The entrance was placed on the residence's side, through a gateway, rather than on 68th Street. -- photo by Alice Lum |
Developers Wagner & Wallace were busy at the same
time. As the Upper West Side rapidly expanded
with comfortable homes and businesses, the partners erected rows of fashionable
speculative homes. In 1895 they
purchased the nearly the entire southern side of West 68th Street
between Central Park West and Columbus Avenue.
Within a year at least six commodious townhouses designed by George F.
Pelham, from No. 16 through No. 26, would be completed.
At the eastern end of the row another house quite unlike the
others was rising that year. No. 14 was
designed by Louis Thouvard in the Queen Anne style. Two stories of red brick sat on a base of
rough-cut brownstone. Terra cotta
panels, haughty dormers and brick quoins on the upper floors distinguished the
residence from its neighbors. With its
entrance on the side, the mansion turned its shoulder to the street not to be
aloof; but to take advantage of the Central Park views across the vacant lot
next door. Inside, the house boasted the
expected amenities of an upper-class home, including a “French Drawing Room, ”
10 bedrooms, and a “smoking room,” as mentioned in the New-York Tribune later.
photo by Alice Lum |
Although most historians today credit August Zinsser with
the purchase of the lots and construction of the house; The New York Times
disagreed at the time. On November 29,
1896 it reported on the week’s real estate sales, noting “Newly finished
dwellings were not much in favor, only three being disposed of, inclusive of 10
and 14 West Sixty-eighth Street, by the builders, Wagner & Wallace, at
about $30,000 each.” The highly disparate
styles used for No. 14 and the rest of the block cast doubt on The Times’
accuracy. In either case, August Zinsser
soon moved into the imposing Queen Anne residence.
Two years later Zinsser gave up his view of Central
Park. The New York Times reported on
June 4, 1898 that he sold the plot in front of his home to the Second Church of
Christ, Scientist. The church had
purchased the opposite corner on Central Park West and 68th Street
just two weeks earlier. “It is announced
that church edifices will be erected on both sites in the new future,” said the
newspaper.
Indeed a daunting stone church was erected, reducing Zinsser’s
front yard to a narrow pathway. But
perhaps through a pre-arrangement with the buyer the new church building did
not elbow the property line. Instead a
wide, shady courtyard separated the structure from Zinsser’s fence, preventing
what would have been a claustrophobic situation for the Zinsser mansion.
A stately brick and iron fence protected the yard -- Express Gazette Journal, January 1922 (copyright expired) |
Perhaps Zinsser’s sale of the Central Park-facing lot was motivated
by his intentions to leave the city.
That same year he applied to the Secretary of State to move his firm to
Hastings-on-the-Hudson in Westchester County.
A year later he sold the residence to the president of the Otis Elevator
Company, William Delevan Baldwin.
Before long the wealthy businessman and his family (there
were eight of them in the house along with a staff of six servants) would
receive a macabre scare. On Sunday
morning, August 25, 1901, Francois Gaubaubet, a French waiter employed in a
downtown club, was found dead in his home at No. 40 West 65th
Street.
The New York Times reported on the events that followed the discovery of a body nearby. “Just before he was found
dead, a man, very much excited, rushed into the West Sixty-eighth Street Station
and told Sergeant Burns that a man had died suddenly at 14 West Sixty-eighth
Street.” In his excited confusion, the
man sent police to the Baldwin house where the family was apparently spending a
quiet Sunday morning.
“Policeman Fitzgerald was sent to that house and startled
the occupants of the house when he asked about a man who had died there.”
In addition to his presidency of Otis Elevator, Baldwin was
Vice-President of the Catskill & Tannersville Railroad Company, and a
director of the National Surety Company and the New York & Long Island
Railroad Company.
In 1908 son Martin Sullivan Baldwin married Hazel Talmage
Smith in what the New-York Tribune deemed “a noteworthy November wedding.” It would seem that the Baldwins intended to
dispose of the 68th Street house that same year. Earlier, on May 31, auctioneer J. Hatfield
Morton advertised an auction of the “entire superb appointments” of the Baldwin
house. Saying that the sale was on
account of the owner’s “departure for Paris,” he listed 80 oil paintings by
prominent European and American artists, magnificent chandeliers, “fine Persian
Rugs, Carpets and Draperies throughout,” and even “old wines.”
Apparently the Baldwins had to redecorate from scratch
because when they returned from Europe in time for Martin’s wedding they
remained in the 68th Street house for another decade. They maintained a 42-acre country estate in
Greenwich, Connecticut as well.
When William Baldwin’s limousine needed repairs the first week of
May 1916 it was taken to a repair shop in Long Island City. A few days later one of the company’s drivers
headed to Manhattan to deliver the automobile.
He brought along two friends for the ride—A. W. Wagner another employee,
and Alva Jensen a carriage maker. Just
as the limo reached Columbus Circle a “low, gray racing car shot past, coming
from the east,” according to The New York Times on May 10.
Showing off for his friends, Mura decided to overtake the
speeding car. It was a bad
decision. “The chase led up Broadway to
Sixty-second Street and east to Central Park West,” reported the
newspaper. Just feet from the Baldwin
residence disaster occurred. “At
Sixty-eighth Street the racer swung around the corner and started west, and the
heavy limousine, trying to make a sharp turn and follow it, struck a fire
hydrant and was overturned.”
Mura was thrown out of the vehicle; but his riders were
trapped underneath. Policemen and
civilians lifted the car off the two men. Tragically Jensen died later than night and
Wagner remained unconscious with serious internal injuries and a broken arm.
The following year the United States entered World War
I. Roland D. Baldwin left West 68th
Street to join the Marine Corps. By 1918
he had attained the rank of Sergeant and was serving in Europe on the front
lines. On June 20 he was one of 51 other
sergeants reported wounded in action.
The mansion’s life as a single-family home would soon come
to an end. On March 1, 1919 the Real
Estate Record & Builders’ Guide reported that the Baldwins sold the house to
Walter Russel. The periodical noted that
he was “a member of the syndicate which owns the Hotel des Artistes abutting in
67th st. The building will be
altered into small suites, and will be connected with the larger structure.”
Following the conversion the house was acquired by the Jared
Flagg Corp., presided over by I. C. Reina.
Jared Flagg was, incidentally, the father of architect Ernest
Flagg. On August 31, 1921 American
Architect and Architecture reported that Ernest Flagg had designed a “four-story
brick and concrete dwelling” on the property, costing $25,000. Again, current historians disagree. The Landmarks Preservation Commission lists
the architect of the addition as Edwin C. Georgi.
The new brick addition at No. 12 made no attempt to architecturally meld with the original house -- photo by Alice Lum |
Retired actor and singer Victor Maurel took an apartment in the building, and other spaces were leased as musical studios or small offices.
Musical studios like this took space in the former mansion -- Pacific Coast Musical Review, October 1, 1921 (copyright expired) |
By 1953 when the combined buildings known as 12-14 West 68th Street were sold to Saul Singer, they held 30 apartments. It was purchased 12 years later by Thomas Haines for $140,000. According to his second wife, Polly Cleveland, "The two buildings were a rent controlled slum, with apartments renting for as little as $15 a month." Because Haines's wife at the time, Adrian Rappin, was an artist, the couple cut a skylight into the gable of Apartment 11 on the top floor, to convert to an artist studio.
photo by Alice Lum |
When the building was put on the market in 2009 for $22 million there were just seven apartments, according to Cleveland. It was sold that year for less than half the asking price, at $10.6 million. Today a studio apartment in August Zinsser’s handsome Queen Anne mansion rents for over $2,000 per month.
Is the building on East 68th St or West 68th St?
ReplyDeleteWest. Thanks for catching that slip
DeleteI lived in #12 from 1978-83. It was decidedly less posh than 14, a tiny studio apartment with a landlord who didn't think he had to heat the place during the day. Also, the landlord, who lived in #14, was definitely not the Austrian government, I can't remember his name right now, though.
ReplyDeleteI have evidence that the curator Samuel Adams Green -- who gave Andy Warhol his first museum show, in fall of 1965 -- moved into the top-floor loft apartment of 14 West 68th in fall of 1964, and lived there at least until 1975 (as shown in period telephone directories, and also in photos of a party he gave there for Warhol in November of 1964, when he had yet to move in his furniture -- and in an unpublished interview with Green.)
ReplyDeleteJust ran across this article with some more interesting backstories on the building, including Al Pacino's time as the building's Super:
ReplyDeleteWest Side Rag » An ‘Accidental’ Upper West Side Landlord Traveled a Rocky Road to a Windfall; A Young Al Pacino Was His Super!
https://www.westsiderag.com/2019/09/14/an-accidental-upper-west-side-landlord-traveled-a-rocky-road-to-a-windfall-a-young-al-pacino-was-his-super
You missed the most important thing about the house, it was moved there from 58th St and Tenth Ave
ReplyDelete