In 1890 not only was the Upper West Side developing as sewers were laid and mass transit extended to the area; but apartment living was becoming more widely acceptable. On the east side of Central Park apartment buildings would be known by their addresses; on the west side they more often took names, like The Dakota, The Wyoming and The Chatsworth.
Construction began that year on one more: The Orchid.
Owner-developer Lorton Horton was busy in the area, having erected a
multi-use structure containing a store, apartments and stables two years
earlier at No. 371 Amsterdam Avenue. He
chose architect Frank A. Rooke for the project.
Now Horton sought the architect’s talents again. He owned the adjoining property encompassing
Nos. 373 and 375 Amsterdam Avenue and rounding the corner to No. 170 West 78th
Street. For this site Higgs & Rooke
would produce a massive Romanesque Revival block of tan brick, stone and
pressed metal. Stores lined the street level along Amsterdam Avenue and a grand
entrance for the “French flats” faced 78th Street.
New York architects, especially on the Upper West Side, were
taking note of the city’s Dutch roots at the time. Flemish Revival churches, schools and houses
cropped up as quaint reminders of Manhattan’s beginnings. Higgs & Rooke gave their nod to the
movement with centered Dutch stepped gables on both elevations.
A monumental arch sitting on clustered columns provided the 78th street entrance. Exquisite carvings filled the spandrels and the address was handsomely carved into the stone. |
The pressed metal bay windows, too, strayed from the
Romanesque with swags and other floral motifs and unusual hefty beaded engaged
columns at the third floor. But the
residential entranceway within the rough-cut stone base, was purely medieval. The deep-set, sturdy stone arch sat on
clustered columns. Exquisite snarled
carving filled the spandrels and the street number was beautifully incised into
the keystone.
Beaded, thin columns, festoons and ribbons made up the pressed metal decorations. |
On October 27, 1891 Mrs. Spencer’s apartment was the scene
of Evelyn’s wedding reception. Earlier
that day she had married William Henry Blaine, a relative of the Secretary of
State, James G. Blaine. The Sun noted
that “Miss Spencer wore at her throat a blazing diamond pendant, a present from
the bridegroom.”
As privileged children of society neared their teen years
they would need to learn to dance. Debutante
balls and cotillions were in their futures; and every well-heeled member of
society would be expected to perform adequately at society’s many dinner dances
each season. On November 26, 1893 The
New York Times mentioned “As the season lengthens the dancing classes increase
in number, much to the satisfaction of the juvenile members of society.” The newspaper noted that “Miss Lillian Barry
of 170 West Seventy-eighth Street has arranged to give a series of dances in
Hodgson’s Assembly Rooms” on Fifth Avenue to groom youngsters in dancing.
Along with Dr. Eastman, several other physicians made The
Orchid their home, such as Dr. Charles Good, and Dr. Philip R. Moale who was
in the building by 1895.
Dr. Good was still in the building at the turn of the
century and after midnight on May 20, 1900 he received a frantic knock on his
door. Mrs. Ellen Wessels lived nearby at
No. 2183 Broadway and pleaded for his help.
Her brother-in-law, Dr. Charles Smith Collins, who also lived at the Broadway address, was in trouble.
The Times explained “Dr. Collins had been ill for several
weeks and had been in the habit of taking drugs to ease his pain and induce
sleep.” Around 10:30 that evening he had
taken “a quantity of chloral.” Mrs.
Collins awoke to find her husband struggling to breathe and in distress. The New-York Tribune reported “Dr. Good made
every effort to counteract the effect of the poison, but failed to do so, and
Dr. Collins died at 3:20 o’clock.”
Another doctor, named Swift, lived in The Orchid in
1903. It was in his apartment on Friday
November 27 that year that The Pathological Society held its meeting, according
to The National Journal of Homoeopathic
Medicine.
The attraction of the building to physicians was pointed out
in its advertisements. Most apartments
contained seven rooms “all light” and rented in 1905 from $720 to $840 a year—approximately
$1500 to $1800 a month in today’s dollars.
But the first floor apartments were larger, having two additional
rooms. An advertisement in The Sun on
September 22, 1905 noted that these apartments were “extra large, suitable for
dentist or doctor; rent $1,000.”
Among the tenants not involved in
the medical field was stock broker Thomas M. Daly whose offices were at No. 32
Pine Street. In 1903 the couple engaged
the services of two servant girls, Annie Williams and her sister Frances. The girls worked for a while, then gave their
notice. Shortly after they left, Mrs.
Daly noticed things missing—specifically $2,000 worth of jewelry.
She notified police and detectives
and Inspector McClusky began an investigation.
Before long he discovered that other women in the neighborhood had been
robbed. Based on the description of the
two sisters “it was easy to trace the women to their home,” said The New York
Times on December 27.
The police raided the Williams
girls’ apartment at No. 201 East 97th Street. “Two trunks full of silverware, bric-a-brac,
and costly furs, worth, in all, according to the police, over $10,000, were
taken from the rooms occupied by the prisoners and sent to Police headquarters
to await identification.”
Around the same time Dr. Daniel T.
Millspaugh moved in. He would stay in
The Orchid into the 1920s. The doctor
ran his medical practice from here and operated the Riverlawn Sanitarium in
Paterson, New Jersey. Millspaugh’s
advertisements for the facility promised “care and treatment of all Forms of
Nervous and mild Mental Cases. Alcoholic
and Drug Addiction—selected Cases Only.”
Riverlawn offered “All Approved Forms of Treatment Used. Baths, Massage, Electricity.”
The Orchid continued to attract
white-collar occupants as World War I approached. G. W. Sterling was Freight Traffic Manager of
Pier 19 on the North River; Albert J. McCullagh was an “investigator,” and
Thomas F. Dooley was a civil servant, earning $1,800 a year as an “attendant”
in Supreme Court, 1st District.
(Dooley’s salary in 1918 would equate to about $26,000 today.)
Although they were not considered
wealthy, the residents were well-off enough that, like the Dalys, most had
domestic help. Carrie Strauss was working as a
servant in one of the apartments in 1918 when, it appears, the family was
preparing to leave for the summer. She placed
an advertisement in Gleanings in Bee
Culture in April that year seeking “a position for the summer with a
bee-keeper by a farmer’s daughter.”
Scandal visited The Orchid in 1921 when Mrs. Mary Elizabeth
Macgowan sued her husband, Claude, for failing to pay her $25 a week
alimony. Claude H. Macgowan had been
manager of the Universal Film Manufacturing Company. Their troubles started when he began seeing
Elizabeth Stephens.
Mary Macgowan told Justice
Delehanty on April 21, 1921 that her husband left her “more than two years ago,
and was at one time living with Elizabeth Stevens [sic]” at No. 170 West 78th
Street. “A boy, David, was with the
couple, Mrs. Macgowan,” reported The Times.
“Mrs. Macgowan says her husband lived at that address until Dec. 23,
last.”
As if Claude Macgowan’s
cohabitating with Elizabeth Stephens was not shocking enough, he kidnapped his
children and brought them to The Orchid.
“Mrs. Macgowan further alleges that her husband spirited her two
children, Claudia and Ursala, from a convent on Staten Island and took them to
the apartment occupied by the other woman.”
Despite Macgowan’s affair with “the
other woman,” residents of The Orchid were mostly highly respectable. In 1922 Margaret Baker Morison, who was a
1907 graduate of Bryn Mawr College, was teaching English at Miss Chapin’s
School. That same year resident Mary G.
Earl was working as a psychologist with the Department of Hygiene.
In 1968 a renovation resulted in
two apartments on the first floor and three each on the upper stories. The building, which had long ago lost its charismatic
name, appeared in the 1977 film The
Goodbye Girl. Richard Dryfuss, as
Elliot, and Marsha Mason, playing the part of Paula, shared an apartment here
in the Neil Simon hit.
Higgs & Rooke’s eccentric
structure retains most of its architectural charm. Garish store fronts replace the originals on
the avenue and the façade is inexcusably grimy and the metal elements
rusting. Yet it survives as a wonderful
relic of a time when the West Side was flexing its muscle as Manhattan’s newest
neighborhood.
photographs by the author
photographs by the author
What an architectural mess!
ReplyDeleteA very interesting story! I need to correct you, however, about Elizabeth Stevens. Her married name was Elizabeth STEPHENS. I am sure of that because my grandfather, George B. Stephens, was her first husband.
ReplyDeleteC Stephens
Thanks. I have to rely on the period newspaper accounts (and spellings) so your providing that detail is appreciated. All fixed.
DeleteHi again Tom! It's been a long time. Do you have actual copies of the articles you cite above? They would be a fantastic addition to me family file. Hope you're well. Thanks!
DeletePlease contact me at my email address above.
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