Manhattan streets.  Drivers Henry McGrath, Charles Selpke and Charles Schwab all rented rooms in the 1890's.

On August 26, 1890 the Ruddens placed an advertisement in the New York Herald:  "Private Stable, good business for sale, No. 7 Weehawken near West 10th."  It was purchased by Thomas Kelly who leased it to J. Wilson in August 1892.  Wilson listed his business as "Horses, &c."

Horsepower gave way to motorized vehicles in the early years of the 20th century.  In 1920 George and Mary V. Cline purchased No. 7 from the Roosevelt Estate.   A for-sale advertisement that year reflected the stark change in the times.  "Packard: 12-48 limousine, A1 condition; 6 shoes.  Westinghouse shock absorbers."

The title to the building was in Mary's name.  In 1921 renovations were completed which resulted in a "one family residence above garage," as listed by the Department of Buildings.  Five years later another alteration converted the garage to an auto repair shop.


A tax photo from around 1940 shows double wooden bay doors and what appears to be the mostly-intact Greek Revival entrance.  The figure in the doorway may be Mary Cline.  photo via NYC Department of Records & Information Services.

The Clines lived upstairs until the mid-1930's.  It was at least briefly home to John Haggerty by 1936.  An incident on April 8 that year reflected the still-gritty nature of the riverfront neighborhood.  That night Haggerty and longshoreman Robert Vaughan were walking along Christopher Street near Greenwich Street when "Vaughan fell to the sidewalk," according to the New York Post.  Haggerty hailed a taxicab and rushed his 35-year old friend to Bellevue Hospital with a bullet wound to the leg.  The newspaper reported that Vaughan refused "to say how he was shot."

The Clines returned to No. 7 in the early 1950's, and then sold it in 1956 to the Oelhaf family.  The buyers operated the Meier & Oelhaf Co. marine repair business around the corner at No. 177 Christopher Street.

An aggressive project begun in 1971 and completed the following year connected No. 7 internally with Nos. 9-11 Weehawken and No. 177 Christopher.  The combined properties were sold in 1984 to William Gottlieb, a well-known real estate operator in the Greenwich Village district.

Despite its various transformations and uses, the 190-year old structure still displays its domestic origin.

photograph by the author

Wednesday, October 24, 2018

Unexpected: A District Attorney, a Gourmet and a Spy - 391 West Street




Men's apparel merchant Solomon Lent dabbled in real estate at the turn of the last century.  He bought and sold properties, mostly on the west side of Manhattan.   When he purchased the two-story store at Nos. 391 West Street and the house directly behind at No. 8 Weehawken Street on February 4, 1902, however, he had another purpose in mind.   (The venerable buildings were originally a single structure, part of the wooden Greenwich Market House, built in 1834.)

The tiny block was only 28 feet deep--exactly the width of the properties--relatively a sliver of a normal city block.  Despite the sketchy riverfront neighborhood, Lent paid the equivalent of $325,000 for the property.  He then put Prussian-born architect Richard Rohl to work designing a store and tenement building to replace the old structures.

Completed within the year, the five-story building was faced in red brick.  The West Street facade was ornamented with terra cotta, its neo-Renaissance design presenting a handsome presence on the thoroughfare.  The Weehawken elevation, where the tenement residents entered, was left undecorated and factory-like.

A neo-Classical pressed metal cornice tops the otherwise neo-Renaissance design.  Rohl's heavy use of terra cotta on the West Street elevation resulted in a pleasing appearance.
Lent may have anticipated similar development along the block.  That never happened and the Lent building towers above its two- and three-story neighbors even today.  At one point it held the neighborhood nickname of "the Skyscraper of the West Side."  The street level store was home to the Lent men's furnishings store, run by Solomon and his son, Milton.  The shop would have catered to the longshoremen, sailors and other workers along the riverfront.

It appears that Lent considered selling No. 391 in June 1908.  The Real Estate Record & Guide announced he had given a $14,000 mortgage to Edward E. Black; but that deal fell through and the Lent family would hold title to the building for decades.  The family's men's store continued through 1922.

As blue collar tenants came and went through the back door over the years, one in particular stood out.  Unlike his neighbors, Frederick A. Sperling was a lawyer and on New Year's Day 1931 District Attorney Thomas C. T. Crain announced he had appointed Sperling as Assistant District Attorney.

Sperling started out with unremarkable cases, like his prosecution of attorney Benjamin Weissman in July that year.  Weissman was accused of cheating a client.  He had represented shoemaker August Sardo in a suit against the Interborough Rapid Transit Company after his son was injured.  Weissman settled the claim for $1,350, but gave his client only $50.

Before long, however, Sperling was making a name for himself in high-profile cases.  In 1933, for instance, he led the charge against union-run "rackets," and in June 1934 he represented the people against ten Communists, accused with rioting and attacking police with nail-studded clubs.

In 1929 No. 391 towered above the 1834 structures, one of which it replaced.  from the collection of the New York Public Library
Another surprising resident was John (known as Jack) Van Bibber--an amateur chef, cookbook author and literary agent.  He moved into a second floor apartment in the late 1940's.  The young bachelor had a mural painted on a dining room wall for which he paid $50.  He later described it as "an awful mural with columns designed from every known style of architecture and Cuban ladies in Empress Eugénie hairdos."  As his success and subsequent finances increased, he filled the apartment with art and antique furniture.

With the repeal of Prohibition, the former clothing store was converted to a tavern, the Glascow Bar & Grill.  A bar would remain in the space until 1960.

In the meantime, in 1948, Alger Hiss, president of the Carnegie Endowment for International Peace  had made headlines across the country.  Hiss had been highly involved in the establishment of the United Nations, had been both a U. S. State Department official and a United Nations official.  But now he was accused by the infamous House Committee on Un-American Activities of being a Soviet spy.

Although he maintained his innocence until his death and the charges were never fully substantiated, Hiss received two concurrent five-year sentences.  He served three and a half years.

On February 17, 1959 The New York Times reported that Hiss and his wife, Priscilla, were separating after the 30 years of marriage.  Alger moved out and into an apartment at No. 391 West Street.  His troubles continued here.

On May 14, 1960 police reported "that the apartment of Alger Hiss on the lower West Side waterfront had been ransacked."  The Times described the building as "crumbling" and reminded readers that "Mr. Hiss, who is 55 years old, served a prison term for perjury after denying that he had passed confidential paper to Communist couriers in the Nineteen Thirties while he was a State Department official."

The disarray of the apartment was disproportionate to the items taken--a $30 gold ring and a $5 pair of cuff links.  The police told reporters "there was no indication whether the motive was burglary or other reasons"

In 1967 the Lent family sold No. 391 to a most unlikely buyer--long time resident Jack Van Bibber.  He was lesser known to Greenwich Village residents for his culinary and literary work than for his outspoken push-back against Robert Moses's proposed Lower Manhattan Crosstown Expressway.    The project would have connected the Holland Tunnel with the Williamsburg and Manhattan Bridges.

The New York Times food critic Craig Claiborne had visited the Van Bibber apartments (there were two by now) in January 1967, the same year he purchased the building.  Claiborne dismissed Van Bibber's harsh critique of his dining room mural.  "The truth of the matter is that the mural, done in pastel tones, has a good deal of charm."

Claiborne described the spaces where "the 45-year-old bachelor frequently whips up buffets for 20, occasional cocktails for 50 and formal dinners for six to eight."  In addition, he wrote, "there is a large living and dining area in his second apartment, two flights below the first  It is decorated with art collected both in this country and abroad, pre-Columbia art from Mexico and last year's Christmas tree.  He also has a summer house on Fire Island."

A table was set up for a buffet in Van Bibber's apartment in January 1967.  The New York Times January 12, 1967
The writer was no less unkind to No. 391 than his newspaper had been seven years earlier.  "Mr. Van Bibber's apartment faces Pier 48, in a five story building with a dilapidated front."  At the time of the article Van Bibber had recently translated an Italian encyclopedia of cooking; and was at work translating a cookbook by Raymond Oliver, the proprietor of the Paris restaurant Grand Vefour.

The building was purchased in 1996 by Eight Weehawken LLC.  By then the once-gritty waterfront was noticeably changing.   Upscale high-rise apartment buildings and trendy restaurants and boutique hotels would soon pop up along the blocks to the north and south.  Today the Waterfront Bike Shop operates from the shop where longshoremen purchased work clothes from Solomon Lent.

Craig Claiborne had begun his 1967 article saying "Jack Van Bibber lives in a tenement."  Today that description no longer applies  A two-bedroom apartment here recently rented for $3,800 per month; the real estate agent boasting "it is located on the 4th floor of a walk-up building but is worth every step."

photographs by the author