The 1911 Lissberger Mansion -- No. 16 East 71st Street

 

photo by Alice Lum

On January 9, 1910 The New York Times wrote “The finest residential block in Manhattan is now in process of development from Fifth to Madison Avenue, between Seventieth and Seventy-First Streets.  This is the Lenox Library block, which in less than three years has undergone a complete transformation.”  The newspaper reported on the coming demolition of James Lenox’s magnificent library building and said that if Lenox were alive at the time “he would see the great open field in the rear that has been a familiar sight for many years to every passenger traveling on the Madison Avenue cars being filled up with a number of the most elegant types of private dwellings to be found in this country.”

Among the "elegant private dwellings" were two speculative mansions commissioned by developer Cornelius W. Lyster, Jr. at Nos. 16 and 18 East 71^st Street.  Lyster had purchased the plots the year prior to the Times article and hired architect John H. Duncan to design the residences.  Each six stories tall they were completed in 1911; the architectural equivalent of fraternal twins.

Duncan designed subtle differences in the two residences -- photo by Alice Lum

Duncan individualized the houses with slightly differing elements – No. 16 sported elegant carved garlands dripping off the second story window frames, No. 18 had more reserved arched tympanums.  The balcony of No. 16 featured a cast iron railing; the balustrade of No. 18 was limestone.  But inside, the mansions were similar.  Each had an electric elevator, nearly 30 rooms and seven baths.

No. 18 was quickly snatched up by wealthy glove merchant Julius Kayser, but No. 16 was not so quick to move.   Finally on May 18, 1915 The Times reported that Luyster had leased the house “to a tenant for occupancy” for four years.  The tenant was Benjamin Lissberger, chairman of the board of B. Lissberger & Co., a smelting and refining firm.

Although covered in grime, the stone is intricately and elegantly carved -- photo by Alice Lum

Lissberger had formed the company around 1898 with his brother, Max.   By now he was a recognized authority on the subject of smelting and refining.   Benjamin moved into the house with his wife, Juliet, and their two daughters.  Interestingly, two years later it was Max who purchased the house from Cornelius Luyster.

Max Lissberger, a bachelor, served as president of the firm and it would seem that the extended family lived together at No. 16.  In 1924 B. Lissberger & Co was succeeded by the Federated Metals Corporation, a division of the American Smelting and Refining Company.  Max became a Director and Treasurer while Benjamin took the position as Chairman of the Board.   

Max was apparently the more socially reserved of the two—he was a member of the National Republic Club, while Benjamin held memberships in the Bankers, Manhattan, Criterion, Wall Street Luncheon, Whist and Republican Clubs, the United Hunts Association and the Inwood Country Club.  Another brother, William, was also a partner in the firm.  One suspects there was bitterness among the brothers because at one point he changed his name from William Lissberger to Walter Lester.

By the early 1930s Max had moved on to No. 295 Madison Avenue; and Benjamin and Juliet were living at No. 270 Park Avenue.   The house on East 71^st Street remained home to their sister, Jane (known as Jennie) and brother Edmund.    Perhaps another hint of stress in the family and business is reflected in Walter Lester’s will.   When he died on March 12, 1930 he left part of his over $3 million estate to Jennie and Edmund.   Neither Benjamin nor Max was mentioned.

While Max Lissberger may not have been socially prominent, his love life did not seem to suffer.  After his death on March 7, 1933 the family was shocked when Mrs. Lydia Spiegelberg filed suit against his $1 million estate.  She told the court that she entered an agreement not to marry Max during his lifetime and “to act as companion and take care of him in his declining years.”

Her complaint said that Max Lissberger agreed to maintain her “as long as she lived, and to leave her a bequest sufficient to provide for her for the rest of her life.”  Lydia felt that the $10,000 Max left her was insufficient; saying he had spent that much every year for her expenses until his death.  She wanted $200,000.

Supreme Court Justice William T. Collins dismissed her complaint on March 22, 1934, advising her on morality at the same time.  “Marriage is the basis of civilized society and of sound morals, and is favored by the laws,” he said.  “Any unreasonable restraint upon the custom is contrary to public policy.”

Shortly after Max’s death, the last of the Lissberger family moved out of No. 16 East 71^st Street.  The Depression coupled with changing attitudes in luxury living resulted in many of the lavish mansions in the neighborhood being razed for apartment buildings, or converted to multi-family dwellings.  In 1935 a renovation was completed that resulted in the Lissberger house being converted to three spacious apartments per floors one through five, and two on the sixth.

photo by Alice Lum

Two more renovations would follow; the last, in 1980, dividing the mansion into 17 apartments, with a commercial art gallery on the first floor.    Despite the make-over, the Lissberger house and its near-twin next door are little changed on the exterior.  Although the "AIA Guide to New York City" finds them unimpressive (it called them “early 20^th century plain Jane whitestones"), they survive as virtually-intact reminders of the time when the last chunk of the Lenox Farm was developed as millionaire housing.

The 1911 Julius Kayser House -- No. 18 East 71st

photo by Alice Lum

In 1818 Robert Lenox paid the exorbitant amount of $6,920 (about $130,000 today) for thirty acres of farmland far north of the city.  It was an area where, at the time, wealthy New Yorkers still maintained large summer estates; yet half a century later his land would face the developing Central Park.  Lenox knew he overpaid, but recognized the potential value.

Lenox established a farm on the property complete with “horses, cattle, and farming utensils” and urged his son, James, not to sell.  In his will he left “my farm at the Five-Mile Stone” saying it “may at no distant day be the site of a village.”  Robert Lenox was only half-wrong.

When his son James died in 1880 the land had indeed grown in value.  But there was no village growing up around it—it was New York City itself that was engulfing the property.  What had been a farm was now bordered by Fifth and Madison Avenues, from 68^th to 74^th Streets.   Mansions and rowhouses began replacing the cow barns and other farm buildings.

Before his death Lenox had donated the entire block between 70^th to 71^st Street, facing Fifth Avenue, for his Lenox Library.  When the Astor, Lenox and Tilden Library were consolidated and moved into the new Carrere & Hastings Public Library building on Fifth Avenue at 42^nd Street, the magnificent Lenox Library was demolished.  The Sun, on July 30, 1911, noted “In 1906 the block from Fifth to Madison avenues, Seventieth to Seventy-first streets, known as the Lenox Library block, was the only block in the entire choice resident portion of the city which had no residence thereon.  In the meantime values, because of the locating of Central Park, because of Fifth avenue and ‘Millionaires’ Row’ and because of the restrictive character of this section, had so increased that a single strip, 1x100 feet, or 100 square feet, approximately represented the first cost of the entire farm.”

Cornelius W. Lyster, Jr. purchased the lots at Nos. 16 and 18 East 71^st Streets in 1909 and commissioned architect John H. Duncan to design two near-matching commodious homes in their place.  Duncan produced two limestone-clad residences in the neo-French Classic style.  The wealthy home buyers who were moving into the exclusive neighborhood were no longer content with cookie-cutter rowhouses built by speculative developers.  Many chose their own architects and gave input on the designs.  Duncan therefore individualized the two mansions while retaining their harmonious flow—most evident at the second floor window treatments and balconies.   Six stories tall including the two-story mansards, the millionaire-ready homes were completed in 1911.

Duncan individualized the designs through the treatments of the balconies and the second floor windows -- photo by Alice Lum

Luyster had spared no expense in creating homes worthy of New York’s wealthiest merchant class; a fact reflected in the $250,000 price tag he put on No. 18—about $4 million in today’s money.   When he sold it just over a year after completion, in January 1913, The New York Times described it as “of fire-proof construction, and built with all the conveniences for a Manhattan residence in the best residential section of the city.”  The article noted that “The greater part of the block has been improved with some of the finest homes in the city, and the Fifth Avenue end, formerly occupied by the Lenox Library building, is now being improved with the $5,000,000 home for Henry Clay Frick.”

The buyer of No. 18 was “a New York merchant,” Julius Kayser, President of Julius Kayser & Co., manufacturers of underwear and gloves.  The millionaire moved into the house with his wife, Henrietta Bache Kayser, daughter Alice, and a household staff.  There were 28 rooms, seven baths and an electric elevator. The Kayser’s other daughter, Laura, was married to Edward S. Bayer and would live nearby on the opposite side of the Lenox Block at No. 32 East 70^th Street.

Despite his age--he was 77 years old when he bought the mansion--Kayser remained active in his business and social life.  Seven years later, on March 8, 1920 he and Henrietta went to the theater.  Upon returning he was “attacked by heart trouble,” according to The Times and the following day died in the house.  The extent of his charitable generosity was reflected in the list of beneficiaries in his will.

The Times reported “He gave $72,000 in stock of his corporation for the benefit of the Kayser Girls’ Auxiliary, and $50,000 in stock to the Julius Kayser Mutual Aid Association.  Bequests of $10,000 each went to the Hebrew Orphan Asylum, Hebrew Sheltering Guardian Society, Montefiore Home, and the Hebrew Technical School for Girls.”  Kayser did not overlook his household staff.  “Mr. Kayser gave $10,000 to Ellen Drake for faithful services and $250 to each servant in his employ.”

photo by Alice Lum

Henrietta lived on in the house which, on March 17, 1938 was the scene of a wedding that was as much a stellar concert as nuptial ceremony.  Constance Hope and Dr. Milton L. Berliner were married in the parlor of the house that afternoon.  Constance was the daughter of the deceased Eugene Bernstein, a concert pianist, and his former musical colleagues contributed to the service in his honor.

Prior to the ceremony, Metropolitan Opera diva Lotte Lehmann sang “Wo du Hingehst,” followed by Wagnerian tenor Lauritz Melchoir’s “To the Bride” accompanied by composer-pianist Erno Balogh.  Then the pair sang a duet from “Tristan und Isolde,” accompanied by Fritz Reiner.  Yet another celebrated pianist, Leopold Godowsky, was on hand to play the wedding march from “Lohengrin.”  Following the ceremony, famed opera star Lily Pons sang Mozart’s “Alleluia,” and Metropolitan Opera basso Emanuel List sang a group of Viennese songs during the reception.

As Henrietta grew older, daughter Laura and the Bayer family moved into the house with her.  Henrietta's
 grandson, Edwin S. Bayer, Jr. was 42-years old in April 1940 when he left the house to go fishing upstate.  A World War I veteran, he was dressed, oddly enough, in one of his old khaki uniforms when his automobile and a truck were involved in a head-on collision around Waverly, New York.  Bayer was held in serious condition in the hospital there.

After thirty years in the house, Henrietta Bache Kayser died in her bed in December 1943 after a short illness.  A year later, on December 25, 1944, The New York Times reported on the sale of the Kayser mansion.  “Dr. I. Daniel Shorell, the plastic surgeon, has purchased the six-story dwelling…and plans to occupy it for his office and private hospital.”

Shorell saw no conflict between his opening of a private hospital in the house and his application for a stay against Katherine Dunham’s buying the house next door at No. 14 for her dance school.  Shorell’s appeal to the court “set forth that the dancer should be stopped from completing on Monday the purchase of the property, since she intends to use the premises as a dance studio in violation of the zoning laws,” reported The New York Times.  The judge did not agree.

Dance studios and private hospitals, however, were lamented by The New York Times’ Lucy Greenbaum on December 1, 1946.  She recalled that New York’s millionaires “built their homes as showplaces, importing the finest of marbles and the rarest of woods and decorating the enormous rooms with hand-cut glittering chandeliers, impressive paintings and book collections.”  Now, specifically including the house at No. 18, she lamented their fate.

“The Felix Warburg home at Ninety-second Street and Fifth Avenue now belongs to the Jewish Theological Seminary.  The old Kayser home at 18 East Seventy-first Street has been sold to a doctor and turned into a private hospital.  The Frick mansion at 1 East Seventieth Street is now a nationally known museum.”

Although Shorell was a pioneer in the field of reconstructive and plastic cosmetic surgery, his facility, the Manhattan Sanitarium, was termed by The New York Times “a nursing home.”  It provided care to wealthy patients who sought individualized care in luxurious surroundings.  One such patient was William H. Siebert who stayed here for five weeks in 1950.  The 66-year old had been with Hammacher, Schlemmer & Co. for 46 years when he died in the sanitarium on June 22.

In December 1956 the house was sold to the Youth Consultation Service, a private organization assisting adolescent girls.  Founded in 1909, it was affiliated with the Protestant Episcopal Diocese of New York and was a favorite charity of New York socialites.  The Times reported on May 27, 1960 that the association “seeks to help troubled girls and young women between the ages of 14 and 25 who are referred to it by churches, schools, colleges, hospitals and doctors or who have heard about the service.  Some are unmarried expectant mothers who are cared for at the agency’s shelter, Dana House.”

For over two decades the once-grand rooms of the Kayser family housed troubled girls and provided them counseling, care and guidance.  Then in 1977 the house was converted to a school and day care facility.  The first two floors were adapted as nurseries, classrooms, day care, multipurpose rooms and offices.

photo by Alice Lum

In 1992 a major renovation brought the Kayser house back to a single-family residence.  Despite replacement windows and doors, it looks much as it did in 1913 when the first cartfuls of the Kayer family’s furniture, oriental carpets and artwork were brought inside.

The Lost James Lenox Mansion -- 53 5th Avenue

To the left is the home of Henrietta Lenox, a smaller version of her brother's commodious corner mansion.   photo by Wurts Bros. from the collection of the Museum of the City of New York.

Born in 1759 in Kirkcubright, Scotland, Robert Lenox arrived in New York City at the end of the Revolutionary War.  In 1783 he married Rachel Carmer and the couple had six children—only one of whom was a son.  Lenox amassed a comfortable fortune in the East India trade and in 1818 paid $6,920 for thirty acres of land far to the north of the city where wealthy New Yorkers still maintained large summer estates.  Called the Lenox Farm throughout the 19^th century, it would eventually be known as the Lenox Hill neighborhood of the Upper East Side.

The nearly $7,000 that Lenox paid was a staggering amount and Lenox knew he had overpaid for the land.  But he also predicted the eventual value of the property as the growing city spread northward.  In his will dated May 23, 1829, he cautioned his James to hold on to the potentially profitable land.

I give, device, and bequeath to my son, my only son, James Lenox, ‘My Farm at the Five-Mile Stone,’ purchased in part from the Corporation of the City of New York, and containing about thirty acres, with all its improvements, stock of horses, cattle, and farming utensils, for and during the term of his life, and after his death to his heirs forever.  My motive for so leaving this property is a firm persuasion that it may at no distant day be the site of a village, and as it cost me more than its present worth, from circumstances known to my family, I like to cherish the belief it may be realized to them.  At all events, I want the experiment made by keeping the property from being sold.

Upon his father’s death in 1839, James Lenox became one of the wealthiest men in the city.  At 39 years old, he took over the family business for six years, then retired in 1845 to concentrate on his true love—collecting and studying.

Almost immediately following his father’s death, Lenox began construction of a pair of impressive mansions at the northeast corner of Fifth Avenue and 12^th Street.   Development of Fifth Avenue had begun only a few years earlier when Henry Brevoort completed his handsome brownstone mansion in 1834.  The Lenox mansions would diminish the Brevoort house.

The paired homes stretched 131 feet up the avenue—the width of at least four normal-sized building lots—and 150 feet along 12^th Street.   James would live in the massive corner house, his sister Henrietta in the noticeably smaller—albeit expansive—adjoining mansion.   The brownstone structures were designed in the currently-popular Gothic Revival style, taking the motif to the point of romantic crenellation along the roofline.  Ornate Gothic-style iron fencing enclosed the surrounding yards.  Inside 53 Fifth Avenue, with its nearly twenty rooms, would be old Italian marble fireplaces, a spacious entry hall and staircase, and frescoed ceilings.  

Lenox’s influence led to the immediate Fifth Avenue neighborhood's becoming a family enclave.  The blocks around Henrietta’s and James’ mansions filled with the lavish homes of the Maitlands, Kennedys, and Banks families—all related by marriage to the Lenoxes.

Before his mansion was completed Lenox had already begun his collecting.  He traveled throughout Europe amassing a broad variety of books, artwork and artifacts.  But he became increasingly private, filling his house with his collection and neurotically guarding his treasures against the outside world.  In 1845 he began a long-lasting relationship with Englishman Henry Stevens who would act as Lenox’s book purchasing agent.  It was not until 1847 that the two would meet and Stevens remembered that visit well.

In his 1886 Recollections of Mr. James Lenox of New York, Stevens told of arriving in New York and sending a message to Lenox that he “would be glad to see him at any time and place most convenient to himself.”  A boy returned with a one-line reply “To-morrow morning at nine o’clock at my house.”

Stevens’ acquaintances were excited that someone was being given access to the mansion.  “Now we shall hear and know something of Mr. Lenox, his library, and new house,” they told him. 

The next morning, on the stroke of nine, I mounted the broad stone steps and rang the bell.  A maiden servant opened the door on the chain six or eight inches, and asked, ‘Are you Mr. Stevens?’ ‘Yes.’ 'Mr. Lenox is in his office below; you can enter by the door under the steps.’  Down I went and again rang a bell, when Mr. Lenox himself unlocked a door and an iron gate and gave me a warm welcome.

Stevens was shown the magnificent two-story Gothic library, the gallery, “and a room or two besides the hall, and many closed doors.”   Stevens said “I came to the conclusion that the treasures of his mind, as a matter of habit, like his front door, always ‘had the chain up.’”

The entrance hall of the Lenox mansion -- photo by Wurtz Bros. from the collection of the Museum of the City of New York.

Even after the pair had established a close relationship, Lenox remained detached.  On November 25, 1868 he wrote to Stevens offering a 15-minute window in which to meet.

My Dear Sir,  I have received your letter of the 24^th from Ithaca.  I will be at home on Friday morning from ¼ past to ½ past 9.  Should the holiday of tomorrow prevent you getting this note in time, I will be at home at the same time on Saturday, and if you are not here by ½ past 9 on Friday, I will expect you on Saturday.  Yrs. very truly,  J. Lenox

Henry Stevens was one of the few outsiders to glimpse James Lenox’s growing collection.  Scholars and bibliophiles attempted to, but were almost always rebuffed.  A distinguished clergyman from Brooklyn had a strong desire to see the library.  He arrived at the Lenox mansion and passed his card through the cracked door.  The Sun reported, “He was left standing outside the door until the aged servant had gone with great deliberation for an answer, which was in effect: ‘Mr. Lenox don’t know you, has never heard of you, and you can’t see his library.’”

In another instance, Chief Justice Daly wished to see a particular book, of which there was only one copy in the country—in Lenox’s library.  He sent a note to Lenox and, as recorded by The Sun, “The book was sent, but a servant was sent with it, with orders to wait until the Judge got through with the book, and then to bring it back.”

Lenox’s collection went far beyond his library, which contained the first copy of a Guttenberg Bible in America, all the known editions of Milton’s Areopagitica and Paradise Lost, and first editions of Shakespeare’s plays.  His walls were hung with uncounted numbers of oil paintings, sketches and etchings.  In 1848, Lenox outbid the Congress Library for George Washington’s Farewell Address.  He paid $2,200 for the manuscript (about $50,000 today) and considered it one of his greatest treasures.

James Lenox -- from the collection of the New York Public Library 

In the meantime, while Henry Stevens was scouring the world for rare books and Lenox was amassing an enormous art collection, the millionaire spent freely on philanthropic causes.  A pious Presbyterian, he was famous for his devout morality and willingness to spread his wealth among worthwhile causes.  While he held on to most of the Lenox Farm as his father wished, he donated parts of it for the establishment of the Presbyterian Hospital and the Presbyterian Home for Aged Women.  

His charity included the not-so-grand, as well.  On June 19, 1865, he sent a letter to Colonel Vincent Colyer that read, “Dear Sir:  I enclose a check to your order for $250, which you will please apply to the purchase of ice, fruit, etc., for the returning soldiers.  Yours very truly, J. Lenox”

Family members urged him to name the hospital for which he paid "The Lenox Hospital," but he steadfastly refused.  He eschewed notoriety as passionately as some millionaires sought it.  And, although he gained the reputation of a recluse, he was social among his small circle of intimate friends, most of whom were relatives.

On January 24, 1870 the New-York Tribune wrote, 

For many years past, scholars have known of the existence in this city of a private library and gallery of marvelous value, comprising collections of unequaled importance in several departments of literature, and containing treasures of art whose worth could not be computed by dollars, or compared with any that existed elsewhere in the country…As [Lenox] possessed the habits of a recluse with the tastes of a scholar, there were but few even of his more intimate acquaintances in scholarship who ever had had anything like a full comprehension of the value of his collections, and it is doubtful whether anybody but himself could make a catalogue of his library, or give a statement of his treasures…During the long period of their collection, the owner has guarded them with a jealousy and rigor which have effectually discouraged all attempts of outsiders to enter the sacred precincts.

But now, the newspaper announced, James Lenox had decided to make a “gift to the people of this city.”  The collection had successfully overwhelmed the Fifth Avenue mansion and Lenox felt now was the time to make it public.  He donated Lenox Farm land--the blockfront on Fifth Avenue from 70th to 71st Street--for a library, along with $300,000.  Two-thirds of the funds were to be spent on erecting the building and the remainder to defray the expense of maintaining and operating the library.

The Lenox Library, designed by Richard Morris Hunt, was as much museum as library, housing Assyrian antiquities and paintings by Constable, Gainsborough, Reynolds, Turner, and Raeburn alongside American works by Frederick Church, Cole, Morse, Copley and Inman.

On February 17, 1880, James Lenox died in the brownstone mansion on Fifth Avenue.  The Sun reported, "He was in excellent health up to the last two months of his life.  From that time he began to succumb to the infirmities of age.  His death was peaceful and painless.”

The private man in life remained private in death.  “He shrank so much from notoriety that he left rigid instructions to his relatives and friends to withhold all information of his life from publication," reported The Sun.  "This wish was thoroughly respected, so that applications made last evening to his relatives, his pastor, Dr. Paxton; his physician, Dr. W. H. Draper; his former associate, Royal Phelps, and others who knew him intimately, elicited the universal reply, ‘Mr. Lenox shunned publicity, and he has sealed our lips.’”

Old Buildings of New York City, 1907 (copyright expired)

The funeral took place in the mansion at noon on February 21 during a raging snowstorm.  The New York Times reported, “The last request of the late James Lenox—that his funeral should be strictly private, attended only by his relatives and most intimate friends—was so carefully respected that less than a score and a half of persons were gathered in the plain, old-fashioned brown-stone dwelling at Fifth-avenue and Twelfth-street.”  Only two of the mourners, his doctor and his pastor, were not relatives.

There were no flowers in the house and the simple mahogany casket was ornamented only with a silver plate inscribed, “James Lenox. Born 19 August, 1800.  Died 17 February, 1880.”

The funeral party followed the coffin from the house at 1:00.  The New-York Tribune noted “The funeral procession, in which there were only eight carriages, attracted little notice as it slowly moved in a blinding snow-storm through Twelfth-st. to Second-ave. and thence to the Marble Cemetery, in Second-st., where the remains were placed in the family vault, No. 124, the tablet of which is inscribed with the name of Robert Lenox.  The storm still raged as the little party of twelve gentlemen and five ladies stood gathered around the vault when Dr. Paxton pronounced the benediction.”

The bachelor millionaire left nearly his entire estate to his unmarried sister Henrietta.  By the time of his death he had donated over $3 million to charitable causes.  His brownstone mansion would sit vacant until Henrietta’s death six years later on July 6, 1886.  Her immense estate, valued at around $10 million, was divided among the many relatives.

The Lenox mansion became the property of the Presbyterian Church and became known as the Presbyterian House.  It was here in December 1888 that a conference between Northern and Southern Presbyterians was held in an attempt to bring “about co-operation and possibly an organic union.”

Before long the house was used for the church’s missionary offices.  Now called Mission House, various committees and groups used its rooms.  In July 1892, scores of visiting members of the Presbyterian Christian Endeavorers visited the facilities.  The New York Times reported, “they filled the sidewalk on the east side of Fifth Avenue from Madison Square to Twelfth Street…The representatives of the two boards took charge of the visitors and showed them the building and all that it contained.  There was the library, with all its curios, maps, and attractive objects picked up by observant Presbyterian missionaries in all parts of the world, and here placed to make a really valuable museum.”

In 1894, after receiving a large bequest from a wealthy church member, the Presbyterian Church erected the large Presbyterian Building at 156 Fifth Avenue.  With the lower Fifth Avenue neighborhood increasingly overtaken by commerce, the former Lenox mansion was now somewhat of a white elephant.  After three years of arguing, the General Assembly decided to sell the house in 1897.

“When the Lenox mansion, at 53 Fifth Avenue, was sold there were fears that this fine type of the spacious old-time New York residence would be torn down to make way for a modern structure,” said The New York Times.  But it was purchased by nearby Fifth Avenue resident Thomas Fortune Ryan for the expressed purpose of preserving the neighborhood. 

By 1905 when the newly-formed Institute of Musical Art moved in, the mansion was in a serious state of neglect.   The school spent $11,000 in repairs.

The new organization (which would eventually become the Julliard School) attracted promising musicians from around the nation.  Thirty-two-year-old John G. McFadden came here in November 1906 from Oberlin, Ohio, where he had worked his way through college, focusing on vocal music.  He entered a class taught by Prof. W. Klamroth and showed great talent, but suddenly developed a catarrhal infection that threatened his prospects of becoming a singer.

Klamroth sent him to Dr. Percy E. D. Malcolm, who saw the young man once a month.  McFadden refused to become a charity case so he scrimped on food in order to save money for his doctor bills.  “He had grown thinner and thinner, his hair had turned to a grizzly gray, and Dr. Malcolm warned him more than once that he was not nurturing his body properly,” reported The New York Times.

The doctor found the singer “on the verge of collapse in a chair in his office” in April 1907 and sent him to the New York Hospital where he died.  The New York Times ran the headline, “Young Musician Starves” and wrote, “The poorly nurtured body could not stand the strain and early yesterday he succumbed.  He had been eating, it is said, in the cheapest restaurants, with great infrequency, and depending on the scanty meals that he had in his cold hall bedroom.”

The Institute rented space to other organizations, the U.S. Aeronautical Reserve and the Washington Square Association among them.  Then, in 1910 it laid the cornerstone for a new, modern facility uptown.

With the school gone Thomas Ryan gave up.  “Mr. Ryan paid about $385,000 for the property,” said The New York Times on April 2, 1911, “and he bought other property in the neighborhood in an effort to prevent the encroachments of business.  A little over a year ago Mr. Ryan felt that lower Fifth Avenue was doomed to become a commercial section, and he bought his new Fifth Avenue house, adjoining George Gould’s home at Sixty-seventh Street.

“On the site of the old Lenox mansion will be erected an eighteen-story business structure costing more than $1,500,000.”

photograph taken by the author

The modern office building, designed by Maynicke & Franke, survives and its footprint reveals the massive scale of the Lenox mansions that dominated the corner.