The newly-constructed building was still vacant when this photograph was shot -- from the collection of the Museum of the City of New York |
Of the mansions of the wealthy families who lived on the West 23rd
Street block between 5th and 6th Avenues in the late 19th
century—stockbroker Benjamin Nathan, the Joneses (whose daughter, Edith, would
become famous as Edith Wharton), and Dr. John Gardner Ambler among them—perhaps
none was so attention-grabbing as that of William C. Schermerhorn.
The Schermerhorns were one of the oldest and most respected
of the old “patroon” families of Manhattan.
Jacob Janse Schermerhorn was among the first settlers of New Netherland,
arriving in 1636. Following the
Revolutionary War, the family lived in a country home, north of the city, on an estate
that stretched from what is now Third Avenue to the East River, from about 63rd
to 68th Streets, which was
built by Peter Schermerhorn, better known in New York history as “Peter the
Younger.”
Then on New Year’s Day in 1903 Schermerhorn died in the
mansion on 23rd Street at the age of 82. His estate, about $35 million today,
included two summer mansions—one in Newport and another in Lenox,
Massachusetts. His widow, Anne E. H.
Schermerhorn, his daughter Fannie Bridgham and her husband Samuel, lived on in
the 23rd Street house which The New York Times said, on February 10,
“now stands as a relic of a past generation.”
The Schermerhorn mansion survived until 1911. To the left a portion of the Eden Musee can be seen. photo NYPL Collection |
Annie Schermerhorn did not survive much longer than her
husband, but despite the fact that there were no other homes left on West 23rd
Street, she made sure the family house would not be razed while a Schermerhorn
was still breathing. “In her will she left the injunction that the old house be
occupied as a residence until the last of the family died,” reported The Sun on
June 2, 1907, “so Mrs. Samuel Bridgham, one of her daughters, resides there
with her husband during the part of the year she does not spend at her farm in
East Greenwich, R.I.”
A year later Fannie died, relieving Samuel Bridgham of Mrs.
Schermerhorn’s injunction. Now alone in
the anachronistic mansion, he looked for a home in a more residential and
fashionable neighborhood. On March 19,
1908 The New York Times noted that “The old Schermerhorn residence, in
Twenty-third Street…has long been one of the most conspicuous landmarks in the
central park of the city. Flanked on one
side by the Eden Musee and on the other by an eight-story business building,
its dignified brownstone front is a striking reminder of the days when business
was all below Fourteenth Street and when the fashionable residential section was
along Fifth Avenue south of Madison Square.
“For several years it has been the only remaining residence
on either side of Twenty-third Street, in the busy block between Fifth and
Sixth Avenues.”
Within a few days of The Times article, Bridgman had
purchased a new home at No. 954 Fifth Avenue and “the old Schermerhorn mansion
at 49 West twenty-third Street will probably be abandoned and a new business
structure erected on the site,” reported The New York Times.
In the meantime furniture manufacturers and dealers Geiger
& Braverman were expanding into real estate. In 1905 they opened a “general real estate
and building business” office, according to the Real Estate Record and Builders’
Guide, at 198 Broadway. “These
gentlemen are well known in the real estate field and furniture business,” said
the Guide, and were already completing two apartment houses on 120th
Street near 7th Avenue.
It was the Nameloc Company, however, that acquired the
Schermerhorn mansion and in its place erected a 12-story store and loft
building designed by Schwartz & Gross.
But it would be home to the Geiger
& Braverman’s retail furniture business—a location that made perfect
sense. By now other furniture
manufacturers had established themselves on the block—Robert J. Horner had
erected his handsome limestone store next door at Nos. 61-65 and just to the
west was the George C. Flint furniture store at No. 43.
Designed in what has been termed the “Modern French” style,
the understated lower three floors were clad in limestone and featured a
central section of expansive show windows.
The retail entrance was deeply recessed within arcade show windows—a recent
innovation. Above, nine floors of brick
and terra cotta melded Art Nouveau and neo-Gothic in an unexpected, unabashedly
20th century composition. A
marvelous parapet capped a gentle arch that harbored colorful terra cotta shields.
Up-to-the-minute Art Nouveau panels coexist with more traditional architectural details. |
The upper lofts filled with various small manufacturers like
S. Khoury & Co., Charles Iger, shirtwaist manufacturer, United Novelty
Company, and Cohen & Feinberg while Geiger & Braverman sold furniture
in the lower three floors. A writer for
the New-York Tribune was impressed with the modern furniture offered in June
1915.
“A nest of four tables for afternoon tea, fitting one
beneath the other, is a good arrangement for the verandah,” the writer
noted. “Finished in mahogany these are
priced at $10. Another useful item for
the summer cottage is the bookrack with extra shelf beneath for magazines of
papers.”
A month later the writer was back and reported that “Here I
saw a truly luxurious chaise longue upholstered in gay cretonne or pretty
denim. It may be had now at the special
price of $22.50. An upholstered
davenport, with deep springs and loose cushions, is specially priced at
$49. Good looking lamps in either the
ivory or mahogany finish, have pretty silk shades and cost $3.75.”
On the building's side wall, above the Eden Musee, ad painted signs advertise tenants in the upper lofts --NYPL Collection |
L. Bernardaud, china and glass dealer, was here as was the
Seymour Cravat Company, run by Hyman and Hertz, who were manufacturers of silk
ties. For a year, in 1918, the silk
lofts of Manhattan had been plagued with “an abnormal number of burglaries,”
according to the New-York Tribune and District Attorney Swann was convinced
they “could not have been possible without the connivance of the police.”
Throughout the 20th century the building saw
various stores and offices come and go; however little changed
outwardly. Today a mattress store fills
the street level retail space where Geiger & Braverman sold teacarts and
wicker plant stands. The
out-of-the-ordinary early 20th century structure is worth a pause
and an upward glance.
non-historic photographs taken by the author
On January 8, 1918 the robbers hit Seymour Cravat
Company. Unfortunately for the thieves
and for Detective Edward C. Burgess, the D.A.’s office had the place staked
out. On the day prior to the robbery
Burgess had entered the Seymour’s and purchased some times. On the day of the robbery, according to the
witness, Burgess “watched outside while the burglars operated and arranged to
rap on the door twice if he saw a policeman or prying pedestrian approaching.”
Burgess was charged with accepting $184 as his share of the
take.
The Bravermans continued to branch out and opened an
upholstery firm in the building in 1919, Braverman & Weiss, Inc. Brothers Charles and Solomon Braverman
partnered with Joseph Weiss in the logical adjunct to their furniture business.
Other small firms like Rosenbaum & Lipner, makers of men’s
neckwear; Michael Kolber; Bernard, Bernard & Co.; and Michael Addison,
corset and underwear manufacturers, filled the building in the first decades of
the century.
non-historic photographs taken by the author
Do you know how the name "Schermerhorn" was pronounced? I read once (in a book about the Astors into whose family Caroline Schermerhorn married) that it was pronounced something like "Skermern", but two nights ago I was watching a documentary about the New York waterfront and the narrator pronounced Schermerhorn Row about a dozen times as "Skermerorn". I also rather like the Schermerhorn house. Any idea who the architect was?
ReplyDeleteI always thought it was pronounced "Skairmerhorn."
DeleteCould it be true that even as early as 1915, the phrase "chaise longue" had been Bowdlerized into "chaise lounge"?
ReplyDeleteNo. You can thank 21st century technology--auto correct--for that. Thanks for catching it!
DeleteI'm just writing to let you know that I love this blog. It really makes the old buildings come to life. First-rate research, too!
ReplyDelete