As the Central Park commissioners strolled the Philadelphia Centennial Exposition of 1876, they were enchanted by a traditional Swedish schoolhouse; part of the exhibition of Sweden. Built in the Nordic Romantic style, the schoolhouse was intended to demonstrate the masterful woodworking of Swedish craftsmen.
Photo Hubert Steed
The commissioners now had a beautiful little building and absolutely no idea of what to do with it. For years it was used as a tool shed and then, in an even more unglamorous transformation, was converted to restrooms.
In 1910, after a barrage of complaints – many from Swedish-Americans – plans were initiated to convert the building once again. Parks Commissioner Charles B. Stover explained “[The Park architects] put hardly any comfort stations there, and I have been forced to hurt the feelings of the Swedish community by reopening the model Swedish schoolhouse as a comfort station. Fortunately I have received in the corporate stock budget an appropriation of $25,000, which will enable me to put up a new station and so restore the schoolhouse to its proper use.”
What “its proper use” would be was up to debate.
In June, 1912, when Commissioner Stover announced the schoolhouse would be used as an entomological school, The New York Times ranted against the proposal in an editorial titled “Central Park Bugs.”
“The place [for the school] is to be the shanty on the edge of the Ramble, which has been called the Swedish schoolhouse, and has a history which would be more respectable if it had never been dumped in Central Park. Mr. Stover proposes to have a perpetual exhibition of bugs in that shanty. The study of bugs is edifying, but Central Park is no place for schools.”
The editor continued, “If Mr. Stover has some spare bugs of positive merit we have no doubt that they would be admitted there and placed on exhibition. The idea, according to The Sun, is that the exhibition shall comprise all the insects that visit the Park. Obviously, the Swedish schoolhouse will be too small for the purpose.”
Despite the newspaper’s protests, the schoolhouse was used as the entomology center for several years. Through the 1920s it was the meeting place of the New York Bird and Tree Club whose impressive list of members included Mrs. Thomas Alva Edison, Joyce Kilmer and Quentin Roosevelt.
For a brief period, during World War II, the building (now sometimes called the Swiss Chalet) became the district headquarters for the Civil Defense. Then, in 1947 with a push from Mayor Fiorello LaGuardian and Parks Commissioner Robert Moses, the building was renovated for use as a design workshop and a children’s marionette theatre as home for the Park Departments Traveling Marionette Theatre, founded in 1939.
By the mid-1970s the theatre experiment had proven itself and a permanent marionette theatre was constructed with seats for 100 children and a stage area capable of more professional and complicated productions. In 1977 a total restoration of the schoolhouse was initiated, bringing the careworn wooden structure back to prime condition. Air conditioning was installed, the Baltic fir façade was refurbished and lost elements on the second floor balcony were reproduced.
One of the last marionette companies in the United States, the Theatre makes its own puppets, writes its own scripts and produces the shows internally.
The Swedish Cottage, one of the very few structures in Central Park not designed by Calvert Vaux and his assistant Jacob Wrey Mould, is also one of the most charming. It is located on the west side of the Park at 79th Street.
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