In 1892 Henry Meyer lived in his comfortable brownstone
rowhouse at No. 70 East 91st Street.
It was a neighborhood of respectable upper-middle class residences with
stone stoops that lined up like soldiers.
But that was all about to change.
In 1899 Andrew Carnegie laid plans for his massive
neo-Georgian mansion a block away that would engulf the entire block front on
Fifth Avenue from East 90th to 91st Street. At the time Carnegie’s building site was
surprisingly north of the mansion district—by about 20 blocks. But the steel baron’s magnificent home would
quickly draw other millionaires into what would quickly become known as
Carnegie Hill.
By the time the Carnegie mansion was completed in 1903,
wealthy citizens were already razing the old brownstones of a generation earlier, or
extensively remodeling them into au
courant residences fit for the newly stylish district. Fred W. Marks, President of the Markin Realty
Company, was highly active in real estate throughout the city. And he was wealthy.
In December 1904 Marks purchased No. 70 East 91st. Although the house was just 18 years old, it
was stylishly-dated and lacked the upscale flavor now expected in the Carnegie
Hill neighborhood. On December 28 The
Sun reported “Mr. Marks will occupy the premises after extensive alterations
are made. The property is a short block
from the Carnegie mansion and grounds.”
Calling the renovation “extensive alterations” was
understating the project. Marks hired
architect Robert T. Lyons to completely transform the old brownstone into a
grand, up-to-date residence. The scale
of the undertaking was such that even the new indoor plumbing was noticed. Domestic Engineering magazine reported that
Milton Schnaier & Co…have contracted for the plumbing in the residence of
Fred W. Marks at 70 East 91st Street.”
By the time Lyons was done, there was no hint
of the old Italianate rowhouse. The
brownstone façade was stripped away to be replaced by a glimmering white
limestone Louis XV front. Using the
narrow 19-foot width to his advantage, Lyons emphasized verticality in the
four-story home by introducing nearly floor-to-ceiling arched French windows at
the second floor, full-length French windows on the parlor level, and by
exaggerating the length of the doorway with a carved panel over the
beautifully-carved scrolled and garlanded ornament. The result was a visually-soaring design that
drew the eye of the passerby ever upward.
The carved limestone decoration breaks like a wave over the necessarily-narrow entrance. |
Dramatic rolling keystones above the upper openings closely mimicked
that of the entranceway. Marks’
renovated home exuded a sort of architectural haughtiness.
Along with four other businessmen, the well-respected Marks
was given the $35-a-day post of “inspector of election” in 1907. The committee’s job was to oversee the
election of trustees in the New York Life Insurance Company. Marks soon discovered that his opinion was
worthless because the administration had stacked the deck in its favor. On January 7 both Marks and Ellis G. Kinkead
sent their resignations to Insurance Commissioner Kelsey.
The Sun explained to its readers “Some close observers of
the situation in the mutual companies were of the opinion yesterday that the
resignation of the two inspectors meant that the international committee had
about made up its mind that it was useless to carry on any longer the contest
with the administration over the methods of the count. In other words, they have found that the
administration is too powerful for them as the count is now carried on, all
their protests on ballots and requests for rulings being ignored.”
Fred W. Marks lived on in the 91st Street house
for decades. By the second half of the
20th century, however, change had come to the neighborhood
once again. Many of the grand mansions had
been converted to apartments, including No. 70.
In 1968 there was one apartment in the basement and one on the parlor
floor; and two duplexes in the second and third floors.
Among the first residents were architect and urban planner
John Joseph Boogaerts, Jr. and his family.
A member of the Century Association, he published maps of the Arabian
Peninsula and its major cities in both English and Arabic, and worked for the US
General Services Administration.
Boogaerts was an ardent historic preservationist who worked tirelessly
for the preservation of the South Street Seaport and the threatened Carnegie
Hill neighborhood.
Boogaerts was instrumental in forming the Carnegie Hill
Neighbors group in 1970 when developer Peter Sharp announced his intentions of
constructing a 32-story luxury residence at 50 East 89th
Street. Area residents had already been
staggered by the 1969 invasion of a soaring 40-story residential tower across
the street at No. 45 East 89th Street. Out of proportion and out of character with
the low-rise vintage rowhouses, the proposed structure now met with challenge.
Greatly through the efforts of the Carnegie Hill Neighbors,
the New York Landmarks Preservation Commission designated that Carnegie Hill
Historic District in 1974. Boogaerts
heaved a sigh of relief when he told The New York Times journalist Paul Goldberger, “The
war here is over.”
Goldberger explained “it was not so much recognition of
existing architecture as a prohibition on new building that the Carnegie Hill
residents wanted. To them, the banal
brick high-rise apartment tower represents a threat to the very existence of
their neighborhood, and they believe that historic-district status has given
them a way to hold back the tide of new building that has threatened to engulf
their blocks of brownstones.”
Indeed, the tide of new building was halted. No. 70 East 90th Street was
renovated again in 1983, resulting in a two-family house consisting of a
triplex and a duplex apartment.
Meanwhile the handsome façade-- designed by Robert Lyons at a time when
the entire Carnegie Hill neighborhood was experiencing a transformation—remains
beautifully intact.
photographs taken by the author
photographs taken by the author
With those enormous windows, the interior must be wonderfully bright.
ReplyDelete