The newly-finished building gleamed in white terra cotta. photo by Wurtz Bros. from the collection of the Museum of the City of New York |
Charles B. J. Snyder was appointed Superintendent of School
Buildings—a title equivalent to official school building architect—in 1891. Within
three years the Compulsory Education Law of 1894 would be put into effect,
mandating that all children were required to receive schooling until at least
the age of 14. But for low-income
parents and the educators of their children, the law was problematic.
Formal education not only held little relevancy to children
whose futures were destined to be spent in factory work or other menial labor. And it meant that they were provented from
taking jobs and assisting their families financially.
The problem had been addressed decades earlier by Industrial
Schools where impoverished boys learned trades such as shoemaking and
carpentry. But it would not be until November
1902 that the first vocational school for girls was organized—the Manhattan
Trade School for Girls.
The school was established at No. 233 West 14th
Street, “which was equipped like a factory and could comfortably accommodate 100
pupils,” according to The Making of a Trade School in 1909. The school opened with 20 students, but was
soon “overcrowded.” In June 1906 it was moved to larger quarters at No. 209-213 East 23rd
Street. That, too, would soon be
insufficient.
Originally, the school trained girls in trades until they
were 14 years old—both the compulsory education age and about the time a girl
could get an industrial job. Untrained
girls, it was felt, “complicate the industrial problem by their poverty and
inability, and thus tend to lower the wage.”
In the Trade School for Girls, the students could choose
their focus from among the use of electric and “foot-power” sewing machines;
use of paste and glue (necessary for millinery trimmers and costume jewelry
work); or “use of brush and pencil.”
In addition, the girls received physical education. The educators realized that when the girls
left the school they would be required to work eight or more hours a day “in
which they must strain every nerve and bend all of their energies.” Therefore gym classes sought to ready them.
As the girls neared the completion of their courses, they
were trained in interviewing skills and given placement help.
The Manhattan Trade School for Girls was operated by the
Board of Education. In March 1915 it received an urgent plea from Rita
Wallach Morgenthau. “The Manhattan Trade
School, the only existing trade school for girls in the city, is utterly unable
to meet the demands made upon it.”
Mrs. Morgenthau warned that the insufficient facility was
resulting in girls wandering the streets.
“At the beginning of February, when thousands of children pour out of
the public schools, hundreds of them had to be refused admission to this
school. This brought about a dangerous
condition. There was little work to be
had, and walking the streets, hopelessly looking for a job, tends to moral
deterioration.”
In response to the situation C. B. J. Snyder set to work on designs for a
spacious and up-to-date school building at No. 127 East 22nd Street,
at the northwest corner of Lexington Avenue.
By now Snyder had made a name for himself through his innovative design
concepts that enhanced light, ventilation and fire safety. As he often did, he turned to Collegiate Gothic
for this school building. But the Manhattan
Trade School for Girls would be substantially different.
Rather than the traditional brick façade with contrasting
stone trim, gleaming white terra cotta would cover most of the structure. A limestone base supported nine floors
decorated with exuberant Gothic motifs—a crenulated cornice above the second
floor, modified quatrefoils, and square-headed drip moldings. A dramatic parapet topped it off—with huge
openwork panels, pointed finials and corner towers.
Construction of the massive structure would take years. In the meantime, young girls were entering
the workplace with skills like dressmaking.
Employers called at the school in search of trained and talented
workers. Unskilled girls entering
garment factories could expect to make about $3 a week. On February 18, 1916 Jessie Adams, an
instructor in the dressmaking department, explained to a reporter from The
Evening World that a girl leaving the school as a draper could earn from $9 to
$11 a week; a dressmaker from $12 to $15 a week; and “if a girl has ability and
intelligence enough to become a designer, there is practically no limit to her
earning capacity.”
The new $700,000 school building was finally completed in
the summer of 1918. Students, excited
to see the new facility, were stopped short when the United States Government
announced it wanted to take it over as a war hospital. Discussions ended on September 7, 1918 when
the War Department decided that the school was more important to “war work.” An official announcement declared “It is not
the policy of this department to interfere with educational procedure.”
The roof garden was protected by the openwork parapet, An impressive limousine sits in front of the Russell Sage Foundation building across the street. photograph from the collection of the New York Public Library. |
In fact, the graduates of the school were quickly being swooped
up by factories making army uniforms and other garments. The war had depleted the work force and
women were needed in many capacities.
Prior to the war, for instance, the majority of gloves were imported
from Germany. “Now,” wrote the New-York
Tribune on September 8, “American manufacturers are making experiments with
these materials and gloves will hereafter be made here.”
Students work on academics (left) and art in the old building. Board of Education Annual Report 1914 (copyright expired) |
The Sun, on September 5 that year, noted “The Manhattan
Trade School for Girls has especially varied courses, running all the way from
waist draping to military drill. War
work is given first place, and girls going there can learn canteen work,
cooking and food conservation or how to be a nurses’ aid.”
The new building was able to accommodate 1,200 girls during
the day and 2,000 in the two sets of night classes. There was a roof garden, “spacious gymnasium
and shower baths for the recreations and health of the girls,” according to the
New-York Tribune. And the additional
space made possible an enlarged curriculum.
Training in cooking and restaurant work were made possible
by the 9th floor school lunch room, which the students managed, and
a ground floor cafeteria and tea room open to the public. “These two lunch rooms will make possible the
training of girls for cafeteria and canteen workers who are now in great
demand, as well as the teaching of cooks and cooks’ assistants, who are soon
going to be wanted in the army, since it has been decided to use women for
these positions,” said the Tribune.
There was also a retail shop at street level for the sale of
clothing and other articles made by the girls.
Here the students gained retail experience and put their non-trade
learning—such as math and English—to good use.
The expanded curriculum was outlined by the New-York Tribune
on November 25, 1918. “Manicuring and
shampooing have been added to its list of major courses offered, and the
subjects studied now include, in addition to these, dressmaking, millinery,
flower and feather making, lampshade making, novelty making, sample mounting,
garment machine operating, straw hats, kid gloves, embroidery, laundry and
cafeteria work.”
Some of the operating expenses of the school were offset by
the sale of the girls’ work. In 1917
more than $20,000 had been taken in. The
money was returned to the school from the City, and used for the purchase of consumable
materials—such as thread, fabrics, glues, and food for the lunchrooms.
The system went smoothly until June 1920 when Controller
Craig decided that the $25,000 earned by the pupils within the past 18 months
belonged to the City and not the school.
On June 23 The New York Times decried the move with a rather dramatic
headline: TRADE SCHOOL MAY CLOSE.
The article began “The Manhattan Trade School for Girls may
have to curtail or even stop its activities because the $25,000 earned by the
pupils…is being withheld for some reason by Controller Craig.” The Times’ outcry along with public ire
changed the Controller’s mind.
One wealthy socialite made a point, beginning in the winter
season of 1921, to send 40 or more tickets to the theater, opera or symphony
concerts to the school. The school’s director, Florence Marshall, had
the unhappy task of selecting the few girls among the 1,000 to receive the
gifts. It occurred to her as the winter
season of 1923 approached, that perhaps other generous New Yorkers may like to
give as well.
On October 11 she wrote a letter to the editor of The Times,
explaining that her girls certainly could not afford tickets themselves and “have
little or no opportunity to hear and see the best musical and dramatic
productions.” She described the girls,
from 14 to 18 years old, as “in the main, splendidly ambitious girls, who, we
are sure, will do much in the future to make industry a better place for women
to work in and homes better places to live in.”
She asked that if anyone had tickets for the “opera, drama or music”
that they could not use, to please send them to her at the Trade School.
Florence Marshall was overjoyed when her plea was answered
by a flood of generous donations of theater tickets that season.
The Christmas season provided an additional reason for New
York women to visit the school’s sales room.
The vast array of items was evidenced in a notice of a special sale on
December 12, 1924 of articles “suitable for Christmas gifts.” Included were “silks and cotton patchwork
quilts” and “blouses, dresses, hats, children’s clothing, hand and machine-made
underwear, and novelties.”
By 1929 the Board of Education had changed the school’s name
to the Manhattan Industrial High School for Girls. Little changed within its walls,
however. When a “spring sale” was held
in the shop the first week of May 1932, The New York Times wrote “Children’s
clothes, towels, hats and dresses for adults, neckwear, lampshades, novelties,
cakes, cookies and pies are among the articles on sale.”
Another name change came around 1948 when the school became
the Mabel Dean Bacon Vocational High School.
Little by little the curriculum
would change to reflect the times. In
1957 students were still learning lampshade making and hairdressing. But by 1982 the focus was more on business
education, nursing, dental assistance and cosmetology.
Nearly three-quarters of a century of weather and wear took its toll on Snyder’s terra cotta façade.
In 1985 a restoration by the California-based Gladding, McBean &
Company was initiated. The oldest terra
cotta manufacturer in the country, it reproduced elements that were either lost
or irreparable. The ambitious project
stopped short of reproducing the magnificent openwork panels of the parapet
which had been removed.
By 1998 the school was made the School of the Future. Although part of the New York City Department
of Education, it was founded in 1990 with significant funding by Apple
Inc. The school, with classes ranging
from grades 6 to 12, could not be any more different than the Manhattan Trade
School for Girls.
Boys and girls from all boroughs pass through an interview
process. The School of the Future prides
itself on the diversification of its student body—“ethnically, economically, academically,
and geographically” different children.
The school focuses on small class sizes and “student-centered learning.”
C. B. J. Snyder’s handsome terra cotta building survives
mostly intact; a reminder of a time when underprivileged girls facing a
terrifying future were given hope.
photographs by the author
photographs by the author
A noble foundation and spectacular building. Of course budget unfortunately reared its head but what a sight that parapet would be if restored.
ReplyDeleteI studied Dental Office Assistant there & work in the dental field for over 30 years. Who knew at that age I would pick a school that gave me a career, even took additional ed & & got my EDDA.
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