Born on August 27, 1749, John Watts, Jr. could not possibly
have had a more enviable pedigree. His
father was the wealthy Scottish-born John Watts who had married Anne
DeLancey, a daughter of one of the most powerful colonial families in New
York. John Jr.'s grandparents were from the
Schuyler and Van Cortlandt families.
As John Watts, Sr. served in the colonial government—a member
of the Colonial Assembly and the King’s Council—young John grew up in luxury
and privilege. The Watts country estate,
Rose Hill, had been the DeLancey country home.
It covered more than 130 acres from the East River to what would become
Fourth Avenue, from 21st to about 30th Streets.
John Watts, Jr. was graduated from King’s College in May,
1769, giving the valedictory address at the age of 19. Within a few years he was appointed Royal
Recorder of New York. Although a
clerical post, it was nonetheless impressive.
Watts was responsible for various administrative responsibilities, like assisting
the Mayor; as well as judicial functions.
As the clouds of rebellion formed, it would appear that a rift
grew between Watts and his father. An
ardent Tory, John Watts, Sr. fled to England in 1779 following increasing threats
from rebels and after being “attainted with treason” by the New York State
Legislature. That same year the Governor appointed Commissioners of Forfeitures
to “dispose of the confiscated estates” of Loyalists. Rose Hill and the Watts lower Manhattan townhouse
were seized and auctioned in 1784.
The very fact that John Watts, Jr. and his brother Robert
were allowed to re-purchase the family homes strongly suggests that the men
were patriots. Not long after his
parents had left the country, John Watts, Jr. reinforced the Watts-DeLancey
alliance by marrying Jane DeLancey. They
would eventually have 11 children and took possession of Rose Hill.
Watts was the only former British official in New York who
went on to hold American office. In 1791
he was elected to the New York State Assembly; and two years later to the United
States Congress. But despite his great
wealth and political standing, Watts suffered personal pain. One by one he buried his wife and 10 of his children.
John Watts had been a life-long friend of John George Leake,
who married Watts’s younger sister, Margaret.
When their only son, John George, died at the age of eight in 1793,
Leake formulated a plan to carry on his name.
He proposed to leave Watts’s only surviving son, Robert, his vast fortune--with one caveat. Robert would have to change his surname to Leake. Against his father’s vocal opposition, Robert
did so.
When Leake died in his mansion at No. 32
Park Row on June 2, 1827, Robert inherited his uncle’s estate.
The strain it caused between him and his father is evidenced in Watts’s
grandson’s writing later “John Watts was opposed to his son’s acceptance of the
terms of the will, and Robert refrained from speaking of the matter.” Ironically, shortly after the will was
settled, “Robert Watts died of congestion of the lungs, following a severe cold
contracted during a game of ball." Biographer
Frank Allaben in his 1908 John Watts De
Peyster explained, "He
left no will and died unmarried, his father becoming his heir." It was the embodiment of cruel irony.
Already wealthy, John Watts had no need for the Leake
fortune. Concerned with social
conditions (he was a founder of the New-York Dispensary and became its
president in 1827), he used the Leake estate to found the Leake and Watts
Orphan House in the City of New York on March 7, 1831. He turned over his beloved Rose Hill to the institution. It was among the first of the charitable
organizations for child welfare in America.
John Watts, Jr. died in 1836. By the last decade of the 19th
century his Leake and Watts Orphan House had moved twice as the city continued
to move northward, engulfing the former open countryside. When, in 1890, plans were laid to move the
orphanage out of Manhattan, to Yonkers, Watts’s grandson General John Watts
DePeyster, was concerned that Watts’s memory among New Yorkers would fade into
oblivion.
His solution was to commission sculptor George E. Bissell to
design a “heroic size” bronze statue. On
July 22, 1892 The Sun reported that the finished sculpture had been shown at
the Henry-Bonnard bronze foundry on West 16th Street the day
before. The article noted that the
foundry had worked on the statue for nine months; saying it “is nine feet high,
and weighs 3,250 pounds.” The Sun added ‘it
is considered to be a good piece of work.”
DePeyster had provided Bissell with a bust of Watts,
sculpted from life by Ball Hughes, to use as a model. The completed statue would be mounted on a
six-foot high granite pedestal inscribed with Watts’s name on the front. Earlier The New York Times had described the figure
saying “The statue represents Judge Watts costumed in ermine-bordered robes and
wearing a wig, as he appeared in 1775.”
DePeyster agreed to have the monument erected in Trinity
churchyard, where his grandfather had been buried, although, according to The
Times, his “first desire was to have it placed in Central Park.”
As the unveiling neared, The Times gave a more detailed
description on July 22, 1892. “The cloak
is not only heavily furred, but has big sleeves and falls in a hundred solid
folds, while the curly wig descends majestically on his shoulders. The handsome stern features carry off all
this bewigging and begowning very well…The Judge’s left hand is resting against
his waist, his right hand hangs down and holds a scroll, while his right foot
emerges from the long folds of his gown.”
 |
| The monument just over a decade after its unveiling. John Watts DePeyster, 1908 (copyright expired) |
The article was perhaps the first to credit the statue as
being Bissell’s greatest work. “In fact,
it is probable that Mr. Bissell has hit on his very best statue in this
instance.” It was an opinion that would
be repeated for years. In 1910 The New
Century Book of Facts called it “The best work this sculptor did.” And on
August 31 1920, following the death of George Edwin Bissell, the New York
Herald wrote “What is considered by art critics as his masterpiece, a statue of
Chancellor John Watts, stands in Trinity Church yard.”
The powerful statue of John Watts, now having gained the
pleasant green patina of age, still stands in the churchyard among the graves
of much more familiar names like Robert Fulton and Alexander Hamilton. His charity still operates under the name
Leake and Watts Services, Inc. But
despite his grandson’s valiant attempts to keep his memory alive, John Watts,
Jr. is largely forgotten and his bewigged, robed figure a mere curiosity to the tourists who file by.
photographs by the author
 | |||
| 18th century tombstones surround the statue. In the background the pyramidal stone grave marker of Alexander Hamilton can be seen. |
No comments:
Post a Comment