Thursday, July 9, 2026

The Al Hirschfeld House - 122 East 95th Street

 


Developers William J. and John P. Walsh often turned to the architectural firm of C. Abbott French & Co. in designing their projects.  On February 19, 1887, the Real Estate Record & Builders' Guide reported that they had teamed up again for a row of 12 "Queen Anne private residences" on East 95th Street between Park and Lexington Avenues.  Completed in 1888, each of the three-story residences would cost about $490,000 in 2026 money to erect.

Among the most eye-catching was 122 East 95th Street, the yellow brick facade of which was contrasted by ruddy terra cotta.  A dog-legged box stoop rose to the entrance.  The upper sashes of the grouped parlor windows contained myriad small panes--typical of the Queen Anne style.  They were reflected in the multiple square panels of the double entrance doors.  C. Abbott French & Co. united the parlor floor openings with a single arched terra cotta lintel filled with crisp, swirling foliate forms.

A projecting metal oriel dominated the second floor and the three windows of the third floor were capped by a triangular pediment filled with elaborate terra cotta ornaments.

image via the NYC Dept of Records & Information Services

Real estate operator Lewis Coon purchased 120 and 122 East 95th Street, painted and wallpapered the interiors, and then put them back on the market in September 1889.  His advertisement described them as "two of the most comfortable and well built new 20 foot, three story and basement private dwellings in restricted block."  Asking $20,000 each for the properties, Coon said buyers would find "no equal for the money on the island."  Calling the houses "strictly first class in every respect," he noted they were "elegantly trimmed in cabinet style; handsomely decorated and papered."

Lewis Coon sold 122 East 95th Street to Elias Einstein in July 1890.  The sale price would translate to about $730,000 today.  Born in 1830, Einstein was the head of a cloak manufacturing firm at 392 Broadway.  He and his wife had two adult daughters, Ida and Hannah, both of whom were married.

Elias Einstein (original source unknown)

In 1893, the Einsteins' eldest daughter, Ida, moved in along with her nine-year-old twin children Helen and David.  Ida  had married Jacob Rothschild in 1883.  The New York Herald said he held "a post of trust in a large mercantile house and drew a large salary."  But then, he "became dissipated."  (The term most often referred to alcoholism.)   Rothschild lost his job and, finally, Ida "went back to her father, who contributed to Rothschild's support as well as hers," according to the New York Herald.

Initially, Jacob Rothschild visited 122 East 95th Street to see Ida and the twins.  "Of late, however, his family saw little of him," reported the New York Herald in 1895.

At around 7:30 on the morning of May 19, 1895, a servant heard a noise in the vestibule.  He found Jacob Rothschild lying on the floor and called for Elias Einstein.  The New York Herald said that Rothschild was "breathing laboriously and in his hand was a small bottle partly filled with some liquid."  He looked up at Einstein and mumbled, "You won't have any more trouble on my account.  I have taken this poison, and I came here to die."

The 45-year-old was brought into the parlor and Dr. Louis Cohn, who lived nearby at 139 East 95th Street, was summoned.  Rothschild was unconscious when the doctor arrived and he died shortly afterwork.

The following year, in June 1896, the Einsteins sold 122 East 95th Street to Solomon Baerlein and his wife, the former Lottie Kohner.  Solomon was a "special partner" with Lyman G. and Joseph B. Bloomingdale in the Bloomingdale department store.  

Although the couple had no children, their new house was well filled.  Moving in with them were Lottie's parents, Marcus and Hildegart Kohner, and Solomon's mother, Elise (known as Elsie).  Their advanced ages resulted in a series of funerals in the parlor starting with Hildegart Kohner's death on February 21, 1907 at the age of 70.  Nine months later, on November 7, Marcus Kohner passed away at the age of 76, and Elise Baerlein died at the age of 81 on June 21, 1908.

The parlor was the scene of a more joyous event in 1913.  On December 7, The New York Times reported that Rena Goldstein would be married to Arthur H. Schweizer "on Wednesday in the home of the bride's uncle, Solomon Baerlein, 122 East Ninety-fifth Street."

Starting in 1914, the Baerleins leased the house.  A series of well-to-do families occupied it until Solomon Baerlein's death in November 1924.  His estate sold 122 East 95th Street to the Empire State Holding Corporation in October the following year.  The house continued to be leased to a series of tenants until December 1947 when it was sold "to Albert Hirschfeld, the artist," according to The New York Times.

Better known to readers of The New York Times Drama Section as Al Hirschfeld, he was born in 1903.  He became the newspaper's caricaturist in 1929.  Dolly Hass Hirschfeld was his second wife.  They were married in 1943 and had a daughter, Nina.  Nina's name was always hidden in capital letters within her father's caricatures and finding them became a Sunday morning quest for readers of The New York Times for decades.

This self portrait contains two NINAs.

On January 31, 1948, The New York Times reported, "Plans for altering the three-story brick dwelling at 122 East Ninety-fifth Street for studio and residence were announced."  The years-long renovation resulted in the stoop being removed and the entrance lowered to below grade.  It was deftly replaced by paired windows that matched the originals on that level.  In order to create Hirschfeld's studio, the three third-floor windows were replaced with a large opening.  Hirschfeld had the yellow brick and terra cotta painted a cheery pink.

In addition to his top-story studio, the renovations resulted in five bedrooms and five baths.



For decades Hirschfeld would sit in theaters with his sketch pad, then return to his third-floor studio to create his final images.  According to The Wall Street Journal later, he would sometimes keep "his notepad in his pocket while drawing to avoid disturbing other theatergoers."

Some of the artworks found their way into the interiors of the house.  According to The Wall Street Journal, he commissioned "hand-painted fireplace tiles in Mr. Hirschfeld's unique caricature style," and at some point he had selected caricatures enlarged and printed on wallpaper panels for the second floor.  They included portraits of Charlie Chaplin, Frank Sinatra and Marilyn Monroe among other stars.

Al Hirschfeld at the piano on the second floor with his custom wallpaper in the background.  photograph by Jill Krementz, December 4, 1971

Dolly Haas Hirschfeld died in 1994.  Two years later, Al Hirschfeld married theater historian Louise Kerz. 

On January 21, 2003, the Fredericksburg, Virginia newspaper The Free Lance-Star reported, "Al Hischfeld, whose graceful fluid caricatures captured the essence of performers from Charlie Chaplin to Jerry Seinfeld, died yesterday.  He was 99."  Newspapers nationwide mourned him as a national treasure.

Eight years later, in February 2011, The Wall Street Journal reported, "The townhouse where the artist Al Hirschfeld drew his theatrical caricatures for more than half a century was sold for more than the $5.3 million asking price, after a bidding war."  (Louise Kerz Hirschfeld had married Lewis B. Cullman two months earlier.)

Anne Snee, the broker from the Corcoran Group, told the journal that the buyers, Paul and Denise Lachman, "plan to completely renovate and restore the house, but will protect and preserve large panels of Hirschfeld wallpaper by covering them with plastic panels."

The Lachmans sold the house in 2015 to Phyllis E. Battista.  The Real Deal commented on May 3, 2026 that she "is the ex-wife of Ben Odierno, the landlord who made headlines back in 2005 when he killed his second wife."


No. 122 East 95th Street still sports the pink paint chosen by one of America's most beloved caricaturists, and it continues to be a standout among C. Abbott French & Co.'s picturesque row.

photographs by the author

No comments:

Post a Comment