The 1878 237 East 79th Street

Following the end of the Civil War, development crept northward into the Yorkville district.  Access to the neighborhood was greatly enhanced when the IRT Third Avenue Line opened in 1878.  That year, a four-story double flat (meaning there were two apartments per floor) was erected at 237 East 79th Street.  

Faced in brownstone, it's up-to-the-minute neo-Grec design included a rusticated first floor above a short stoop.  The centered entrance was crowned with a triangular pediment.  At the upper floors, French windows were framed by elaborate architraves that sat upon bracketed sills.  Scalloped lintels with incised decorations upheld prominent molded cornices.   An ornate pressed metal cornice completed the design.

In 1940, nearly nothing had changed to the neo-Grec design, including the charming French windows.  via the NYC Dept of Records & Information Services. 

An advertisement described, "six light rooms and bath, modern improvements."  Among those "improvements" would have been running hot and cold water.  The eight families in the building were middle class.  Among the residents in 1879 were three clerks, Thomas D. Barton Jr., Ashley W. Cole, and George A. French.  

The families were affluent enough to afford at least one servant.  An advertisement appeared in The New York Herald on December 30, 1879, for instance, that read: "Wanted--A girl for housework; two in family; wages, $7 per month."  (The wages were not overly generous.  They would equal $233 in 2026.)

The Lehn family moved to New York City from Easton, Pennsylvania in 1880 and took an apartment here.  Their 19-year-old son, George W., found a job as an "extra gateman" at the 18th Street station of the Third Avenue elevated railroad.  (Gatemen controlled the wooden gates that protected passengers on the platforms.  Gatemen opened them when the trains arrived and closed them before the trains pulled out.)

George had had the job only a short time when his inexperience and the brashness of youth caused his horrific death.  Half an hour after appearing for work on the night of September 7, 1880, he "attempted to cross from one station to the other" by trotting over the tracks rather than cross at street level.  The New York Herald reported, "His foot became caught, and before he could extricate it he was struck by Engine No. 11."  The newspaper graphically recounted, "The whole train passed over him, and his body was shockingly torn and mangled."

At the time of the tragedy, Amos K. Hadley, the former Attorney General of New York State, and his family occupied an apartment here.  Early in October 1880, Hadley notified the landlord, J. P. Huyerman, who lived on Bank Street, that he would be moving out.  The New York Evening Telegram reported, "He, however, was indebted to Mr. Huyerman for a small balance of rent and Mr. Huyerman refused to allow him to move until the amount due was paid."  Hadley told him he had was "about to collect some bills" and he would pay the outstanding money when he received the necessary cash.

On moving day, October 18, Hadley went downtown.  When he returned home he found his family and a guest of his wife imprisoned in the apartment.  The New York Evening Telegram reported that Huyerman had locked the doors and refused "to allow them to leave or to remove any of their baggage until the balance of rent was paid."  Hadley rushed to a police station and had Huyerman arrested for disorderly conduct.

The landlord's obsessive behavior over the outstanding rent cost him.  Justice Smith fined him $10 (about $325 today) and "required him to furnish $500 bail for his good behavior for six months" or serve three months in the Workhouse.  The judge announced, "it was about time that landlords learned that they do not own their tenants, body and soul."  According to the article, as Huyerman was led out of the courtroom he muttered, "We'll see about that."

On September 16, 1889, The Press titled an article, "Very Old And Very Wicked."  The headline referred to 73-year-old resident Joseph P. Snow, whom Police Inspector Thomas F. Byrnes described as "one of the most notorious 'fences' in the country."  Snow was a slippery fellow.  The Press explained, "He has been arrested dozens of times, and although stolen property has frequently been found in his possession he has thus far escaped punishment, with the exception of a term of five years which he served in Moyamensing Prison."

Snow's luck finally ran out.  On September 9, 1889, George Storms, alias Dick Short; William G. Cole, and ex-convict Charles Gardner broke into the J. C. Hecker leather goods factory and stole "several thousands dollars' worth of fancy pocketbooks, bags, etc.," according to The Press.  Most of the booty was stashed at Snow's apartment from which he intended to "dispose of" it.  A week later, after the thieves were nabbed, detectives closed in on 237 East 79th Street.  When Snow saw the detectives entering the building, he "ran into the yard, and, despite his weakness, tried to climb the fence."  Once again, Snow attempted to slip out of his dilemma.  The Press reported, "He is a bland old fellow, and told the Inspector that he did not know the goods were stolen, and promised that all would be returned if he was liberated."  This time the ploy did not work.

Four years later another resident was arrested, this time for a much more white collar crime.  Alexander Eisberg was the general bookkeeper of the State Bank of New York.  On July 21, 1893, the 27-year-old and the bank's paying teller, Carl Abresch, conspired to commit embezzlement.  They manipulated the books by creating false entries to cover up the $1,200 they stole.  When the books were audited on December 7, the discrepancy was discovered.  "Eisberg, upon being accused, made a confession," reported The Evening World on December 15.

John Schwandtner and his family lived here in 1904.  He was the senior partner in Pole & Schwandtner, structural iron contractors.  Paul Pole was essentially a silent partner.  The Evening World explained, "Mr. Pole is a man who saved a little money and put it into [the business] with Schwandtner."  The article said that Schwandtner ran the business and Pole knew almost nothing about how it operated.

That business relationship came into serious play during the construction of the Hotel Darlington.  On March 2, 1904, the building collapsed.  The next day, The Brooklyn Citizen reported that 15 bodies had been recovered from the debris, but grimly added, "The corpses are buried under many tons of structural metal and the work of getting them out necessarily is very slow."

On March 5, The Evening World reported, "The man most wanted just now by the officials who are endeavoring to place the responsibility for the Hotel Darlington disaster is John Schwandtner."  A server had taken a warrant to 237 East 79th Street on the previous morning.  Coroner Scholer, who was heading the investigation, told reporters:

He didn't find Mr. Schwandtner, but he learned that he left the house at midnight with a dress suit case and was evidently going on a journey.  We have not given up the chase, but it looks as though he had deliberately left town to avoid testifying in the inquest into these deaths.

By the time of that article, the body count had risen to 18.  Two days later, the New York Herald reported that Schwandtner had not yet been found, but "his house is being watched."

John Schwandtner was eventually tracked down and returned to New York.  Then, on March 29, 1904, The Evening World reported that a grand jury had indicted Eugene C. Allison, the managing owner of the collapsed building with manslaughter.  The article said, "To the great surprise of everybody, no indictments were found against Paul Pole and John Schwandtner."  

On November 3, 1912, the New-York Tribune ran a column titled, "At Music Studios," and reported, "Richard Loewy, violinist and teacher, whose studio is at 237 East 79th street, is establishing himself as a successful teacher."  The article noted that he "gives his pupils the benefit of his many years of study, and practical experience."  Loewy also coached singers, among whom were sopranos Mathilde Mallinger and Praxede Marcelline Proschansky.

Franklin Lacy Sheldon was "a member of a prominent family," according to The New York Sun.  He was the son of Dr. William Hills Sheldon, an assistant professor of medicine at Cornell University.  Following his graduation from Yale in 1936, Franklin Sheldon moved into 237 East 79th Street.  He found an accounting job, but then lost it in February 1938.

Sheldon's mother, who lived in a duplex apartment on East 86th Street, maintained a summer home in Bethlehem, Connecticut.  She was there on September 10, 1938 when the 26-year-old entered her apartment and committed suicide.  A handyman in that building forced his way into the kitchen, "the door of which had been propped shut with a chair," reported The New York Times.  "He found gas escaping from all the jets of the kitchen rage.  Sheldon was lying on the floor, dead."  Ironically, according to his sister, he was expected to start a new job the next morning.

No. 237 East 79th Street survives as the last remnant of the 19th century on the northern side of the block.

In 1936 the building was updated, however the exterior was left almost entirely untouched.  Then, a renovation in 1970 cut the apartments in half--now four per floor--and the 1878 neo-Grec exterior elements were removed.  The brownstone was slathered with stucco, successfully eliminating almost every hint of the original design other than the cornice.

photographs by the author

Thom & Wilson's 1884 142 East 79th Street

 

James A. Frame was a prolific real estate developer in the later decades of the 19th century.  On December 1, 1883, the Real Estate Record & Builders' Guide reported that he would be erecting 18 houses on East 79th Street, 13 at the southeast corner of Fourth Avenue (today's Park Avenue) and five at the southwest corner of Lexington Avenue.  The architectural firm of Thom & Wilson would be designing the two projects.

Completed in 1884, the eastern-most structure, 142 East 79th Street, was clad in brownstone.  Its stone stoop was offset to the west.  Thom & Wilson's neo-Grec design included ornate window frames on the 79th Street side.  They sat on bracketed sills and wore molded cornices supported by corbeled piers.  Below the pressed metal terminal cornice was a frieze of rosette-decorated panels.

An advertisement described:

Southwest Corner of Lexington Ave.; handsome four story high-stoop, brown-stone dwelling, two-story extension, beautifully decorated, hard-wood trimmed; all improvements; on cable road, street 100 feet wide, size of lot 20x102.

James A. Frame sold 142 East 79th Street to John W. Haaren in April 1885 for $35,000 (about $1.2 million in 2026).  Haaren was a partner in the importing firm of Haaren & Meinken, founded in 1865 with Henry Meinken.  Both men dealt in real estate, as well.  Haaren and his wife, Marie, had four children, John William, Henry F., Mamy M., and Lena W.  

On the afternoon of March 11, 1891, John and Marie went for a drive.  The New York Herald reported, "He drove a spirited team hitched to a light side-bar buggy."  At around 6:30, they stopped at the house of a friend on 57th Street near Ninth Avenue.  John ran in "to speak to his friend," while Marie waited in the buggy.  Just as he was leaving, a Ninth Avenue elevated train passed.  The New York Herald reported, "The noise of the train frightened the horses, and they started on the run through Fifty-seventh street."  John ran after them, but fell.  Getting to his feet, he continued the chase.

The panicked horses crashed into a truck at 57th Street and Third avenue.  Two policeman caught the horses and calmed them.  Inside the buggy, Marie Haaren was unconscious.  By the time John arrived (no doubt breathless from his marathon), a neighborhood doctor had diagnosed Marie with "nervous shock."  Based on that, when the ambulance arrived John asked them to take her to their home, rather than a hospital.

It was an understandable decision, but a fatal one.  Marie regained consciousness on the way home, but fainted again.  The New York Herald reported, "On reaching her home she was taken to her room, and almost immediately died."  The 56-year-old had a history of heart problems and, according to the newspaper, "it is thought the fright caused by the runaway brought on an attack of the disease."

Marie's funeral was held in the parlor of 142 East 79th Street on March 15, followed by a service at Immanuel Lutheran Church on Lexington Avenue and 88th Street.

John Haaren sold 142 East 79th Street in 1896.  John L. Jordan converted the basement to a commercial space and the upper floors into three sprawling apartments, including one duplex.  

The store, with the address of 1140 Lexington Avenue, became home to S. Blumberg's drug store while the apartments were rented to well-to-do tenants.  A mysterious woman who moved into the building in June 1903 was Jane Leroy.  The "jewel-bedecked woman" was arrested for shoplifting in a Broadway department store on August 27, caught "stealing doilies worth $23.10," as reported by The Evening Post.  (The value of the lacy heist would translate to about $868 today.)

As it turned out, Jane Leroy was, in fact, the wife of jeweler Henry R. Levi.  They originally lived in Washington D.C., but according to The Evening World, now lived in a luxurious home at 315 East 46th Street.  The couple, it appears, were having domestic problems.  Levi arrived at the stationhouse that evening and furnished his wife's staggering $19,000 bail.

The next day, a lawyer's clerk told the magistrate that "the woman was too ill to appear."  Magistrate Ommen would not have it.  "That's no good.  I'll give you until 11 o'clock to produce the defendant, otherwise her bond will be forfeited," he demanded.  The New York Herald reported, "A little later Mrs. Levi came to court in a carriage.  She persisted in saying she was Jane Leroy, a housekeeper living at 142 East Seventy-ninth."  

As early as 1913, the store space was home to Frederick Bahr's grocery store.  It would become the Planodome Market within a decade.

"St. Peter's" magazine, September 1913 (copyright expired)

In the meantime, William J. Baird occupied an apartment here as early as 1919.  The bachelor was an "athletic instructor," according to the New-York Tribune.  On March 20, he took his  fiancé, Alice Whitman of Brooklyn, to the Palace Theatre.  The night ended badly.  William briefly excused himself during intermission.  When he returned to his seat, Alice told him that Dr. Albert L. Roth, who sat nearby, "had annoyed her during his absence."  The New-York Tribune reported that Baird left his seat "and punched the face of Dr. Albert L. Roth."  He and Alice then started out of the theater.  

Dr. Roth called out to a sailor nearby to stop him.  The sailor held Baird until a policeman responded and arrested him.  In night court, Baird explained his actions, saying, "I lost my temper, but I am willing to apologize."  The New-York Tribune reported, "Dr. Roth, who had lost a tooth, would have none of his apology, and Baird was fined $10, which he paid."

In 1929, architect Lafayette A. Goldstone was hired to renovate the building.  The stoop was removed and a triangular pediment placed over the new, sidewalk-level residential entrance.  There were now offices on the second floor, one apartment each on the third and fourth floors, and two "non-housekeeping" apartments on the fifth.  (The term meant that they had no kitchens.)

The ground-floor entrance to the apartments can be seen in this 1940 tax photo.  via the NYC Dept of Records & Information Services.

The tenants continued to be well-to-do.  The widow of Dwight Morgan Platt and her daughter, Miriam Dwight, lived here in 1929 when Miriam was married to John Merrill Congdon in Sherry's on October 21 that year.  The engagement and the wedding were heavily covered in society pages for weeks.

Wealthy widow Eila Haggin McKee, daughter of millionaire James B. Haggin, moved into an apartment building next door in 1928.  The structures were owned by the same firm.  The New York Times reported, "she missed the flowers that were her hobby on her Summer estate, Blue Blinds, at Smithtown Branch, L. I., so she rented the roof space on the adjoining building at 142 East Seventy-ninth...at a cost of $800 annually."  The article said, "The roof was only a step down from her apartment next door, and she sealed the stairway in the apartment at No. 142 which led to the roof."

The last remnant of James A. Frame's ambitious row, 142 East 79th Street is dwarfed by its neighbors today.

Problems came in 1936 when Eila McKee died.  The New York Times explained that the executors canceled the lease on the apartment, "presuming that the cancellation agreement also covered the garden space."  It did not.  By then, the buildings were separately owned.  The estate was in court for at least three years trying to untangle the complicated issue, which not only dealt with the rent, but the restoration of the internal staircase and access to the roof in 142 East 79th Street.

As early as 1940, Ruth Forster's florist shop occupied the ground floor.  In 1955, it was known as Betty Forster, Inc., the name presumably that of Ruth's daughter.  In the late 1980s, a florist shop, now the Strakes Florists, still occupied the space.

During a renovation in 1974, the residential entrance was moved to the Lexington Avenue side (although retaining the East 79th Street address).  The 79th Street entrance now accessed the store.  The remodeling resulted in offices on the second floor and one apartment each on the upper stories.

photographs by the author

The 1929 240 East 79th Street

Frederick Godwin's upper floor design was created, mostly, by strategically placed small, medium and large-sized windows.

The Great Depression was one year away in 1928.  Raymond B. Fenner was the president of the newly formed 240 East 79th Street Corporation and that year the syndicate hired Godwin, Thompson & Patterson to design a 16-story-and-penthouse apartment building on the south side of East 79th Street between Second and Third Avenues.  Reportedly, Frederick Godwin was the lead architect on the project.  The plans, filed on December 10, 1928, projected the costs at $300,000, or about $5.6 million in 2026 terms.

For the most part, Godwin's Art Deco design was unexciting.  Faced in rough-faced variegated brown brick, its scheme relied greatly on the placement of fenestration and thin vertical lines of darker brick.  But the single-story base was another story altogether.

Godwin faced it with orange-hued tiles set off with vibrant mossy-green terra cotta.  At the corners were fluted pilasters topped with curved volutes that suggest that another half is hidden in the adjoining wall.  Similar pilasters flank two narrow windows, their caps fully formed and embracing an octagonal plaque of veined gray stone.  The tour-de-force is the entranceway.  Reeded gray stone pilasters on either side are topped with Empire State Building-like silhouettes.  Above the entrance, the address is announced in Art Deco lettering.  A sinuous hood, like a cresting wave or calla lily petal, sits above a large octagonal gray stone plaque.

On August 25, 1929 The New York Times reported that artist Ruth Carroll had been hired "to paint murals for the entrance hall of the new sixteen-story apartment house."  The article said, "Her paintings will depict the skyline, bridges and vistas of modern New York."  Two weeks earlier, the newspaper had reported that 240 East 79th Street "is rapidly nearing completion and is nearly 50 per cent leased."

An advertisement in Town & Country on September 15, 1929 offered three- or four-room apartments with one or two baths and "large living rooms, outside dining rooms."  Rents started at $1,350 a year, or about $2,100 a month in today's terms.  There were two "sky maisonettes" on the penthouse level.  An advertisement in The New Yorker noted that they included, "real kitchens."

Among those who signed leases during construction were Percy O'Gorman, advertising manager of Durham Duplex Razor Company; Dr. Claude E. Heaton; Dr. Anthony Fugassi; and Charles E. Gautier, secretary of J. H. Gautier Company, a crucibles firm.  

Taking one of the penthouses was the 24-year-old Charles Cavendish.  Upon his moving in, The New York Sun remarked on June 17, 1930, "Lord Charles, who is the second son of the Duke of Devonshire, is engaged in the banking business in New York."  Cavendish worked for J. P. Morgan & Co. and was romantically involved with Adele Astaire, the sister of Fred Astaire and his dancing partner.  The two had met in London in 1927.  Cavendish's residency here would be relatively short.  On October 23, 1931, Reuters reported that Adele "confirmed her engagement to Lord Charles Cavendish."  The couple was married in Chatsworth House, Cavendish's ancestral home near Chesterfield, England, in 1932 and they remained there.

Newlyweds Gardner Hale and Dorothy A. Donovan were also initial residents.  Hale was born in Chicago in 1894 and educated at Yale.  He studied art in Rome and Paris and at the Art Students League in New York.  Hale was well-known as a muralist and, according to The New York Sun, was "generally credited with the revival in this country of fresco painting."  Gardner and Dorothy were married in 1929.  She was his second wife.  His first wife was author Marie Louise Gibson, who used the pseudonym Maryse Rutledge.  They were divorced in 1926.

In November 1931, Gardner and Dorothy Hale went to Long Beach, California for a six-month stay.  On December 28, Hale headed for San Francisco alone.  The next day, The New York Sun reported, "The body of Gardner Hale, young painter of murals and frescoes, was found yesterday at the bottom of a 500-foot precipice, forty miles from Santa Maris, where his automobile had plunged from a highway."  Hale was 37 years old.

Azel Farnsworth Hatch and Dorothy Doane were married in August 1932 and moved into one of the penthouses.  Hatch, who had served in World War I and decorated with the Croix de Guerre, was president of A. F. Hatch & Co., bankers.  

Four months later, on December 10, the Times Union reported that Dorothy "was found in their penthouse apartment...early today with a bullet wound over her heart.  The shot was fired from a Luger pistol, war souvenir of her husband."

Police found Dorothy in a negligee on the living room floor.  According to the Times Union, Dorothy muttered, "I did it myself," then lapsed into a coma.  Hatch told the police that Dorothy had discovered the firearm while "cleaning out a closet."  She "asked her husband what she was to do with it," recounted The New York Times.  "It was discharged and a bullet entered her chest."  The incident was deemed an accident; however, Hatch was charged with a violation of the Sullivan Law, an early gun control statute.

The boyish-looking Azel F. Hatch earned $100,000 a year, according to his wife (a comfortable $2.3 million today).  The Daily News, December 19, 1936.

The Hatches' marriage did not last and when Dorothy filed for separation on December 18, 1936, she told the court the truth of the incident four years earlier.  The Daily News reported, "It was attempted murder, and not an accident, she told the Manhattan Supreme Court."  The New York Post said in part:

Telling the Supreme Court about it, she said she was sitting on her husband's lap, weeping and pleading with him about something or other on the night of December 9, 1932.  Without warning, she said, her husband picked up a German Luger pistol, a little trinket he had taken from some German prisoner, and shot her.

Azel Hatch, not surprisingly, gave a different version of the incident (although this one, too, differed from the couple's original story).  He said that Dorothy had "snatched up the gun and fired it herself."  He added that he "didn't stop her when she grabbed the gun because he was amused.  Besides, he was sure the gun wasn't loaded."  Dorothy obtained her divorce and Azel was never charged with attempted murder.

Another titled resident, Josef Franz, Archduke of Austria and Prince of Hungary, and his wife, Princess Anna of Saxony, moved into 240 East 79th Street in 1937.  The couple was married in October 1924 and had five children.  (Three more would come later.)  Archduke Josef Franz was born in 1895 to the last Palatine of Hungary.

Archduke Joseph Franz and Princess Anna Monika Pia.  (original source unknown)

The Nazi annexation of Austria had made staying in Europe dangerous for the family.  The members of the imperial family discovered that they would quickly need to adapt to American rules and customs.  The same applied to the family's staff.  On January 7, 1938, The New York Times reported, "Archduke Franz Josef of Austria was fined a dollar for overtime parking."  The Archduke's chauffeur explained in traffic court, "the Archduke is unfamiliar with traffic regulations here," said the article.

America's entry to World War II resulted in several residents of 240 West 79th Street going off to the front.  Dr. Emil E. Napp, who lived here with his wife, the former Ruth Marschalk, was on the staff of the Flower-Fifth Avenue Hospital.  He became a commander with the Navy Medical Corps in the South Pacific.  Napp received the Navy and Marine Corps medal for his work on Guadalcanal in 1942, and was awarded the Silver Star on May 19, 1944.

Another resident doctor was Gurney Taylor.  He rose to the rank of lieutenant colonel with the American Seventh Army in France.  He was attached to the Ninth Evacuation Hospital in the Vosges Forest, which was, somewhat astonishingly, "manned by the veteran Roosevelt Hospital Unit from New York," as reported by The New York Times on October 29, 1944.

240 East 79th Street soared above the neighboring buildings in 1940.  via the NYC Dept of Records & Information Services.

Two other residents returned from the war in 1945.  One was Captain Carel Van Heukelom, and the other Barbara Murphy, one of 280 volunteer workers of the American Red Cross who served in the European theatre of operations.  Barbara told a reporter that "she had driven a clubmobile during her eighteen months overseas," adding, "Oh, I made the Grand Tour."

A fascinating resident was Marjorie T. Bellows, here at midcentury.  Born in 1906, she earned her masters degree in statics at the Columbia School of Public Heath.  From 1928 to 1929 she was senior statistician at the New York State Health Department.  She joined the American Heart Association in 1946 and became its senior staff member.  While there she directed investigations into the statistical aspects of cardiovascular issues, like rheumatic fever.  Bellows, who never married, developed the technique of "case registers," that analyzed the nature and uses of recording systems in public health administration.

Among Marjorie Bellows's neighbors in the building at the time was actress Lili Darvas.  Born in Hungary in 1902, she made a name on the Budapest stage as a young woman, debuting in 1921 as the female lead in Romeo and Juliet.  She married playwright Ferenc Molnar in 1926.  Lili was appearing in Vienna in 1938 when the Nazi troops invaded.  She said later that "she simply packed her things, walked onto a train to Switzerland and departed" with her Hungarian passport.  

The couple arrived in New York and Lili Darvas first appeared on stage here in 1941 in The Criminals.  Molnar died in 1952, and Lili continued acting, appearing in roles that most often portrayed characters fitting her European background.  Such was the case when she played the domineering mother of Sigmund Freud in the Henry Denker drama A Far Country.

Lili Darvas and Billy Mumy in a 1961 Twilight Zone episode, "Long Distance Call."  CBS Television publicity shot.

The indefatigable actress did not restrict herself to the stage, film or television.  On June 13, 1963, The New York Times interviewed her regarding her upcoming catering stint.  She had been asked by another actress to prepare an after-theater dinner party for 50 guests.

Lili Darvas died in her apartment here on August 22, 1974 at the age of 72.  

In September 1984, The New York Times reported that 240 East 79th Street was undergoing a cooperative conversion.   Among the new apartment owners in 1989 was bond trader Jeffrey M. Stambovsky, who placed a down payment on a country house that August.  He got buyer's remorse when he picked up a 1977 Readers' Digest article titled, "Our Haunted House on the Hudson."  In it, Helen V. Ackley, from whom he was buying the 18-room Victorian residence in Nyack, wrote about its ghosts.  The New York Times reported on March 16, 1990, "She described one as a 'cheerful apple-cheeked man' who looked more like Santa Claus than Rex Harrison in 'The Ghost and Mrs. Muir.'"

Stambovsky sued to get his money back.  He claimed in court that publicity of the ghost stories "threatened the house's property value" and that Mrs. Ackley "never told him about the ghosts."  Unfortunately for Stambovsky, while the judge agreed that the stories might affect the property values, he said that Ackerly "was not required to tell Mr. Stambovsky of any ghosts."

Thankfully, little has changed outwardly to 290 East 79th Street in its nearly 100 years of existence.  And, although Ruth Carroll's Art Deco lobby murals have been painted over, outside Godwin, Thompson and Patterson's bold and striking ground floor elements are showstoppers to this day.

photographs by the author

The Eufrasia and Allen Tucker Mansion - 121 East 79th Street

 

Brutal enlarging and remodeling the upper floors has destroyed the original charm

Eufrasia Aguilar Leland Wesson and Allen Tucker were married on February 12, 1895.  The 25-year-old bride was reared in privilege, the daughter of the late Charles Howland Wesson and Martha Leland.  The groom, who was four years older than Eufrasia, earned his architectural degree from Columbia University in 1887 and worked as a draftsman at his father's firm, McIlvaine & Tucker.

In 1906, Eufrasia's mother and aunt, Emma Wesson and Eufrasia A. Leland, purchased two vintage houses at 123 and 125 East 79th Street as the site of their double-wide mansion.  Simultaneously, Eufrasia and Allen Tucker purchased the house next door and hired the firm of Robins & Oakman to make "extensive alterations," as worded by the Real Estate Record & Builders' Guide.  Their redesigning of the high-stooped brownstone would transform it into a modern residence.

On May 30, 1906, the New-York Tribune explained the changes.  "A rear extension is to be added, new plumbing installed and a new Colonial facade, with a mansard roof built."  The renovations would cost the Tuckers $10,000, or about $360,000 in 2026 terms.

Robins & Oakman removed the stoop and brownstone and created a neo-Georgian-style facade.  In many cases, when the stoop was removed from English basement homes, the front was pulled forward to the property line.  For the Tuckers, however, the areaway was preserved, giving them a small front yard.  

The architects' tripartite design was faced in Flemish bond red brick and trimmed in limestone at the base and midsection.  The fourth floor took the form of a mansard with two dormers.  The mansion's focal point was the pair of French doors under fanlights at the second floor, or piano nobile. 

The Tucker mansion harkened to Colonial times.  from the collection of the New York Public Library

The "rear extension" mentioned by the New-York Tribune filled the rear yard.  It would hold Allen Tucker's skylight-lit studio.  By now, he had moved from architecture to fine art.  An impressionist, he was part of the group of painters known as the "Independents," which, according to the Smithsonian Institution, "wanted to shake up the conservative ideas of the National Academy of Design."  In 1911, four years after moving into 121 East 79th Street, Tucker co-founded the Association of American Painters and Sculptors, and in 1913 helped organize the famous Armory Show.

When America entered World War I, Tucker served with the American Ambulance Service in  France.  It appears that Eufrasia moved temporarily next door with her mother and aunt.  On December 9, 1917, The New York Times reported that she had leased 121 East 79th Street furnished at Arthur A. Fowler.  

Starting in 1921, after returning to New York after the war, Allen Tucker taught at the Art Students League.  Often deemed "the American Van Gogh," his paintings would hang in prestigious institutions like the Brooklyn Museum, Whitney Museum of American Art, Philadelphia Museum of Art, Metropolitan Museum of Art and the Frye Art Museum.

Allen Tucker painted Landscape in his East 79th Street studio in 1919.  from the collection of the Whitney Museum of Art.

Allen and Eufrasia Tucker sold 121 East 79th Street to the Atram Realty Corporation in May 1930.  The firm purchased the property "as a light protector for the apartment building at 120 East Eightieth Street," explained The New York Times.  The new owners hired Cross & Cross to enlarge the mansion with another floor.  The architects deftly increased the height of the mansard without greatly upsetting the proportions nor the Colonial motif.

Cross & Cross's additional level was not displeasing.  via the NYC Dept of Records & Information Services.

On July 7, 1933, The New York Times reported that the Atram Realty Corporation had leased the mansion to Leighton Hammond Coleman, "of the law firm of Davis, Polk, Wardwell, Gardiner & Reed."  

Born in Bethlehem, Pennsylvania, Coleman had served as a "pursuit pilot" in World War I.  He earned his law degree at Harvard Law School in 1922.  Coleman and his wife, the former Jane Fraser, had five children, Leighton Jr., Jane, Helen, Sally, and Prudence.  The family's country home, East Farm, was at Stony Brook, Long Island.

After having leased the house for a decade, in 1943 Leighton H. Coleman purchased it.  His daughters were approaching their debutante years and before long the house would be a flurry of activity.

Debutante entertainments traditionally were held in the winter social season.  Twin sisters Jane and Helen, however, got an early start.  On June 28, 1946, The New York Sun reported that the Colemans "will honor their debutante daughters, the Misses Jane and Helen Coleman, at a dinner-dance tomorrow evening at East Farm."  The article noted that Jane had graduated that year from the Brearley School and that Helen was "an alumna of the Chapin School."

Helen Rulison Coleman went on to study at Bryn Mawr College and Barnard College.  (Her mother was  was a trustee of the latter institution.)  She was the first to marry.  Her wedding to William Maxwell Evarts Jr. was held in St. James Protestant Episcopal Church in St. James, Long Island on August 28, 1948.  It was a family affair, with Jane being the maid of honor and Sally and Prudence bridesmaids.  Leighton Jr. was among the ten ushers.

The following year, on June 25, 1949, Jane was married in the same church to William Draper Blair Jr.  Expectedly, Helen was her matron of honor and her younger sisters were bridesmaids.  The New York Times remarked that Jane "wore a gown of white satin with a rosepoint lace veil that had been worn by her mother and grandmother and last August by her sister."

No. 121 East 79th Street was sold in 1954.  The New York Times reported on April 9 that plans had been filed "for altering the five-story dwelling...into four apartments and a professional office."  The renovations resulted in a doctor's office on the first floor, a duplex apartment in the second and third, and one apartment each in the upper levels.  Apparently to augment the livable square-footage of the top two floors, the mansard was converted to a vertical wall with no cornice.

Then, in 1997, restauranteur Simon Oren purchased the property for $2 million (about $3.9 million today).  He initiated a renovation that returned the upper floors to a single family home, while keeping the ground floor doctor's office (accessed by a separate entrance).  He listed it for sale in 2016 for $19 million.

Although sadly disfigured, the Tucker mansion still recalls its aristocratic roots and place in American art history.

photographs by the author

Sloan & Robertson's 1930 895 Park Avenue

In 1923, John Sloan and Thomas Markoe Robertson partnered to form the architectural firm of Sloan & Robertson.  Specializing in Art Deco-style office and civic buildings, they stepped out of their comfort zone in 1929 by designing a luxury apartment building.  The project could not technically be called a commission, since the developer of the site, the 895 Park Avenue Co., was organized by Sloan and Robertson.  John Sloan was its president and Thomas Markoe Robertson was one of the only two other officers.

Demolition of the ten residences at the southeast corner of Park Avenue and 79th Street began on October 1, 1929.  Two weeks earlier, John Sloan told reporters,

There will be thirty-five apartments of the simplex, duplex and triplex types.  The Park Avenue corner location on the sixteenth, seventeenth and eighteenth floors will be devoted to a special triplex apartment opening to roof garden terraces on all sides, and the nineteenth and penthouse floors will contain two duplex apartments of twelve and fourteen rooms respectively.

Prefabricated concrete panels resulted in rapid construction--each concrete floor taking only a day to install.  The American Architect, July 1930 (copyright expired)

Sloan described the design as "of dignified but modern character.  Facades will be of natural stone to the fourth story, with brick and natural stone for the remainder."  Completed in 1930, Sloan & Robertson's design has been called "Classicizing Art Deco," with The New York Times explaining on December 29, 1929, "In design it will be a modern adaption of classical motifs."

The Skyscraper Times pointed out on September 23, 1929, that the 19-story-and-penthouse building would be "100 per cent co-operative."  The article described the typical, 14-room corner duplexes, saying they...

comprise living room, dining room, library, 5 master's chambers, with dressing rooms, extra dressing room and lavatory adjoining the foyer, 6 baths, 4 servants' rooms, servants' hall and kitchen.

The 15-room duplex apartments included seven baths and a conservatory.  Amenities included, "electric refrigeration, large ranges, exceptionally large servants' quarters, cedar closets, and wood-burning fireplaces."  Ceiling heights in the bedrooms were 10 feet and in the living rooms 12 feet.  Residents would enjoy communal amenities like "a squash court, gymnasium and locker rooms in the basement."

As construction progressed, on December 1, 1929, an advertisement in Town & Country was titled, "The Luxury of Venetian Palaces Brought to Park Avenue."  Prices for the 10- to 15-room apartments ranged from $26,000 to $169,000, according to the ad.  The figures would translate to $476,000 and $3 million today.

photo by Wurts Bros. from the collection of the Museum of the City of New York

Costing $5 million to construct (nearly $94 million in 2026), 895 Park Avenue was completed in 1930.  The New York Sun described the building as "an imposing and brilliant mass of architecture."  Sloan & Robertson incorporated "classic" elements into their Art Deco design.  Fluted piers that echoed classical pilasters ran the height of the nine-story midsection.  More in keeping with the Art Deco style were the sculptural panels and reverse stair-stepping balconies on the upper floors.

 
Unfortunately, the Stock Market crashed shortly after construction had begun.  The syndicate quickly changed course and offered the apartments as rentals.  But it was too late.  On August 5, 1931, The New York Times reported that 895 Park Avenue had been sold in foreclosure for $1 million.  Nevertheless, said the article, "many of its suites have been taken."

Art Deco panels decorate the facade high above the street. 

Not surprisingly, among the initial residents were John Sloan and T. Markoe Robertson and their families.  Both were staggeringly wealthy and socially visible.  On August 14, 1931, the Chicago Daily Tribune reported, "Mrs. John Sloan of 895 Park avenue entertained at luncheon at the Casino, Central Park, for her guest, Mrs. Marion Bedell of Bermuda."  Two months later, on October 20, the New York Evening Post announced, "The Misses Ruth and Evelyn Sloan, the daughters of Mr. and Mrs. John Sloan...are sailing Saturday, October 31, for Bermuda, to remain until just before the Christmas holiday."

Thomas Markoe Robertson (who went by his first initial) was the son of well-known architect Robert Henderson Robertson.  His wife was Cordelia Drexel Biddle, the former wife of tobacco mogul Angier Buchanan Duke.  She and Duke had divorced in 1921.  Living with the couple were Cordelia's sons, Angier Biddle Duke and Anthony Drexel Duke.  The family maintained a country home in Westbury, Long Island.

Angier married Priscilla Saint George on January 2, 1936 in St. Mary's Episcopal Church in Tuxedo Park.  It was a socially important affair, with New York's premier surnames within the church and at the reception held in the Saint Georges' cottage.  The newlyweds moved into a suite in 895 Park Avenue.

On November 7, 1942, the North Carolina newspaper The Pilot reported, "Mr. and Mrs. T. Markoe Robertson, frequent Pinehurst guests of the Livingston Biddles, entertained recently at dinner at their New York home, 895 Park avenue, for the Duke and Duchess of Windsor.  The dinner was followed by a theater party."

Paul Ernst Thalmann and his wife, the former Regina Marie Chester, leased a 13-room, six-bath apartment in June 1932.  The New York Times noted, "The apartment has terraces and occupies the sixteenth and seventeenth floors."  Thalmann was associated with the banking firm Ladenburg, Thalmann & Co., co-founded by his father.  He was, as well, president of the General Fuel Briquette Corporation and of the Smelters Corporation, and a vice president of the Industrial Supply Company and a director of the Florence Iron Company.  Upon his father's death in 1912, Thalmann received a life income from $1.5 million--more than $50 million today.

The multi-millionaire would not enjoy the sprawling apartment for long.  Eight months after moving in, Paul Ernst Thalmann fell ill.  Within the week, he died in the apartment at the age of 37.  His will, no doubt, raised several eyebrows.  On August 8, 1934, The New York Times reported that Regina would receive "half the estate in trust."  Thalmann's secretary, Grace Howard, was left a $70,000 trust fund (about $1.64 million today).  The article said she, "rejected the bequest and elected to take half the residuary estate outright."

Regina Thalmann remained in the apartment.  Her personal fortune was enhanced in November 1935 when the will of Anna Thalmann, Paul's mother, left her more than $4.5 million in today's money "and articles of jewelry."

Society columnist closely followed the movements of well-to-do New Yorkers.  And so, the Robert Schey family routinely appeared in the social sections of newspapers.  On April 13, 1933, The New York Sun reported, for instance, "Mrs. Robert Schey and her daughter, Miss Theresa Schey, a student at Spence School, have returned to 895 Park avenue from East Hampton."  And on August 9, 1935, The New York Evening Post noted, "Mrs. Robert Schey and her daughter Teresa...who have been at a ranch in Wyoming since June, have returned and will pass the remainder of the season at East Hampton, where they have taken a house."

Born in Vienna in 1877, Robert Paul Schey studied art and design in Europe.  He came to America in 1896 and in 1907 opened his textile designing firm.  He and his wife, the former Laura Todd, were married in 1918 and they had one daughter, Theresa Todd.  By the time the family moved into 895 Park Avenue, Schey's firm had branches in London and Paris.

After graduating from the Spence School, Theresa entered the Foxcroft School in Virginia.  On December 9, 1937, the East Hampton newspaper The Star reported that they Scheys "gave a large supper dance Saturday evening at the Pierre...in honor of their debutante daughter, Theresa Todd Schey."  This was the second entertainment in Theresa's debut.  Her parents had earlier hosted a tea in the apartment "for the older friends of the family."

A photographer snapped Theresa Schey and Rulon Neilson as they arrived at the Stork Club.  The New York Sun, July 5, 1939.

Among the Scheys' neighbors in the building was cosmetic tycoon Helena Rubinstein.  Born in Poland in 1872, Rubinstein and her husband moved to New York City at the outbreak of World War I and she opened a cosmetics salon.  In 1928, a few years before moving into 895 Park Avenue, she sold the business to Lehman Brothers for $7.3 million ($134 million today).  Her apartment here held her astounding collection of miniature Chippendale furniture.

Helena Rubinstein, from the collection of the Library of Congress

The families of brothers Ralph Isidor Straus and Percy Selden Straus had apartments here as early as 1938.  Their parents were Percy Selden Straus Sr., head of the R. H. Macy Department Store, and Edith Abraham Straus.  Edith was the daughter of Rose and Abraham Abraham, founder of the Abraham & Straus department store.  Ralph, who was born in 1903, was married to Matilda Bradford Day; and Percy, who was born in 1906 and changed his name to Percy Seldon, married Marjorie Jester in 1937.

Sloan's and Robertson's vision of 895 Park Avenue as a cooperative came to pass in 1952.  The tenants formed the Cooperative Apartment Corporation and took title to the property.

An interesting resident at the time was Laura Talmage Huyck.  Born Laura Van Nest Talmage in Brooklyn on June 21, 1875, she married felt manufacturer Francis Conkling Huyck in 1899.  In the 1920s, she and her daughter and son-in-law founded the Institute on Man and Science (later the Rensselaerville Institute) at their country home in Rensselaerville, New York.  In the 1930s, at the age of 56, she began painting.  Her work was exhibited in the Durand Ruel Gallery in 1932, the director describing her paintings as "extraordinary mystical landscapes."  And then she disappeared from art circles.  

Laura's husband died in 1938, and she had continued painting, but only for her own pleasure.  On June 5, 1955, The New York Times started an article saying, "An artist, who was 'discovered' in 1932...and rediscovered only recently, is to have a retrospective show of her paintings."  Huyck, who was fast approaching her 80th birthday, had been approached by Betty Parsons of the Betty Parsons Gallery at 15 East 57th Street with the idea.  

Laura Talmadge Huyck in her apartment here with one of her landscapes behind her.  The New York Times June 5, 1955

"The doing is what has been important," she told Sanka Knox of The New York Times.  When Knox mentioned that she resembled Whistler's mother, in the famous portrait, Huyck responded, "Whistler's mother was a little resigned; I've never been resigned."

Three years after that article, on June 24, 1958, Laura Talmadge Huyck died in her Park Avenue apartment at the age of 83.

The Robertsons were still occupying their apartment more than three decades after the building opened.  On April 18, 1962, The New York Times reported, "Mrs. T. Markoe Robertson will give a cocktail party in her home at 895 Park Avenue today.  The guests were committee members for the Musicians Emergency Fund.  The article noted, "Her guest of honor will be Phyllis Curtin, Metropolitan Opera soprano."

Less than three months later, on August 3, the newspaper reported that Thomas Markoe Robertson had suffered a fatal heart attack at the age of 84.

Cordelia Biddle Duke Robertson was assuredly well-acquainted with the Leonard Bernsteins, who moved into an apartment in 1964.  A 1939 graduate of Harvard, he next studied at the Curtis Institute of Music.  The composer-conductor married Felicia Montealegre in 1951.  By the time they moved into 895 Park Avenue, Bernstein had composed the score for Wonderful Town, the operetta-style musical Candide, and the musical West Side Story.

The Bernsteins in the 895 Park Avenue penthouse. photo by Don Hogan Charles, The New York Times, October 1965.

The Bernsteins were highly involved in humanitarian and civil issues.  Felicia was the chairman of the women's committee of the New York Civil Liberties Union.  Among their first entertainments here was a birthday party for Roger N. Baldwin, chairman of the International League for the Rights of Man.

The Bernsteins remained here until 1974 when they moved into the Dakota.

Anthony Drexel Duke still lived here in 1967 when his son, Anthony Jr. was married to Barbara Briggs Foshay in St. James's Episcopal Church.  Duke Sr. had founded and was head of Boys Harbor, an interracial camp in East Hampton for indigent boys from New York.  He was separated from his fourth wife, Maria de Lourdes Alcebo, when he died at the age of 95 on May 1, 2014.  In reporting his death, The New York Times called him, "a scion of three of America's wealthiest families."

Thomas L. Kempner was the vice president of the brokerage house Loeb Rhoades & Co.  He and Nan Field Schlesinger were married in 1952.  They had three children and owned a 10-room apartment here and maintained a country home in Purchase, New York.  Nan was described by The New York Times as "a fashion leader who is often seen at charity balls and benefit performances."

In 1975, the family had a house guest, Countess Angelica Lazansky, who was visiting from Paris.  On November 21, the Kempners' maid had the day off.  Late that afternoon the family returned home "with some guests to have cocktails," according to The New York Times.  The cocktail party disintegrated when someone noticed that the rear fire door had been forced open.  The Kempners found $1.8 million in jewelry missing.  (The figure would translate to $10.5 million today.)  Detectives said "it was one of the largest jewelry thefts ever reported in the city."

As it turned out, the 31-year-old maid had spent the afternoon of her day off selecting items of Nan's and Angelica's jewelry.  She had been seduced by a man who promised her $17,000 in cash for the jewels.  Prompted either by guilt or fear of being caught, at 2:30 on the afternoon of December 3, the maid entered Kempner's Wall Street office with "two boxes and a shopping bag containing jewels," according to police.  She and her accomplice were arrested.

The Bernstein penthouse living room as it appeared during the Feinbergs' residency.  photo by Warburg Realty.

Art collectors and philanthropists Carol and Maurice Feinberg purchased the former Bernstein penthouse in 1974.  Maurice died in 2002 and Carol in 2019.  In November that year the Feinbergs' children offered it for sale.  In describing the apartment, Vivian Marino of The New York Times said, "Many of the apartment's original architectural details remain, including the wide-plank mahogany floors, crown moldings and carved-wood fireplace mentals."

Among the fine Park Avenue apartment houses built in the 1920s, this one stands out for its unique architecture.

photographs by the author