photo from the collection of the New York Public Library |
In 1796 a group of black New Yorkers, frustrated with the
racism they endured at the John Street Methodist Church, created their own
congregation. The first black church in
New York, the African Methodist Episcopal Zion Church generally followed the
Wesleyan tenets; but was organized with bishops, like the Episcopal Church.
In 1864 the congregation took over the former Dutch Reformed Church at Bleecker and 10th Streets.
By the turn of the century there were other branches of the AME Zion
Church, earning this congregation the name Mother Zion. In 1903 trustees laid plans to move northward from Greenwich Village.
The congregation purchased three houses at Nos. 127 through
131 West 89th Street and on August 18, 1903 architect Edward Alfred
Sargent filed plans for a “one-story brick and terra cotta church.” On the
afternoon of October 18 the cornerstone was laid “in the presence of a large
crowd,” according to The New York Times.
The newspaper noted “The cornerstone was laid with Masonic ceremonies
under the direction of the Grand Lodge of the colored Masons in the State of
New York.” The strict separation of
blacks and whites in social and religious organizations was evidenced in the
notation “The Grand Commandery of the colored Knights Templars and Alpha and
Eureka Chapters of the Order of the Eastern Star were also present.”
The church building was completed in 1904 at a cost of
$40,000—just over $1 million in 2016 dollars.
Sargent had produced a brick-faced neo-Gothic structure trimmed in
brownstone and terra cotta. A centered
pavilion with three entrance doors above a wide set of stairs projected slightly
away from the main building. Its
dramatic full-story gable, clad in rough-cut stone, thrust above the peaked
roof. Three grouped,
soaring Gothic-arched stained glass windows which rose above the entrance porticos formed the focal point.
Pastors of black churches in the early decades of the 20th
century dealt with tense racial relations, bigotry and the challenge of blacks
coexisting with a not-always welcoming white community. Such was the case in August 1908 when two
days of race riots in Springfield, Illinois drew national attention.
On August 14 a mob of white citizens—estimated at between
5,000 and 10,000--marched on the Springfield jail with lynching on their minds. They demanded the release to them of
two black prisoners, accused of violent crimes against whites. The rabble was informed that the sheriff had
already transported the men to Bloomington, 64 miles away; not only for their
safety but in the hopes of avoiding racial trouble.
The infuriated mob turned its rage on the black community. For two days buildings were burned in black
neighborhoods and seven people were killed.
Property loss was estimated at $200,000 and thousands of state militia
were required to restore calm.
Despite the contemptible acts, the Rev. Dr. J. H. McMullen
urged his congregants not to be pulled into the madness. “We must not let our sanity and judgment be
swayed by such outrages as that at Springfield, nor must we apologize for the
felon who caused the riots. Law and
order are the means which will bring about the proper relation between races.”
Nevertheless, McMullen did not excuse the Illinois
authorities. “The law is our hope and
our salvation. At times we regret that the
administration has not been placed in the proper hands, but eventually we will,
through its right administration, receive its blessings.” He insisted that guilt on the part of both blacks
and whites must be answered for. “The
culprits, whether they be of our race or any other, must be punished, and we
must withhold our sympathy when punishment is legally meted to a criminal.”
The African Zion Methodist Episcopal Church would not stay
especially long in their new home. In
January 1914 the church purchased the Church of the Holy Redeemer at No. 153
West 136th Street in Harlem; and on Christmas Day 1914, one decade after
the building was dedicated, The Sun reported that it was selling the Upper West
Side church. The typical racism of the
period was evident in the newspaper’s headline “Negroes Sell 89th
St. Church.”
The building was purchased by the New York City Society of
the Methodist Episcopal Church. It
became home to the Methodist Swedish Church, also known as the Battery Swedish
Church. The Swedish Church shared the building with
the Central Baptist Church in 1915 while that congregation erected its imposing
church building at the corner of Amsterdam Avenue and 92nd Street.
The Swedish Methodist Church would stay an even shorter time
on West 89th Street than had its predecessor. On December 16, 1922 the New York Herald
announced that the Methodist Episcopal Church had leased the property “for
twenty-one years” to Revere & Goldenblum, operators and builders. “The lessees intend to build an eight story
warehouse and garage.”
But instead, the operators resold the church to the Benkay
Amusement Company, which converted it to a motion picture theater, the Endicott. Rather amazingly, while the interior was
renovated to accommodate the movie theater, the exterior remained untouched.
When this photograph was taken the former church was undergoing alterations to a motion picture theater from the collection of the New York Public Library. |
It may have been the advent of the Great Depression which
prompted Benkay Amusement to close the Endicott in 1930. Certainly motion pictures were high on the
list of non-essentials which were cut out of the budgets of struggling families. In any case, in 1930 the firm
sold the old church building. The New
York Times reported that a “47-family apartment building” would be erected on
the site. But nothing happened for four years. Then on May 21, 1934 architect George C.
Miller filed plans for a six-story, $150,000 apartment building. The brick and stone Art Moderne structure
survives; and the short-lived church-turned-movie theater is long forgotten.
photo http://www.urbanedgeny.com/sites/urbanedgeny.com/files/norcor_management_corp_129_west_89th_street_building.jpg |
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