The heavily-altered house still displays its exotic design. |
Brothers John T. and James A. Farley were active real estate
developers in the 1880s and ‘90s. And
they worked with the architectural firm of Thom & Wilson several
times. But when they embarked on a
project of three speculative rowhouses at Nos. 102 through 106 West 71stStreet in 1885; something seems to have gone awry. The developers had taken out a building
loan from Philip Weinbach.
The Farleys were individually wealthy and their firm, Terence Farley's Sons, was highly successful. Yet inexplicably, shortly after construction began the the firm lost the three properties. They were sold to Phillip Weinberg on March 21, 1885 in a foreclosure auction with $13,582 due on each. The middle house, No. 104, was sold at $20,050—slightly over half a million in today’s dollars.
Thom & Wilson designed each residence to be starkly different from the others. Completed in 1886, No. 104 was four stories tall above a high English basement. Its brownstone façade changed personalities as it rose. The rusticated Romanesque Revival parlor floor featured arched openings, swirling carved arabesques, and a brilliantly-colored stained glass transom. A Renaissance-inspired broken pediment joined the second floor windows, the brownstone frames of which swept down to sensuous curls which embraced clusters of tiny flowers. A floor above the architrave surrounds of the openings incorporated fluted pilasters and layered cornices.
The Farleys were individually wealthy and their firm, Terence Farley's Sons, was highly successful. Yet inexplicably, shortly after construction began the the firm lost the three properties. They were sold to Phillip Weinberg on March 21, 1885 in a foreclosure auction with $13,582 due on each. The middle house, No. 104, was sold at $20,050—slightly over half a million in today’s dollars.
Thom & Wilson designed each residence to be starkly different from the others. Completed in 1886, No. 104 was four stories tall above a high English basement. Its brownstone façade changed personalities as it rose. The rusticated Romanesque Revival parlor floor featured arched openings, swirling carved arabesques, and a brilliantly-colored stained glass transom. A Renaissance-inspired broken pediment joined the second floor windows, the brownstone frames of which swept down to sensuous curls which embraced clusters of tiny flowers. A floor above the architrave surrounds of the openings incorporated fluted pilasters and layered cornices.
Just above the stained glass parlor window the window framing curls to clasp a tiny bouquet of flowers, the last of the four such elements to survive. |
The widowed Anne E. Radway and her daughters, Adelaide and Alice, had been living across the park at No. 120 East 76th Street. In August 1886 they moved into No. 104 West 71st Street. Dr. John Radway had died at the age of 45 on the morning of March 15, 1870. His stature in the New York community was such that the Editor of the New York Times commented on his death.
“Like most men of talent, the Doctor was endowed with the
most unabated energy and zeal, prosecuting his theories to a greater extent
than his physical system would endure.
Kind and affectionate in his disposition, and genial in his character,
and charitable to a fault, he leaves a multitude of sorrowers, who will not look
upon his like again.”
Anna had been living on the opposite side of Central Park, at No. 120 East 76th Street. The $30,000 she received in the sale of that house
On June 25, 1890 the house was the scene of Alice Virginia Radway’s marriage to Dr. T. P. Berens. Her brother, John, gave her away. The ceremony was followed by a “wedding supper” for the families and a few intimate friends.
On June 25, 1890 the house was the scene of Alice Virginia Radway’s marriage to Dr. T. P. Berens. Her brother, John, gave her away. The ceremony was followed by a “wedding supper” for the families and a few intimate friends.
A far less joyful gathering took place in the parlor the
following year. On Thursday morning,
October 22, 1891 the funeral of Anna E. Radway was held. She had died in the house three days earlier.
James S. Radway retained possession of the house until April
1901, when he sold it at auction for $23,500.
The new owner was Dr. John J. McGrath. Born near Greenwich Village, McGrath had graduated
from Columbia University in 1899, and then studied surgery at the
University of Berlin and other European medical schools. By 1908 he was well-known and respected in
the New York medical community, holding the positions of Professor of Operative
Surgery at the New York Post-Graduate School and Hospital, Visiting Surgeon to
the Harlem and Columbus Hospitals, and Consulting Surgeon to the New York
Founding and the Brattleboro Memorial Hospitals.
The original entrance was at the right, accessed by a high brownstone stoop. |
While Dr. McGrath and his wife maintained a summer home at
Belmar, New Jersey, they routinely traveled to Europe. On June 29, 1910 The New York Times remarked
that “Three of the largest liners in the transatlantic trade will sail from New
York this morning, and each is going out with its saloon accommodations booked
to capacity.” They were the Cunard Lusitania, the White Star
liner Adriatic, and the Hamburg-American Bleucher. The newspaper noted “Among the passengers
booked on each of the liners are many well-known people.” Included in the Bleucher’s registry headed to
Hamburg were Dr. and Mrs. John J. McGrath.
The couple headed back to Germany for the summer season of
1914. It was an untimely decision. Like many other well-to-do Americans, they may
have been blissfully unaware of the political tensions. But these became obvious following the assassination
of Archduke Franz Ferdinand on June 28 and the immediate declaration of war by
Emperor Franz Joseph of Austria-Hungary.
The McGraths booked passage back to New York on the Kronprinzessin Cecilie. The luxurious ship was filled--carrying 350
first-class, 130 second-class, and 736 steerage passengers. Along with the McGraths in first class were
some of New York’s leading citizens—James A. Blair, Eugene Delano, and James R.
Roosevelt among them.
But the Kronprinzessin Cecilie carried something else, as well: $10,679,000 in gold.
Five New York City banks had scurried to get their gold out
of Germany. Because there had been no
time to obtain war insurance on the precious cargo, bank directors waited
nervously until they received it. A
newspaper explained the gold would be stored “in their own vaults for use when
it is again possible to undertake to export it.”
The Kronprinzessin Cecilie had nearly
completed the voyage on August 3 when trouble occurred. For some reason the captain felt the vessel was in danger of “possible capture by British or French warships,”
according to a telegram from Washington DC.
The steamship headed for the nearest “three-mile safety zone” off American
shores—Bar Harbor, Maine. At around 9:00
that morning the unexpected liner docked in Bar Harbor rather than New York
City.
The United States Government immediately descended on the
German ship. Bar Harbor was not
a port of entry, a significant problem in itself; but American laws forbade an international vessel to discharge
its passengers a different port. Should the
passengers disembark, the North German Lloyd Company, owners of the steamship,
could be fined $1,000 per passenger—more than $1.2 million.
To make matters worse negotiations between the German and
United States Governments were necessary to allow the gold to be off-loaded. Initially William Gibbs McAdoo, the Secretary
of the Treasury, declared that the gold would have to be returned to Germany along with
“the bankers who shipped it.”
The New York Times explained “It would not be possible to
bring the ship into New York without going beyond the three-mile safety zone,
and it is not believed that the Captain will take any chances on an unprotected
vessel worth more than $5,000,000.”
The doctor and his wife waited waited in frustration and luxury with the other high-class passengers while the negotiations played out.
Finally the day after the steamship had pulled into Bar Harbor, New
Yorkers read that its passengers “are due in this city by train this morning.” It would mark the end of the McGraths’
travels to Europe for several years.
The couple was still in the 71st Street home when
Dr. McGrath was appointed Trustee of Bellevue and Allied Hospitals. By now, according to The Times, he was a “fellow
of the New York Academy of Medicine, the American College of Surgeons and a
number of medical and surgical societies.”
The McGraths were gone from the house by the early years of
the Great Depression. The 1930s were not kind to many upscale residences on the Upper West Side. No. 104 West 71st Street was home to
Coleman Morgan, an “advertising man,” in 1932; but in 1935 it was converted to “furnished
rooms” by architect Julius Eckman with a restaurant in the basement level. The brownstone stoop was removed and Eckman
gave the basement an Art Deco makeover with stepped, clustered pilasters and a
wavecrest frieze.
Another conversion, in 1954, resulted in three apartments in
the basement and four each on the upper floors.
Among the tenants in 1960 was the family of 17-year old
Robert Engler and his pet honey bear, Timmy.
The 10-pound pet caused substantial excitement in the Upper West Side
neighborhood when he escaped on Wednesday morning, August 31.
Reports came into the police station of an animal prowling
the backyards, but investigating officers found nothing. The Times said the sightings “had been
regarded in some police circles as ‘imaginary.’”
And then Timmy “strolled into the New York Institute of
Technology at 135 West Seventieth Street” on the evening of September 1. The
startled elevator operator found him in a corner of the lobby and called
police. But “when the police came, Timmy
decided to move.”
The chase was on as the officers pursued the honey bear to a
basement restroom, and then to a lobby lavatory. The eventual apprehension was not without
injury. The New York Times reported “Timmy
was finally captured by Detective Walter Bentley; but not before the detective
was bitten on the right wrist. Then
Timmy was taken to the West Sixty-eighth Street station house in a pail.”
Whether Robert Engler got his honey bear back is unclear. It was removed from the police station by an
agent of the ASPCA.
Julius Eckman added Art Deco elements during the 1935 make-over. |
In 1990 a store replaced the basement apartments; and at
some point the upper floors received an unfortunate coating of white, then gray
paint which gives the house a derelict appearance as it flakes away from the
brownstone. Happily when the house was
given replacement windows, the wonderful stained glass transom was saved. And despite the abuse, Thom & Wilson’s
exotic design still shines through.
photographs by the author
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