Clarence Fagan True designed the four upscale rowhouses at 155 through 161 West 76th Street for Duncan C. McKinlay in 1890. He designed the brownstone-fronted homes in the Renaissance Revival style. Like the others, the westernmost house, No. 161, was four stories tall above a high English basement. True was noted for his often eccentric details, and carved onto the dog-legged, box stoop was a fearsome-looking dragon sinking its fangs into a banner.
True striated the parlor level with rough-cut bands upon the otherwise planar surface. Stylized Corinthian pilasters carved with vining flowers and a fantastic bird flanked the doorway. Carved ornaments capped the fully-arched parlor windows and the molded cornice of the entranceway.
The architect treated each of the upper floor openings differently. The second floor windows wore flush, ornately-carved lintels; those on the third floor sat below large shells; and the fourth-floor windows were embraced by carved panels and lintels.
McKinlay sold 161 West 76th Street to real estate operators Robert P. and Annie G. Martin in 1891. They advertised: "To Rent--Handsome new house, No. 161 West 76th st; will be decorated to suit tenant."
Their ownership would be short. On May 2, 1892 the Martins sold the house to George and Henrietta F. Reid. It appears that the Reids, like their predecessors, leased it.
Living here in 1894 was Harriet Hall Valentine Holder, the widow of Charles Hawkes Holder who died in 1892. Born in 1849, she and Charles had five children. At least one of them, Suzanne Valentine, lived here. The parlor was the scene of Suzanne's wedding to Charles Schumacher Jr. on November 28, 1894.
The Reids sold 161 West 76th Street in May 1898. It became home to the John Paret Jr. family. Born on September 4, 1835, Paret married Emily Louisa Story in 1859 and the couple had nine children--five sons and four daughters. The family's country home was in Ellenville, New York.
Paret was the head of the men's clothing firm, John Paret & Co., founded by his father in 1816.
A charming John Paret & Co. trade card. The reverse would have contained the advertising material.
Rufus Story Paret was the eldest of the sons. The 35-year-old died here on June 6, 1899 and his funeral was held in the parlor on the 8th. One month later, on July 27, John Paret died at their summer home. His body was brought back to Manhattan and his funeral was held in the house on July 29.
At least two sons would continue to live at 161 West 76th Street with their mother. Walter P. Paret was born in 1872 and was educated at Yale University and Columbia University Law School. Still unmarried, he was with the law firm of Perkins & Jackson. His older brother, John, was born in 1867 and graduated from Cornell University in 1893. He, too, was unmarried. A banker, he was associated with the Union Trust Company.
The Parets left West 76th Street early in 1902. As was common at the time, when affluent families relocated they sold everything in their previous home and started over. An auction of the contents of 161 West 76th Street was held on February 7, 1902. The announcement listed items like "rich hangings, Gold and Vernis Martin Cabinets, rare and costly Curios." There were also a "Gold Drawing Room Suite, odd and beautiful Chairs, Turkish Rugs, Oil Paintings by eminent Artists." A particular Royal Vienna pedestal was valued at $500 and a Royal Dresden vase, described as "one of the largest in the city" was valued at $550. The combined value of those two items alone would translate to about $40,500 in 2026.
Typical of Clarence True's designs, close inspection of the entrance pilasters reveals a fantastic fowl seemingly plucking at a vine.
The house next became home to Adolph and Sophie Hirsch. Adolph was a partner in the commodity, fertilizer and chemical commission firm of Heller, Hirsch & Co. The couple had three children, Herbert Adolph, Ralph Tuska, and Alice M.
Herbert was attending the Harvard Law School when the family moved in. He graduated in 1905 and, despite his law degree, he took a job as a clerk with Heller, Hirsch & Company.
Sophie Hirsch died on October 22, 1914. The following month, on November 27, Adolph transferred title to the house in equal parts to his three children.
The Hirsch family leased 161 West 76th Street to Mary H. Squire in April 1916. She either shared the house or sub-let it to Florence McMillan, who operated her music studio here.
In 1920, Mrs. Lulu Freeth Bosworth occupied the house. She was active in the Professional Woman's League.
The Hirsch siblings advertised 161 West 76th Street for sale in 1921. The ad on April 28 in the New York Herald read, "Four story high stoop residence, 15 rooms and 4 baths; 19x100; price $33,000; immediate possession." Two months later, on June 4, the New-York Tribune reported that the Hirsches had sold it to Thomas S. Keatinge.
Alice Hirsch seems to have had seller's regret. The 1923 American Art Annual's "Who's Who In Art" section listed Alice as having a studio on Washington Square and living at 161 West 76th Street. Alice would have been renting rooms in her former home. Another resident at the time was musician Frederic W. Berryman, who, until 1921, was organist and choirmaster of St. Peter's Church in Chelsea.
image via the NYC Dept of Records & Information Services
Among the tenants here in 1938 was Harriet Brown Nielson. The 35-year-old was described by her attorney, Bernard H. Sandler, that year as "a member of a well-to-do California family, a writer, a linguist and a former Olympic swimmer." Despite her rather illustrious background, Harriet was experiencing personal problems.
Nielson occupied two furnished rooms. On the afternoon of February 7, 1938, she met William King, a saxophone player who worked for the Workers Progress Administration. (His name, it turned out, was actually William Loftus.) They went to dinner and, according to Loftus, "Mrs. Nielson had several drinks." On the way to her apartment, they picked up a pint of gin. When they finished it, they "took a walk and bought a quart of liquor," according to Loftus, "most of which they drank."
At one point, Loftus, a.k.a. King, allowed Harriet's two kittens to escape the apartment. She flew into a rage and hit Loftus with an empty gin bottle, cutting his face. According to him, he slapped her and, later, she fell several times and each time he picked her up. He eventually passed out and when he awoke the next morning, Harriet was dead on the floor.
An autopsy revealed that Harriet, "former Pacific Coast diving champion," as described by the Syracuse Journal, had died of a "homicidal assault." Dr. Milton Helpern said that Harriet's death was caused by abdominal hemorrhage, "following a traumatic laceration of the liver." He explained that the injury "was caused by a blow and could not have resulted from a fall."
William Loftus was arrested for murder. The following month, on March 19, 1938, The New York Times reported that a grand jury, "after listening to four witnesses," dismissed the charge. What actually led to the former Olympic swimmer's death will never be known.
Frank J. Patti rented a room here in 1944. The 26-year-old bus driver boarded a Staten Island Ferry on August 5 that year. He was on the lower deck and "became angry when ordered behind ropes that had railed off part of the deck," as reported by the Staten Island Advance. So angry was he, in fact, that he slugged 46-year-old deckhand Thomas Cochan in the jaw.
When the ferry pulled into the St. George terminal at 6:00 p.m., Patti was removed by police. He was charged with third degree assault. The case was scheduled for trial, but when Frank Patti agreed to pay Cochan "for any damage that had been done," according to the Staten Island Advance on September 7, Cochan dropped his complaint. (The amount that Cochan agreed upon to ameliorate his injuries was not revealed.)
Also occupying a room here at the time was Walter L. Rowe. On April 30, 1944, the 57-year-old stepped off the curb at Amsterdam Avenue and 76th Street and was killed by a hit-and-run driver. Whether the offender was ever arrested is unclear.
In 1968, 161 West 76th Street was converted to apartments, two per floor. Two decades later, a penthouse level, unseen from the street, was added. In doing so, one of the fourth-floor apartments was raised to a duplex.
photographs by the author

























