In the 1880s the block of West 71st Street off
Central Park filled with upscale homes; most of them rows of three or more built
by speculative developers. But No. 24
stood alone.
Commissioned by the widowed Elizabeth Milbank, it was
designed by the well-known firm of Lamb & Rich in 1888. Hugh Lamb and Charles Alonzo Rich had been
partners for eight years and their designs were already spread throughout the
boroughs—Harlem’s Mount Morris Bank building, the Astral Apartments in
Brooklyn, and the main building of Manhattan’s Barnard College, for
instance. A year earlier the architects
had completed Theodore Roosevelt’s country house in Oyster Bay, Long Island, “Sagamore
Hill” and begun designs for three Queen Anne houses next door to Elizabeth Milbank's site.
For the Milbank commission, they turned to a playful take on
Romanesque Revival, splashing it with Renaissance touches. Lamb & Rich stacked disparate layers to create a good-humored and pleasing whole.
The English basement and parlor levels were faced in
rough-cut granite. The stoop, protected
by heavy stone wing walls, nearly doubled in width as it tumbled down to two
formidable stone newels. Above were
three floors of beige iron spot brick.
Keystones in the form of armored knights decorate the elaborate window frames. |
The ornate terra cotta window surrounds of the second floor
featured tongue-in-cheek keystones of armored knights with closed helmets. Delicate stained glass filled half of the
openings. One floor above, the
architects introduced the rough-cut stone again for the aggressive splayed lintels. The sills at this level terminated in
delicately-carved scallop shells.
In contrast to the hefty sandy-textured lintels, the sills terminate in delicate shells. |
The fourth floor was a Venetian fantasy. Three connected openings were framed in elaborate
terra cotta; their arches filled with deep concave shells. The shell motif was carried out a row of
terra cotta scallops that marched up either side of the façade.
The complex cornice, also executed in terra cotta, featured
more shells. They provided the spaces
between the corbels and dotted the spandrels.
But most endearing of the architectural touches were the two naked,
winged putti who held up the brick piers flanking the cornice. Their pudgy grimaces attest to the weight of
their never-ending load.
The architects' piece de resistance was the top floor, where naked cherubs strain to uphold the heavy piers. |
If Elizabeth Milbank ever lived at No. 24 West 71st
Street, it was not for long. The house was
completed in 1888 and by 1890 she had died.
On October 18, 1892 her estate sold the 20-foot wide house
to John D. Barrett for $47,000—in the neighborhood of $1.3 million today. Young and wealthy, Barrett was a partner in
the insurance brokerage firm of Higgins, Cox & Barrett at No. 50 Wall
Street. He and his wife, the former
Nellie Adams, had five children, Sarah, Alice, Helen and John David, and
Clarence Redington Barrett.
Only two months before purchasing the home Barrett had suffered
an unsettling tragedy. His brother,
Charles M. Barrett had worked as an insurance adjuster in at Higgins, Cox &
Barrett for some time. Described by The
New York Times as “tall, handsome and well-dressed,” the 29-year old bachelor
lived with his mother and sisters on Staten Island.
But he suffered what a co-worker termed “an attack of
nervous prostration some time ago” and endured severe head pains ever
since. Charles Barrett talked of taking
a trip abroad for his health that summer.
Instead, on August 12, 1892 he was at the office, conducting
business as usual. He left work before midday and,
instead of going to Staten Island, he boarded a ferry for Jersey City. He checked into Taylor’s Hotel and five
minutes later a chambermaid outside his door heard groaning.
“The door was forced open and he was found lying on the bed
breathing stertorously and with a bullet hole, from which the blood was
streaming, in his temple,” reported The Times. A messenger boy was sent to No. 50 Wall Street
to bring anyone acquainted with Charles to Jersey City. It was, of course, John D. Barrett who
responded.
“Within half an hour a brother of the dead man rushed into
the hotel to ask the occasion of the summons, and sank overcome into a chair
when told the story of the tragedy,” said the newspaper. John Barrett was too emotional to speak with
reporters; however The Times, after interviewing co-workers, announced “it is
thought he was suffering from aberration of mind when he killed himself.”
The house originally sprouted wonderful cast iron cresting above the cornice. from the collection of the New York Public Library |
Like all other moneyed families, the Barretts spent their
summers away from the city. On October
14, 1894 The New York Times remarked that “Mr. and Mrs. John D. Barrett have
returned from the Adirondacks to their home, 24 West Seventy-first Street.” But the Barretts apparently preferred the
ocean to the mountains and before long established their own summer estate on Jack’s
Island near Greenwich, Connecticut.
The Barrett property there abutted the estate of Mrs. Frank Jay
Gould. On July 13, 1908 a group of
laborers were constructing a new sea wall for the Barretts. While swimming during a break, supervisor Dominick Bond was suddenly seized by cramps.
The New-York Tribune reported “He sank twice, and when he
came up was unconscious. One of the
excited Italians, taking it for granted that the man was dead when he came up,
passed a rope around him and tied him to a nearby pile while he ran to
telephone the medical examiner.”
Dominick Bond, now lashed to a pier in front of Mrs. Gould’s
home, was in fact not dead. But by the time authorities arrived, he
was.
“It is the general opinion that the man could easily have
been resuscitated by rolling on a barrel, or if some similar means of such aid
had been given, when he was first reached,” said the newspaper. When questioned, the worker said “he believed
Bond dead, and thought it was against the law to take a body from the spot
where death overtook it.”
Happier times came to the Barrett family as the
girls reached the age for their debuts into society. In December 1915 the newspapers reported on
the coming out entertainments hosted by Nellie Barrett for Helen. Two years later in August John and Nellie announced
from the Connecticut home that Helen was engaged to Yale University senior,
Homes Mallory.
When the Real Estate Record and Builders’ Guide reported on
the sale of No. 24 West 71st Street on February 8, 1919, it got the
history of the house astonishingly wrong, if perhaps more interesting. “John D. Barrett sold the residence at 24
West 71st st. he erected some 20 years ago by day’s work at a cost of
$54,000.”
As a side note, the following fall John D. Barrett was
standing on the train platform in Greenwich, Connecticut when he leaned over to
dump he ashes from his pipe bowl onto the tracks. A freight train passing on a nearby track
evidently drowned out the sound of the approaching passenger train. The train struck Barrett’s head, killing him.
The purchaser of the 30-year old home had the captivating
name of Montifiore Lorth. He quickly
resold it within the month to “a physician who will occupy,” according to The
Sun.
That physician was Dr. Francis D. Gulliver, an eye
specialist. He remained here for a
decade before purchasing the nearby house at No. 22 East 78th Street
for his office and residence in 1930.
Gulliver retained possession of No. 24, however, leasing it to upscale tenants.
When he leased it in September 1940, “for a long term” the
New York Times remarked that “the lessee will renovate the house.” It became home to William J. Solomon and his
sister, Grace G. Solomon. Their father,
attorney J. P. Solomon, had founded the True Craftsman Masonic Lodge, 651 and
had been editor of The Hebrew Standard.
William Solomon had succeeded his father in editing the
publication until it merged with The
American Hebrew. Since 1936 he had
been sexton of the Central Synagogue at 55th Street and Lexington
Avenue. On October 15, 1947 he died of
heart disease at the age of 71.
It was the end of the line for No. 24 West 71st
Street as a private home—at least for many decades. In 1951 there were two apartments per floor
and was home to the Vedanta Society, a Hindu organization.
Somewhat surprisingly, the group celebrated Christmas,
explaining “We worship not the Christ of ‘churchianity’ but the Christ who
embraces the essence of the spiritual truth of all religions.” Nevertheless, there was a Christmas tree in the
room when Swami Pavitrananda, a Hindu monk, delivered his sermon on December
23, 1951.
The Times reported “A Christmas tree was set at the side of
a Hindu altar, adorned with red roses and surmounted with a photograph of Sri
Ramakrishna a Hindu saint of the nineteenth century who gained his concept of God
from Hinduism, Islamism and the Gospel of Christ.”
Decades of misuse resulted in low sheetrock ceilings,
discarded hardware and ruined architectural details. But an unexpected champion appeared in the
form of Michael Balk, a partner in Price Waterhouse, and his wife, Marcie.
The couple purchased the semi-derelict mansion and began a
meticulous $1 million restoration which was completed in 1993. Some elements, hidden by paneling and
sheetrock reemerged—like the coffered mahogany ceiling in the entrance hall
and, according to Tracie Rozhon of The New York Times on October 20 that year “paneled
curving wainscoting up the winding staircase, six-foot-high linenfold paneling
in the dining room and elaborate inlaid floors.”
But other features had been lost. Only one original doorknob had survived, for
instance. Mrs. Balk sent it to a foundry
in California to be duplicated. Plaster
craftsmen were brought in to reproduce what remained of ceiling moldings. Woodworking experts spent months restoring
the floors and paneling.
The Balks sold the restored mansion in 1996 to a banker and
his family. Today Lamb & Rich’s
whimsical but elegant creation looks much as it did when the Barrett family
took possession in 1892; a time when the Upper West Side pooh-poohed the stuffiness
of East Side residential architecture and just had fun.
photographs by the author
Those top floor windows and half shell details are stupendous
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